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Various [Zyx Music] - Xtreme Bass!
1,79 € *
zzgl. 3,99 € Versand
Anbieter: reBuy
Stand: 16.12.2019
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Ochsenbauer, Johannes // Sokal, Harry: Bass Pla...
20,93 € *
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Erscheinungsdatum: 03.12.2013 Medium: CD Titel: Bass Players Delight-Ochsenbauer Meets Sokal Interpret: Ochsenbauer, Johannes // Sokal, Harry Komponist: Various Hersteller: Fenn Music Service GmbH / Dassendorf Rubrik: Jazz Verkaeufer: averdo

Anbieter: Rakuten
Stand: 16.12.2019
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GPO Retro Westwood Bluetooth Speaker - Black
83,49 € *
zzgl. 1,49 € Versand

The GPO Westwood Speaker has a compact, vintage amp design with Bluetooth technology so you can play music from a smartphone or MP3 player. The speaker also features various multimedia connections including RCA and 3.5mm AUX to connect other devices. The Westwood can be used to boost the sound of a GPO record player with an additional 25 watts of sound and vintage metal controls enable you to fine tune bass and treble. Complete with a retro cloth grill, metal corner protectors and a carry handle for easy portability. – A.D. Features: Compact size 25 watt output with sub-woofer Bluetooth connectivity Multimedia connection through Bluetooth, RCA input and 3.5mm aux in Bass, treble and volume controls Vintage cloth style grill, carry handle and metal corner protectors Great addition to the GPO turntables or use with your smart device Dimensions: 26 x 11 x 17.5cm Weight: 1.8kg

Anbieter: Zavvi
Stand: 16.12.2019
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Veho Z3 Noise Isolating Stereo Earphones with F...
11,99 € *
zzgl. 1,49 € Versand

Designed with performance and comfort in mind, the Z-3 earbuds sit securely in the ear, providing effective sound isolation, meaning you can enjoy your music for longer, without any distractions. Using the in-line remote control and microphone, you can change track, volume, answer phone calls or control your device using your voice without taking your phone out of your pocket. The Z-3 headphones are compatible with Apple®, iPhone®, iPod® and iPad® as well as Android™ smartphones, tablets, PC and any device using a 3.5mm AUX jack. Designed in the UK, the Veho Z-3 headphones is designed with superior quality, and are ideal for gym workouts, cycling, running, commuting to work or for just for listing to your favourite tunes. The Z-3 headphones come with various sized earbuds, crocodile chip for cable and a multi-lingual user manual. Features: Powerful bass and clear rich sound across the entire frequency range thanks to the high quality 13mm drivers Comfortable design and effective sound isolation, for enjoying music long without any distractions In-line remote control and microphone for changing track/volume and answering phone calls handsfree 3.5mm AUX jack compatible with popular devices such as Apple® iPhone®, iPod®, iPad®, Android™ smartphones, tablets, PC’s and many more Ships with various sized earbuds, crocodile chip for cable and a multi-lingual user manual. Specifications: 13mm 30Hz-16KHz 93±3dB(at 1 KHz/1mW) 32Ω ±15% 3.5mm 120cm Yes Yes

Anbieter: Zavvi
Stand: 16.12.2019
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KZ KZ - ES3 In-ear Detachable HiFi Music Earpho...
16,35 € *
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Main Features:● Integrated 10mm dynamic unit and 90035 balanced armatures units, shocking bass and high-fidelity listening experience.● 20 - 40KHz super wide frequency range, offers board sound field and captures more abundant sound details, immersive sound effect.● Detachable design, easy to assemble and convenient to maintain, you can replace it as your need, satisfies various demands on lines.● 3.5mm gold-plated L-bend jack, compatible with the majority of electronic devices, like phones, computer, walkman, MP3 and so on.● Built-in thin iron wire in cord, you can wear it and hang on your ear so as to avoid falling or dropping while doing sports.● High definition microphone supports clear and smooth conversation.● On-cord control, easy to pause / play music, switch songs and answer / refuse call, adjust volume. Brand: KZ Function: Answering Phone,Microphone,Song Switching Material: PC Model: KZ - ES3 Type: In-Ear Compatible with: Computer,iPhone,iPod,Mobile phone,MP3,PC,Portable Media Player Connectivity: Wired Frequency response: 20 - 40KHz Driver type: Hybrid Impedance: 10ohms Plug Type: 3.5mm,L-Bend Sensitivity: 106db Package size (L x W x H): 11.50 x 8.50 x 4.50 cm / 4.53 x 3.35 x 1.77 inches Package weight: 0.095 kg Product weight: 0.069 kg Package Contents: 1 x Earphones, 2 x Pair of Standby Earbud Tips, 1 x English Manual

Anbieter: G2A
Stand: 16.12.2019
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Rocksmith 2014 Edition - Remastered Steam Key G...
5,78 € *
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Become a guitar godConnect your electric guitar into a system and play every day getting better and better!Learn all fret positions, scales, and chords. The game tracks your progress so you can see yourself growing. Imagine having a seasoned, old guitar teacher ready to turn on at any given moment to instill you with all of their wisdom. Learn advanced techniques like harmonics, tapping. As you progress, things improve. The game impressively scales the difficulty level. At first, try playing a song with its very effortless version. Play only some of all notes and if you’ll do it perfectly, the game will notice it right away. The next time around the easy section will be cranked up in complexity while the parts you may have flubbed will stick to basics. Rocksmith 2014 is filled with a variety of play styles so every single guitar player will find something interesting to learn.Play games & your favourite songsRocksmith 2014 Edition features a variety of games that will teach you different guitar skills. Learn the guitar basics by playing hilarious mini-games and feel proud of yourself as you progress. There are scale games, harmonic games, chord games and so much more. But that’s not even highlighting the absolute best feature of the game - songs! Nothing is better than playing your favourite songs. Learning the guitar by playing them and tracking the progress will give you tons of fun and entertainment. Rocksmith 2014 Edition perfectly detects all notes and chords from the guitar as you play them.Work hard with the lessonsLearning theory and technique is not as exciting as playing along with licensed music but is necessary to master all guitar skills. Discover the effective learning tools that serve to make playing your favourite songs even more enjoyable. The early lessons can feel like a waste of time for experienced players but they progress quickly to more complex topics. Unless you’re entering as an expert already, you’ll find plenty of lessons that will test your skill.The session modeJam with the virtual band and practice sweet solos and riffs. The session mode allows you to create a custom band with your favourite instruments and then jam with it. Build a band that includes drums, bass guitar, piano, and rhythm guitar and play a freestyle to various cool backgrounds. Choose the root note, scales that you want to practice, tempo, and the type of groove. The band will play accordingly to your style of playing. If you want to play the guitar, you owe it to yourself to pick up this game because it’s not just a game.Easily find your favourite songsSort all songs by title, artist, tuning, or search songs by typing keywords, title or artist.You can also filter songs by favourites or song lists. Song lists are the new expansion of the favourites list. There are 4 of them and you can use them as a filter and you can also use them as a non-stop play. Shuffle your songs by tuning so you no longer have to retune your guitar in a session. You can also play the song list which gives you to set up different routines like maybe you want to play all metal or all soft songs. Shuffle the paths so you can play the lead guitar, rhythm guitar or lead and rhythm with alternate arrangements mixed in.Riff repeaterChoose a small region of a song to slowly repeat if you need more practice. Easily adjust the speed, the number of repeats and everything that will make you better at playing a particular fragment of a song.Design your own toneRocksmith 2014 edition features a variety of virtual amps, that let you customize your toneand use your console as an amplifier combo. Each amp includes 6 different tone options.You can also pick up some pedals, that will provide you your favourite guitar effects. Choose between overdrives, fuzzes, delays, and choruses.

Anbieter: G2A
Stand: 16.12.2019
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Anleitung Zum General-bass: Mit Gestochenen Not...
45,90 CHF *
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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. br/br/ ++++br/ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: br/++++ br/br/ Anleitung Zum General-Bass: Mit Gestochenen Noten-Beyspielen In 146 Nummernbr/br/ Emanuel Aloys Foersterbr/br/ Johann Träg und Sohn, 1805br/br/ Music; Instruction & Study; Composition; Music / General; Music / Instruction & Study / Composition

Anbieter: Orell Fuessli CH
Stand: 16.12.2019
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Bach, J: Triosonate VI in G-Dur
31,90 CHF *
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Bach composed the six Trio Sonatas for Organ BWV 525 – 530 probably between 1727 and 1730 when he was Cantor at the St. Thomas Church in Leipzig. The trio sonata as a baroque genre usually employs four players: two solo parts (violin, flute or oboe), a bass part (violoncello, violone or bassoon) and the continuo part (organ, harpsichord or lute). It is assumed that during his time in Köthen (1717 – 1723), Bach composed a few dozen trio sonatas for various instruments, of which very few have survived. In fact, the Triosonata for two Flutes and Continuo BWV 1039, along with the one from the Musical Offering (which was written much later), is the only one of which the authenticity can be regarded as certain. Bach arranged it for Viola da Gamba and harpsichord (BWV 1027). The upper solo part is played by the right hand of the harpsichordist while the Viola plays the second part an octave lower. Later, Bach arranged the last movement for organ (Trio in G). Here, the pedal plays a slightly simplified bass, and the left hand takes up the second part. Maybe some of the movements of the six Trio Sonatas for Organ go back to lost compositions Bach has arranged in a similar manner. There are earlier versions of many movements, and the original of at least one movement (BWV 528, I.) was written for more than one instrument: the Sinfonia of the second part of Cantata BWV 76 which is set for Oboe d’amore, Viola da Gamba and Basso Continuo. The linear, distinctly chamber music-like disposition of the Sonatas further supports this assumption, and a number of recent recordings of the Sonatas with two solo instruments and basso continuo convincingly justify the reconstruction of a hypothetical original. The sixth Trio Sonata might be the only one that Bach explicitly composed for this collection. The particularly high number of changes in the manuscript might indicate that he was still working on it when he copied the Sonata into the collection. The first movement Vivace has a certain resemblance with the first movement of Bach’s Italian Concerto for harpsichord. It is a concerto movement, but the solo and tutti passages are often ambiguous. The unison in the beginning is unparalleled in the Trio Sonatas and emphasizes the concerto character of this movement. The first theme returns in modified forms: syncopated (bar 53), in sequence (bar 73) and embellished in minor (101). Extended arpeggios in the interludes (T 37 – 52, 85 – 100 und 137 – 152) and a remarkably active bass (bar 101) effectively contrast the homophone main theme. The declamatory character and its rhythmically and melodically independent solo parts make the Lento sound more like an aria from Bach’s cantatas with obligato (violin, flute or oboe) than a chamber sonata. There are elements of the Siciliano (esp. the dotted 6/8 rhythms) and the bass gets involved in the thematic development. Like in Sonatas BWV 526, 528, und 529 the bass is also involved in the development of the fugue subject in the last movement Allegro. While the first theme only employs one and a half bars, the second theme in the parallel minor stretches over four bars and dominates the middle section with motivic sequences and frequent modulations. Due to the range (first theme soprano) the Sonata was transposed a half-step above the original key. For the same reason, the upper parts were switched in bars 156 – 160. The alto part was transposed an octave down in bars 21 and 22 (with two eight notes pickup). The 8va in the third movement can be performed as written. Instrumentation: 3 saxophones (SABar/SAT) and cello ad lib BWV 530

Anbieter: Orell Fuessli CH
Stand: 16.12.2019
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Recuerdo de una jornada
24,90 CHF *
zzgl. 3,50 CHF Versand

“Recuerdo de una Jornada” was composed for, and dedicated to, the Cuban saxophonist Jorge Luis Almeida and the Havana-based saxophone quartet “Habana Sax”. Jorge L. Almeida graduated from Cuba’s National School of Arts in 1975 and from the Instituto Superior de Arte in Havana in 1987; under the tutelage of professor Daniel Deffayet, he completed two courses of studies at the Conservatoire National Supérieur de Musique et de Danse de Paris in France “with distinction” in the years 1987 and 1990. In 1987, Almeida founded the saxophone quartet “Cuarteto de Saxofones de La Habana” and later on, in 1991, “Habana Sax”. The repertoire of the latter, which is one of the most important ensembles of its kind in Cuba, ranges from classical to contemporary music. Infl uences of Cuban popular music as well as jazz can be felt in many of the ensemble’s works, and often a percussionist is added to the group’s lineup. Throughout the years, the quartet has presented itself at festivals and in the most famous concert halls all over the world. Various technical particularities that represent quite a challenge in the execution of Cuban music manifest themselves in this composition, such as syncopations, off-beats, the “cinquillo cubano” and, as its most prominent aspect, the “clave”. It is the “son clave” (2-3) that marks the beginning of the piece and is, for instance, picked up by the four saxophones in measures 30 and 31. The part played by the baritone sax should especially be pointed out: One the one hand, it assumes the role of the bass building the rhythmic and harmonic basis; on the other hand, it provides further rhythmical support when executing the “tumbaos” in case an additional percussionist is added to the quartet (which, of course, is optional since the piece can be performed without any percussion instruments). In measure 32, the tempo changes and the piece switches over to a Latin jazz feel making use of a phrasing typical of this style. This feeling is maintained up to measure 54, where the tenor sax starts playing a “tumbao”, developing into a so-called “champola” (a term that refers to the layering of different “tumbaos” which, when played in conjunction, result in a “contagious” rhythmic pattern) in measure 58. Finally, in measure 72, the composition returns to tempo primo, being performed in the style of a “son”, and ends with the execution of the “son clave”. Instrumentation: 4 saxophones (SATBar) + Drum Set (opt.)

Anbieter: Orell Fuessli CH
Stand: 16.12.2019
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