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Music from London
17,29 € *
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Erscheinungsdatum: 02.02.2012, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: Music from London, Titelzusatz: Drum and bass, Live Aid, Dubstep, History of drum and bass, The Blockheads, Grime, Live 8 concert, London, Street piano, Rachel Stamp, I Can Take You to the Sun, Metropolis Mastering, Doctors of Madness, Savage Messiah, Verlag: Books LLC, Reference Series, Sprache: Englisch, Schlagworte: MUSIC // Ethnomusicology, Rubrik: Musik // Allg. Handbücher, Lexika, Seiten: 46, Informationen: Paperback, Gewicht: 109 gr, Verkäufer: averdo

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Stand: 27.02.2020
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Grand Theft Auto III Steam Key GLOBAL
2,22 € *
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You've been betrayed and left for dead. Now you're taking revenge, unless the city gets you first. Mob bosses need a favor, crooked cops need help and street gangs want you dead. You'll have to rob, steal and kill just to stay out of serious trouble. Anything can happen out here. Featuring a fully 3-D living city, a combination of narrative driven and non-linear gameplay and a completely open environment, the game represents a huge leap forward in interactive entertainment. For the first time, players are put at the heart of their very own gangster movie, and let loose in a fully-realised 3 dimensional city, in which anything can happen and probably will. With a cast of hundreds, 50 plus vehicles, ranging from sports cars to ice cream trucks and from boats to buses, 3 hours of music, including opera, reggae, house, drum and bass, pop and disco, a huge array of street ready weapons and some of the seediest characters in video game history, Grand Theft Auto 3 is a sprawling epic which will show you that sometimes, crime can pay and sometimes it can pay you back. 

Anbieter: G2A
Stand: 27.02.2020
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St. Patrick´s Day - Irish Music and Irish Beer
24,50 € *
zzgl. 5,95 € Versand

St. Patrick`s Day PartyIrish Music and Irish BeerEs ist bald wieder soweit, der irische Nationalfeiertag im März wird auch in der Stadthalle Osterode kräftig und feucht-fröhlich gefeiert. Am 16. März 2019 startet die Kultparty unter dem Motto ?Irish Music an Irish Beer?. Ab 20.00 Uhr darf dann ausgiebig gefeiert und auch getanzt werden. Begleitet wird diese Party von dem herrlichen schwarzen Tropfen namens ?Guinness? und dem süffigen ?Kilkenny?. Und natürlich ist die Halle wieder zünftig in den Farben der grünen Insel geschmückt. Den Gast erwarten drei Top Bands, die alle schon bei zahlreichen Anlässen ihren Spirit auf die Bühne gebracht haben und sicher auch in Osterode voll überzeugen werden.Beginnen wird die Formation ?Sackville Street? unter dem Motto ?Lieder aus Irland?. Christian Donovan, dem Publikum der Stadthalle Osterode durch die Kilkenny Band bekannt, und Nina Heinrich treffen auf die Harfenistin Hella Luzinde Hahne. Sackville Street sind zwei starke Stimmen und eine Keltische Harfe, die dafür bekannt sind, leidenschaftlich und ohne unnötigen Firlefanz, melancholische irische und schottische Lieder außergewöhnlich darzubieten. Da die drei Musiker am 16. März ihr Programm zum irischen Nationalfeiertag St. Patrick?s Day zum Besten geben werden, schrecken sie diesmal nicht vor den üblichen Gassenhauern wie ?Whiskey In The Jar?, ?Wild Rover? und ?Dirty Old Town? zurück.Nicht nur durch ihre sehr persönliche Darbietung und den dichten Sound ist ein unvergesslicher Abend garantiert. Das Publikum wird auch aktiv mit in das Geschehen eingebunden und zum Mitsingen angeleitet. Die dargebotenen Lieder umfassen das gesamte Spektrum des irischen Liedes: Rebel Songs, schicksalhafte Auswanderungsballaden, Lieder von unerfüllter Liebe, Sehnsucht und Leidenschaft. Sackville Street, so nah kann Folk sein - Gänsehaut garantiert!Den zweiten Teil des Abends bestreitet die Gruppe ?Clonmac Noise?. 5 junge Musiker aus Ostniedersachsen, die seit 2009 in der Stammformation Irish Folk Music auf die Bühnen Niedersachsens und den angrenzenden Bundesländern bringen. Zur Musik: authentische und energiegeladene Irish Folk Music, dezent gepaart mit selbstgeschriebenen Songs und (platt)deutschen Stimmungskrachern, gespielt mit typischen Instrumenten wie z.B. Fiddle, Banjo, Tin Whistle, Akkordeon, Bodhran, Bouzouki und Gitarre. Aus der Anzahl der unterschiedlichen Instrumente und deren Spielweise, der Facettenvielfalt der einzelnen Songs und dem mehrstimmigen Gesang ergibt sich dann das Klangbild, welches die Band unverkennbar macht. Eines ist sicher: Durch diese Mischung gelingt es der Band ohne Ausnahme, ausgelassene Stimmung zu wecken bis sich die Tanzfläche füllt und die Schwarte kracht. Das Outfit der Band, ein trockener Humor und echter Spaß vor, während und nach Konzerten, bedient dabei zusätzlich das Klischee der irischen Arbeiter-Gang, das durch die unverwechselbare raue und authentische Stimme des Sängers Dan vom ersten Moment des Konzertes erfüllt wird.Zum Abschluß der St. Patrick`s Day Party 2019 kommt der Auftritt der ebenfalls 5-Köpfigen Formation ?Irish Stew?. Diese Gruppe spielt eine Mischung aus Folk und Rock, und das so fetzig und überzeugend, dass sie auf dem Eitorfer Folk-Festival als lokale Newcomer-Band mit den etablierten Größen wie Bardic oder Paddy Goes To Holyhead durchaus mithalten konnte und das Publikum auf Anhieb mitriss. Auch auf späteren Konzerten mit Fiddlers Green oder der Battlefield Band konnte die Band die Zuschauer sofort begeistern. Die meisterhaften Tunes von Birgit Heydel (Geige) und der raue Gesang des Bandleaders Günter Koch gepaart mit dem rockigen Fundament gesetzt von Ingo Meyer (Drums), Thomas Rissmann (Bass) und Stefan Wiesbrock (Gitarre) reißen in ihrer Gegensätzlichkeit jedes Publikum mit! Dazu liefern ausgefeilte Streicher-Duette sowie der mehrstimmige Gesang außergewöhnliche Highlights und kreieren einen unverwechselbaren eigenständigen Sound, der in rockigen Folksongs und atemberaubenden Instrumentals zum Ausdruck kommt. Aber auch die Freunde von gefühlvollen Balladen werden mehr als verwöhnt von Stefanie Horns kraftvoller und dennoch sehr gefühlvoller Stimme. Neben der schon immer vorhandenen, überschäumenden Spielfreude und der puren Lebenslust überzeugt ?Irish Stew? ihr rasant wachsendes Publikum durch musikalisches Können und überraschende Ideen in den Arrangements der Songs. Der Stil jedes einzelnen Musikers verschmilzt in harmonischer Weise zu einem facettenreichen Gesamtwerk und lässt ?Irish Stew? zu einem Klangerlebnis der ganz besonderen Art werden.And now celebrate and have fun!Karten zu diesem Höhepunkt im Veranstaltungsprogramm der Stadthalle und im Osterode Kulturleben gibt es an der Theaterkasse der Stadthalle, Montag bis Freitag von 9.00-12.00 und 15.00-18.00 Uhr, telefonisch unter 05522/91680-10 und bei allen bekannten Vorverkaufsstellen im Ticketsystem ?Reservix? ? sowie auch online über die Website der Stadthalle www.stadthalle.osterode.de

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Stand: 27.02.2020
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The Doors in Concert - in concert
24,50 € *
zzgl. 5,95 € Versand

The Doors in Concert (NL)The Doors gelten als eine der einflussreichsten Bands der 1960er-Jahre deren Frontmann James Douglas ?Jim? Morrison zu den charismatischsten Persönlichkeiten der Rockmusik jener Zeit zählte. Am 08. Dezember wäre er 69 Jahre alt geworden. Am 03. Juli diesen Jahres hatte sich sein Todestag zum 41. Mal gejährt. Mit nur 27 Jahren ist er auf mysteriöse Art und Weise in Paris gestorben und noch heute ist seine Grabstätte auf dem Pariser Ostfriedhof Père Lachaise eine Pilgerstätte für seine zahlreichen jungen wie alten Fans. Ihm zu Ehren und anlässlich seines 69. Geburtstages lassen wir mit der holländischen Tributband ?The Doors in Concert? die guten alten Zeiten wieder aufleben.The Doors in Concert sind eine authentische DOORS-Tributband. Der Sänger hat das richtige Aussehen und die perfekte Stimme, der Keyboarder hat viele Ähnlichkeiten mit Ray Manzarek, der Gitarrist spielt und klingt wie Robby Krieger und schließlich kann sich der Trommler John Densmore´s feinsten Finessen nähern.The Doors in Concert Die absolute Authentizität ist das Markenzeichen dieser Tributband. So werden nur Instrumente benutzt, welche exakt auch die Originalband spielte, um sich dem richtigen Klang so gut wie möglich zu nähern. Natürlich passen der Vox Continental, Gibson G-101 und der Gibson SG in dieses Gerüst. Der Keyboarder von The Doors in Concert spielt die Basslinien genauso mit seiner linken Hand auf einem historisch korrekten Silver-Top Fender Rhodes Piano Bass wie Ray Manzarek, der exakt so ein Modell auch genutzt hat. Natürlich werden ebenso die Vintage Fender Amps and Mikrophone verwendet, wie es seinerzeit THE DOORS taten.Jedes Instrument und jedes Stück der technischen Ausrüstung ist sorgfältig und liebevoll dem Original-Equipment nachempfunden und zusammengestellt, damit der glorreiche originale Klang bis ins feinste Detail erhalten bleibt.The Doors in Concert produzieren so den ´live´ Klang der originalen Band. Die ?live?-Versionen sind oft musikalisch viel interessanter und reiner als die bearbeiteten Studioaufnahmen.Von den verschiedenen Live-Aufnahmen (die gerade neu remastert auf CD herausgebracht wurden) inspiriert, werden besonders Songs aus diesen (musikalischen) Sphären gespielt: ?The Doors In Concert?, ?Live at the Aquarius Theatre?, ?Live in Pittsburgh?, ?Live in New York?, ?Live in Stockholm? und ?Live at the Matrix?.So werden neben den vielen Hits wie Light My Fire, The End, Riders On The Storm, Roadhouse Blues und Love Street, auch Songs wie Alabama Song (Whisky Bar) / Backdoor Man, End Of The Night, Gloria, LA Woman, Unknown Soldier, Hyacinth House, When The Music?s Over u.v.m. zu hören sein.Jim Morrison gilt als Rockmusiker, der die Fantasien, Visionen, Ängste und die Selbstdestruktivität der Generation der späten 1960er Jahre artikulierte und exemplarisch auslebte. Gemeinsam mit den Doors erweiterte er das Repertoire der Rockmusik um mehrschichtige Konzeptstücke und Formen des Rocktheaters. Die Shows der Doors waren energiegeladen, explosiv, spannend und oft ereignisreich.The Doors in Concert bringen diese Zeit zurück auf die Bühne. Authentisch, leidenschaftlich und perfekt im Sound und Outfit. Jeder der Jim Morrison und die Doors mochte, sollte sich dieses Ereignis und diese Tribut-Show nicht entgehen lassen.Line-up:Danny van Veldhuizen | VocalWillem Vonhof | KeysGandert de Boo | GuitarBobby Baudoin| Percussion, Drums

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Stand: 27.02.2020
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10cc - 10cc in Concert
42,50 € *
zzgl. 5,95 € Versand

10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

Anbieter: Konzertkasse
Stand: 27.02.2020
Zum Angebot
10cc - 10cc in Concert
49,95 € *
zzgl. 5,95 € Versand

10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

Anbieter: Konzertkasse
Stand: 27.02.2020
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War on Sound , Hörbuch, Digital, 1, 1179min
9,95 € *
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Kid Centrifuge is a rock band with dreams no bigger than other rock bands: ho-hum, tour and get signed and be famous and change the universe. Alas, unlike their rock-music forebears, our heroes live in a world that has largely moved on to techno, dance and pop. Yes, the music industry is still littered with double-crossers and backbiters, but now they're looking for DJs, and maybe guitar champions need no longer apply. So the kids tilt against the same old windmills musicians have battled forever, but with a suspicion that the same old animating dream - all you need is a guitar and a great song and you'll make a million bucks - is dead. That gives their grass-roots aspirations more than a little desperation, and bad decisions ensue. War On Sound gets inside its four featured musicians - Amanda, the singer; Sebastian, the guitarist; Kate, the drummer; and Scott, the bass player and angsty piloting force - the way Don DeLillo did in Great Jones Street and Roddy Doyle did in The Commitments. These talented kids wage war, blinkers in place, faith challenged...they have big success and big failure, and they keep playing. War on Sound is by turns hilarious and profound, and illuminates the contemporary music scene better than any recent novel. 1. Language: English. Narrator: Christopher Harris. Audio sample: http://samples.audible.de/bk/acx0/069702/bk_acx0_069702_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 27.02.2020
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Bob Marley: The Life and Legacy of Reggae's Glo...
9,95 € *
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We don't have education, we have inspiration; if I was educated I would be a damn fool. (Bob Marley) "If there remains any magic, it is music." (Bob Marley) In terms of raw popularity, Bob Marley sold over 20 million albums in a brief career that took him around the globe as, "[T]he first international superstar from the so-called third world", but the journey from anonymity within his own culture to reigning as, "[T]he defining figure of Jamaican music" was a circuitous and dangerous one. After leaving home at age 14, Marley's street skills helped him, "[G]ain a foothold in Jamaica's chaotic music industry while skillfully navigating politically partisan violence that abounded in Kingston through the 70s." His exaltation of the reggae form, couched in the Rastafari, became an instrument of order and a haven for otherwise directionless youth in Kingston and other communities of Jamaica. Beginning with the more lighthearted ska style, Marley drew fellow Jamaicans as kindred spirits by adding social commentary to the lyrics. As these popular dance hits were infused with songs of faith, the weightier genre of reggae emerged. Marley would become, "[O]ne of the genre's most beloved artists." To the outer world, he is by far the most iconic individual associated with the form and the era. As the merely distractive elements of ska fell away, "[I]nto the slower, bass-heavy reggae sound", the accompanying depth of his message lifted him above being a mere entertainer, and his fellow Jamaican youth turned to him for social truths. 1. Language: English. Narrator: Russell Stamets. Audio sample: http://samples.audible.de/bk/acx0/034106/bk_acx0_034106_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 27.02.2020
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The real book 5
47,95 € *
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AN AFFAIR TO REMEMBER (OUR LOVE AFFAIR)|AFTER THE LOVE HAS GONE|AFTER YOU WHO|AIN'T SHE SWEET|ALEXANDER'S RAGTIME BAND|ALL I DO IS DREAM OF YOU|ALL MY LIFE|ALMOST LIKE BEING IN LOVE|ALONE TOGETHER|THERE'S ALWAYS SOMETHING THERE TO REMIND ME|AND ALL THAT JAZZ|AND SO IT GOES / Joel Billy|ANY PLACE I HANG MY HAT IS HOME|AQUARIUS|ARE YOU IN THE MOOD|At last|Autumn Nocturne|Back bay shuffle|BALLAD IN BLUE|THE BARE NECESSITIES|BAUBLES BANGLES AND BEADS|BE MY LOVE|THE BEAT GOES ON|Beloved infidel|THE BEST OF EVERYTHING|Better than anything|BIDIN' MY TIME|BIG NOISE FROM WINNETKA|BILLIE JEAN / Jackson Michael|BIRD'S NEST|BLAH BLAH BLAH|BLUES FOR DADDY O|BLUES FOR MARTHA|BOB WHITE (WHATCHA GONNA SWING TONIGHT)|BONGO BOP|BOOGIE BLUES|BOOGIE WOOGIE BUGLE BOY|Both sides now|THE BOY NEXT DOOR|BREEZIN'|BREEZIN' ALONG WITH THE BREEZE|BUGLE CALL RAG|C'EST MAGNIFIQUE|CAB DRIVER|C E D|CHACARERA|CHATTANOOGA CHOO CHOO|CLAP YO' HANDS|THE COLORS OF MY LIFE|COME ON COME OVER|COMECAR DE NOVO|Connie's Blues|COOL|Country preacher|COUNTRY STYLE|COW COW BOOGIE|CRAZY RHYTHM|CRAZY WORLD|The cylinder|Dance of the octopus|DAY IN DAY OUT|DEEP IN A DREAM|Deep night|Delauney's dilemma|Dexter's mood|Diamonds are forever|DIANE|DING DONG THE WITCH IS DEAD|Django's castle|Do it again|DON'T CRY JOE (LET HER GO LET HER GO LET HER GO)|DON'T SMOKE IN BED|DRAGNET|DREAM OF YOU|A DREAMER'S HOLIDAY|DRINKING AGAIN|THE DUKE|EASE ON DOWN THE ROAD|EASY|EBB TIDE|EBONY SAMBA (SAMBANEGRO) / Bonfa Luiz|Echoes|ELMER'S TUNE|EUROPA|EVERY BREATH YOU TAKE / Police|Everything but you|Experiment in terror|FASCINATING RHYTHM|FASCINATION|FINE AND DANDY|FLAMENCO SKETCHES / Davis Miles|THE FOOL ON THE HILL / Beatles|FOR ONCE IN MY LIFE|FORTY SECOND STREET|FRIED BANANAS|From here to eternity|A GAL IN CALICO|A GARDEN IN THE RAIN|GENTLE RAIN|GETTING TO KNOW YOU|GIVE ME THE SIMPLE LIFE|The golden striker|GONNA BUILD A MOUNTAIN|GONNA FLY NOW|GOODBYE PORK PIE HAT|GOOFUS|GOT TO GET YOU INTO MY LIFE|GRACELAND|THE GREATEST LOVE OF ALL / Houston Whitney|GREEN ONIONS|GUANTANAMERA|GUYS AND DOLLS|Hamp's Boogie Woogie|Have I stayed away too long|THE HAWK TALKS|HE LOVES AND SHE LOVES|HE WAS TOO GOOD TO ME|HE'S A TRAMP|HEIGH HO|HELLO DOLLY|Hernando's hideaway|HEY THERE (THE PAJAMA GAME)|HEY THERE GOOD TIMES|HIGH AND DRY|HILL STREET BLUES THEME|Hold me thrill me kiss me|How Am I To Know|HOW CAN I BE SURE|HURT|HYMN TO FREEDOM|I COULDN'T SLEEP A WINK LAST NIGHT|I COVER THE WATERFRONT|I DREAM TOO MUCH|I FEEL A SONG COMIN' ON|I FEEL PRETTY|I GET A KICK OUT OF YOU|I HAD THE CRAZIEST DREAM|i just found out about love|I KNOW THAT YOU KNOW|I LOVE MY WIFE|I LOVES YOU PORGY|I MAY BE WRONG (BUT I THINK YOU'RE WONDERFUL)|I NEVER KNEW|I SURRENDER DEAR|I thought of you|I WANNA BE AROUND|I WANNA BE LOVED BY YOU / Monroe Marilyn|I WANT TO BE A SIDEMAN|I WANT TO BE HAPPY|I WILL SAY GOODBYE|I'D RATHER LEAVE WHILE I'M IN LOVE|I'll be easy to find|I'll Build A Stairway To Paradise|I'LL NEVER SAY NEVER AGAIN AGAIN|I'LL NEVER STOP LOVING YOU|I'LL SEE YOU IN MY DREAMS|I'M A DING DONG DADDY FROM DUMAS|I'M AN OLD COWHAND (FROM THE RIO GRANDE)|I'M COMING VIRGINIA|I'M FOREVER BLOWING BUBBLES|I'M GETTING SENTIMENTAL OVER YOU|I'M IN THE MOOD FOR LOVE|I'VE GOT A CRUSH ON YOU|I'VE GOTTA BE ME|IF I COULD BE WITH YOU (ONE HOUR TONIGHT)|IF I HAD YOU|IF THIS ISN'T LOVE|IN YOUR OWN SWEET WAY|Indian Love Call|ISN'T THIS A LOVELY DAY (TO BE CAUGHT IN THE RAIN)|IT AIN'T NECESSARILY SO|IT HAPPENED IN MONTEREY|It might be you|IT'S A PITY TO SAY GOODNIGHT|IT'S A RAGGY WALTZ|JALOUSIE (JEALOUSY)|JAMBALAYA (ON THE BAYOU)|James Bond Theme|JAZZMAN|JEEP'S BLUES|JEEPERS CREEPERS|Jet Song|JOEY JOEY JOEY|JUNE NIGHT|K C BLUES|KING PORTER STOMP|LA RONDE|LAIRD BAIRD|THE LAMP IS LOW|LAUGH CLOWN LAUGH|LAZY SUNDAY|Le cannet|LEAP FROG|LET A SMILE BE YOUR UMBRELLA|Let me love you tonight|LET YOURSELF GO|LET'S DO IT (LET'S FALL IN LOVE)|LET'S TAKE AN OLD FASHIONED WALK|LIKE A LOVER (O CANTADOR)|Lili Marleen|LI'L DARLIN'|Live and let die|THE LORELEI|Lost In Meditation|LOVE DANCE|LOVE IS HERE TO STAY|LOVE WALKED IN|LUCKY TO BE ME|LULLABY IN RHYTHM|LULU'S BACK IN TOWN|MACK THE KNIFE|MAIN STEM|MARIA|MATCHMAKER|Maybe|Me and Mrs Jones|MEGGIE'S THEME (ANYWHERE THE HEART GOES)|MICKEY MOUSE MARCH|MIDNIGHT IN MOSCOW|MILENBERG JOYS|MINNIE THE MOOCHER (THE HO DE HO SONG)|MISS OTIS REGRETS (SHE'S UNABLE TO LUNCH TODAY)|MISTER FIVE BY FIVE|Mood that I'm in|MOONDANCE / Buble Michael|MORE TODAY THAN YESTERDAY|MUSIC MAESTRO PLEASE|Music on the way|My Kind Of Girl|MY MAN'S GONE NOW|MY MONDAY DATE|My One And Only|MY OWN TRUE LOVE (TARA'S THEME)|MY REVERIE|MY YIDDISHE MOMME|NEAR YOU|NEVER MY LOVE|NEW YORK NEW YORK|Nice n easy|NO OTHER LOVE|NOREEN'S NOCTURNE|NOTORIOUS|OF THEE I SING|OH GOOD GRIEF|OH HAPPY DAY|OH LADY BE GOOD|The old master painter|ON A LITTLE STREET IN SINGAPORE|ON THE ATCHISON TOPEKA AND THE SANTA FE|ON THE OTHER SIDE OF THE TRACKS|ON THE SOUTH SIDE OF CHICAGO|ONCE IN A WHILE|ONCE UPON A TIME|ONE O'CLOCK JUMP|OO SHOO BE DO BE|ORBIT|OUR LOVE AFFAIR|OVER THE RAINBOW|PENNSYLVANIA 6-5000|PEOPLE GET READY|PERRY MASON THEME|PIANO MAN|PIGALLE|PLACE ST HENRI|PLEASE DON'T TALK ABOUT ME WHEN I'M GONE|THE PREACHER|PYRAMID|QUALITY TIME|RAGTIME COWBOY JOE|RAINDROPS KEEP FALLIN' ON MY HEAD|REAL LIVE GIRL|REMEMBER|Rikki don't lose that number / Steely Dan|ROCK A BYE YOUR BABY WITH A DIXIE MELODY|ROSE MARIE|Ruby|RUDE OLD MAN|RULES OF THE ROAD|RUM AND COCA COLA|SEND IN THE CLOWNS|SEPTEMBER|SEPTEMBER IN THE RAIN|THE SEVENTH SON|SHADOW WALTZ|SHALL WE DANCE|SHE LOVES ME|A SHINE ON YOUR SHOES|A SHOT IN THE DARK|SHOULD I|SHOW TYPE TUNE (TUNE FOR A LYRIC)|SHUFFLE OFF TO BUFFALO|THEME FROM THE SIMPSONS|SING|SING SING SING|SIT DOWN YOU'RE ROCKIN' THE BOAT|SLAP THAT BASS|SLEEPY LAGOON|SLEEPY TIME GAL|SMACK DAB IN THE MIDDLE|SMELLS LIKE TEEN SPIRIT / Nirvana|SMILES|SMOOTH OPERATOR / Sade|SO MANY STARS|SOFTLY AS I LEAVE YOU|SOMEONE TO WATCH OVER ME|SOMETHIN' STUPID|SOMETHING'S GOTTA GIVE|SOMEWHERE|SONNYMOON FOR TWO|SOPHISTICATED SWING|THE SOUND OF MUSIC|SPRING IS HERE|STAR EYES|STARS FELL ON ALABAMA|STRANGER IN PARADISE|Strictly instrumental|STRIKE UP THE BAND|SONG FROM MASH (SUICIDE IS PAINLESS)|THE SUMMER KNOWS (THEME FROM SUMMER OF 42)|Theme from a Summer Place|SUNDAY|SUNRISE SUNSET (AUS FIDDLER ON THE ROOF)|SWEET GEORGIA BROWN|SWEET LORRAINE|SWINGIN' THE BLUES|TAKING A CHANCE ON LOVE|The Tender Trap|TEQUILA|THAT CERTAIN FEELING|THAT FACE|THAT LUCKY OLD SUN|THAT OLE DEVIL CALLED LOVE|THAT'S ALL|THAT'S THE WAY IT GOES|THEN CAME YOU / Warwick Dionne|THEN I'LL BE TIRED OF YOU|There's no business like show business|THEY ALL LAUGHED|THIS HEART OF MINE|THIS NEARLY WAS MINE|TICKLE TOE|TIME ON MY HANDS (YOU IN MY ARMS)|TIME WAS|Time's lie|Tin Man / America|'TIS AUTUMN|A TISKET A TASKET|TONIGHT|TOP HAT WHITE TIE AND TAILS|Totem pole|TRICROTISM|THE TROLLEY SONG|TRUST IN ME|Try a little tenderness / Redding Otis|TURN YOUR LOVE AROUND|TWO DIFFERENT WORLDS|TWO LOST SOULS|UNDECIDED|UNDER PARIS SKIES (SOUS LE CIEL DE PARIS)|VALLEY OF THE DOLLS|VERA CRUZ|A VIEW TO A KILL|The Watergate Blues|WE KISS IN A SHADOW|WE'RE OFF TO SEE THE WIZARD|WHAT IS THERE TO SAY|WHAT IS THIS THING CALLED LOVE|WHAT THE WORLD NEEDS NOW IS LOVE|WHAT'S NEW PUSSYCAT|WHEN A MAN LOVES A WOMAN|WHEN I GROW TOO OLD TO DREAM|WHEN JOANNA LOVED ME|WHEN MY SUGAR WALKS DOWN THE STREET|WHEN YOU'RE IN LOVE|WHERE IS LOVE|Who Cares|WHO'S SORRY NOW|WILD IS THE WIND|THE WINDMILLS OF YOUR MIND|A WOMAN IS A SOMETIME THING|WOULD YOU LIKE TO TAKE A WALK (SUMP'N GOOD'LL COME FROM THAT)|YESTERDAY WHEN I WAS YOUNG|YOU ARE MY LUCKY STAR|YOU COULDN'T BE CUTER|YOU DO SOMETHING TO ME|YOU MUST BELIEVE IN SPRING|YOU MY LOVE|YOU SEND ME|YOU TELL ME YOUR DREAM (I'LL TELL YOU MINE)|YOU TURNED THE TABLES ON ME|YOU WERE NEVER LOVELIER|YOU'D BETTER LOVE ME|YOU'LL NEVER FIND ANOTHER LOVE LIKE MINE|YOU'LL NEVER KNOW|YOU'RE THE TOP|ZIGEUNER|ZOOT SUIT RIOT

Anbieter: Notenbuch
Stand: 27.02.2020
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