Angebote zu "Shapes" (4 Treffer)

Kategorien

Shops

How to Play Bass
21,90 CHF *
zzgl. 3,50 CHF Versand

How to Play Bass explains areas such as technique, fret-board layout and theory in detail with over 150 photographic examples, illustrations and purpose made diagrams. Music theory is explained in terms of the bass guitar fret-board and a system categorizing the all-important major scale into three basic shapes is used from which further scales and arpeggios can be understood. The basic foundation of most bass lines is playing the notes from chords separately, known as an arpeggio. Learn to play bass arpeggios from the basic major and minors to 7th type arpeggios and play them over musical pieces that are kept rhythmically simple for you to develop an awareness of the intervals (an essential skill for creating your own bass lines). The modes of the major scale are explained in order to open up the basics of how chords, and therefore bass arpeggios, are arranged within music. The rhythmical aspect of conventional notation is covered so you can use it in conjunction with tablature. How to Play Bass includes 60 downloadable audio tracks in various styles with a demo and backing track for each and includes information on how to string a bass guitar, how to practise and an introduction to further bass guitar techniques such as slap n' pop and harmonics.

Anbieter: Orell Fuessli CH
Stand: 10.12.2019
Zum Angebot
Rossi, M: Kwazulu Zam
31,90 € *
ggf. zzgl. Versand

As an American jazz artist and educator based in South Africa since 1999, this is one in a set of pieces that reflect my musical and other experiences in this fascinating country. Kwazulu Zam was composed using a traditional South African song form called mbaquanga. Mbaquanga is a characteristic South African musical form that utilises a repeated (cyclical) 2 or 4-measure harmonic structure based on I - IV - V - I and I - IV - 1 6/4 - V - I. These progressions are the backbone of South African jazz much like the blues and its variants is to American jazz. The piece is performed in the kwela style which is based on a strong swing feel. The original meaning for kwela during less fortunate times was “kwela–kwela; hurry, hurry, the police are on the way.” Much like early jazz and throughout the swing period, the use of riff based playing and soloing was common. Bennie Moten’s and Count Basie’s early bands come to mind, and are just two examples of great riff based ensembles with exciting riff based soloing. Performance Tips The melodies or riffs in Kwazulu Zam must swing. Play them with a loose, relaxed feel. Really dip or slide into the notes that are marked. Intervals of a fifth or larger marked with slides should really be scooped and vocal in nature. Please note that African music and particularly South African jazz, is vocal and organic in nature. This tune is written in the Kwela/Swing style. It can also be played on a more traditional Mbaqango style. To get to know Kwela you can listen to recordings by Hugh Masekela, Darius Brubeck and Afro Cool Concept; also Paul Simon’s “Graceland,” for a better understanding of Mbaqango. Notes on Soloing Pay attention to the rhythm of the themes; play off rhythms found in the piece as well as playing rhythmically. The solo improvisation section at letter C should pay particular attention to the use of, and drawing from the three themes of the piece. Backgrounds and interludes can be very flexible. For example, B and C can be cued by signaling the number 1 for the background at letter B. Signal 2 for the background at C or 3 for both B and C. A closed fist indicates the last time when repeated more than once. Letters B & C can be played between solos or as a background building to the next soloist or just optionally letter C between solos. The solo background at letter C also has the option of being repeated more than once if your soloist is cooking and your rhythm section is grooving! Experiment too with dynamic shapes during repeated backgrounds that will add excitement to the background and influence the soloist. Even experiment with interchanging letters B & C as solo backgrounds. It is important to note that playing contemporary jazz phrases or licks really doesn’t work and is out of context or style of the piece. Play in the style, play rhythmically, use material from the three themes to develop and build your solo. Most importantly have fun!!! Mike Rossi Instrumentation: 3 melody instruments, piano, guitar, double bass, percussion

Anbieter: Thalia AT
Stand: 10.12.2019
Zum Angebot
How to Play Bass
14,99 € *
zzgl. 3,00 € Versand

How to Play Bass explains areas such as technique, fret-board layout and theory in detail with over 150 photographic examples, illustrations and purpose made diagrams. Music theory is explained in terms of the bass guitar fret-board and a system categorizing the all-important major scale into three basic shapes is used from which further scales and arpeggios can be understood. The basic foundation of most bass lines is playing the notes from chords separately, known as an arpeggio. Learn to play bass arpeggios from the basic major and minors to 7th type arpeggios and play them over musical pieces that are kept rhythmically simple for you to develop an awareness of the intervals (an essential skill for creating your own bass lines). The modes of the major scale are explained in order to open up the basics of how chords, and therefore bass arpeggios, are arranged within music. The rhythmical aspect of conventional notation is covered so you can use it in conjunction with tablature. How to Play Bass includes 60 downloadable audio tracks in various styles with a demo and backing track for each and includes information on how to string a bass guitar, how to practise and an introduction to further bass guitar techniques such as slap n' pop and harmonics.

Anbieter: Thalia AT
Stand: 10.12.2019
Zum Angebot

Ähnliche Suchbegriffe