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Cinebar Ultima Power Edition
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899,99 € *
zzgl. 19,99 € Versand

Leistungsstarke Soundbar der Spitzenklasse für eine TV-, Musik-, und Gaming-Wiedergabe auf hohem Niveau. Variante mit per Funk angesteuertem Subwoofer T 10 für für starken Bass in Räumen bis 35 m². 6 High-Performance-Töner für hohe verzerrungsfreie Pegel, davon 2 Side-Firing-Speaker für virtuellen Dynamore® Ultra Surround Sound. Mit Bluetooth mit aptX® für Streaming in CD-ähnlicher Qualität direkt aus den Apps von Spotify, TIDAL, Youtube, Apple Music und Co.. Unterstützt HDMI-CEC für Bedienung mit TV-Fernbedienung & HDMI-ARC für Ein-Kabel-Anschluss am TV-Gerät, 4K-Pass-Through

Anbieter: Teufel
Stand: 30.05.2020
Zum Angebot
10cc - 10cc in Concert
42,50 € *
zzgl. 5,95 € Versand

10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

Anbieter: Konzertkasse
Stand: 30.05.2020
Zum Angebot
Cinebar Ultima
Bestseller
599,99 € *
zzgl. 14,99 € Versand

Leistungsstarke Soundbar der Spitzenklasse mit brachialen 380 Watt für eine TV-, Musik-, und Gaming-Wiedergabe auf hohem Niveau. 6 High-Performance-Töner für hohe verzerrungsfreie Pegel mit präzisen Höhen und optimaler Sprachverständlichkeit, 2 Side-Firing-Speaker für virtuellen Dynamore® Ultra Surround Sound. Eingebauter XXL-Subwoofer für tiefen erdigen Bass, Soundbar passt einfach aufs Sideboard oder an die Wand (Wandhalterung integriert). Mit Bluetooth aptX® für Streaming in CD-ähnlicher Qualität direkt aus den Apps von Spotify, Amazon Music, TIDAL, Youtube, Apple Music und Co.. Unterstützt HDMI-CEC für Bedienung mit TV-Fernbedienung & HDMI-ARC für Ein-Kabel-Anschluss am TV-Gerät, 4K-Pass-Through

Anbieter: Teufel
Stand: 30.05.2020
Zum Angebot
10cc - 10cc in Concert
49,95 € *
zzgl. 5,95 € Versand

10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

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Republic of Loose
34,00 € *
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Republic of Loose are an Irish funk rock band from Dublin. Formed in 2001, the band currently consists of lead vocalist Mick Pyro, bass guitarist and vocalist Benjamin Loose, keyboardist Deco, guitarists and vocalists Dave Pyro and Brez and drummers and percussionists Coz Noleon and Andre Lopes. Additional percussion and vocals are provided by Gargos, Orla La, Emily Rose and Eve Ill Jones. With a self-described musical style of "the stuff your dad likes", the band signed to Big Cat Records in 2003, recording their debut album This is the Tomb of the Juice which was released in 2004. They were named "Hope for 2004" at the 2004 Meteor Awards. In 2005, the singles "Comeback Girl" and "You Know It" received significant airplay on Irish radio. Republic of Loose''s second album Aaagh!, released in April 2006, reached number two in the Irish Albums Chart, achieving platinum sales and a Choice Music Prize nomination in the process. It spawned several more successful singles, including "Break" which achieved notoriety in South Africa where a radio station banned it following complaints regarding its allegedly explicit lyrics.

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Semi Precious Weapons
45,00 € *
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Semi Precious Weapons is a rock band from New York City consisting of Justin Tranter on vocals, Stevy Pyne on guitar, Cole Whittle on bass and Dan Crean on drums. Pyne replaced former guitarist, Aaron Lee Tasjan, in November 2008. The band play their own "Filthy Glamour" brand of rock music and espouse a "Dirty Showbiz" philosophy.In 2006, Semi Precious Weapons (SPW) was formed by Berklee College of Music graduates Tranter, Whittle, Crean and Tasjan. In 2007 erstwhile manager BP Fallon brought in Tony Visconti to produce their first album, We Love You. Funded by Tranter's jewelry sales, they originally released the album as a free download.

Anbieter: Dodax
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American Beauties, photo book and 4 Audio-CDs
14,95 € *
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American Beauties ist eine photographische Hommage an die Legenden der Straße. Und eine musikalische Liebeserklärung an ein Lebensgefühl, das seit den Fünfziger Jahren untrennbar mit den chromblitzenden Schönheiten verbunden ist. Steigen Sie ein zu einer faszinierenden Reise mit den legendären Ikonen der Straße, begleitet von Songs von u.a. Little Richard, Percy Sledge, The Drifters und Ben E. King.MUSIK-INHALT:American Beauties – He’s A Rebel1 The Crystals: He's A Rebel 2:17 064(Pitney) Super Songs Unlimited / Unichappell Music, Inc. (BMI)(0141372ERE/CD1/03)2 Little Richard: Tutti-Frutti 2:24 131(Labostrie, Lubin, Penniman) EMI Blackwood Music Inc. (BMI)(0149612ERE/01)3 The Shirelles: Will You Still Love Me Tomorrow? (re.) 2:40 181(G. Goffin, C. King) Screen Gems - EMI Music Inc. (BMI)(0125042ERE/06)4 Gene Chandler: Duke Of Earl 2:24 050(Dixin, Sr. Edwards, Williams) Conrad Music (BMI)(0141372ERE/CD1/10)5 Fabian: Hound Dog Man 2:12 076(D. Pomus, M. Shuman) Music Corporation Of America / Hill & Range Songs (BMI)(CD 076/15)6 Percy Sledge: (Sittin` On) The Dock Of The Bay 2:34 185(Redding, Cropper) Irving Berlin Music Corp. (ASCAP)(0149612ERE/15)7 Del Shannon: Runaway 2:31 179(Shannon, Cook) Bug Music / Unichappell Music, Inc. (BMI)(0141372ERE/CD1/05)8 Tommy Roe: Sheila 2:10 171(Roe) Low-Twi Music Inc. (BMI)(0141372ERE/CD1/02)9 Crystals: Then He Kissed Me 2:35 064(Barry, Greenwich, Spector) Mother Bertha Maria Inc. / ABKCO Music Inc. / Trio Music Co. Inc.(0149612ERE/09)10 Betty Everett: The Shoop Shoop Song (It’s In His Kiss) 2:15 076(R. Clark) Trio Music Co, Inc. (BMI)(CD 076/11)11 Sandy Nelson: Let There Be Drums 2:27 149(Nelson, Polodor) EMI Unart Catalog Inc. (BMI)(0141372ERE/CD1/06)12 Jimmy Clanton: Go, Jimmy, Go 2:06 054(Pomus, Schuman) Hill & Range Songs (BMI)(CD 054/05)13 Ray Peterson: Tell Laura I Love Her 2:53 157(Barry, Raleigh) Edward B. Marks Music (BMI) / Music Sales Corp. (ASCAP)(0141372ERE/CD1/18)14 Lloyd Price: Stagger Lee 2:57 160(Price, L., Logan, H.) Irving Music, Inc. (BMI)(0141372ERE/CD1/13)15 Little Richard: Lucille 2:28 130(Penniman, Collins) EMI Blackwood Music Inc. (BMI)(0141372ERE/CD1/07)16 Chiffons: One Fine Day 2:18 053(G. Goffin, C. King) Screen Gems-EMI Music Inc. (BMI)(0149612ERE/07)17 Mary Wells: My Guy 2:48 226(Robinson) Jobete Music Co, Inc. (ASCAP)(0141372ERE/CD1/17)18 The Ad Libs: The Boy From New York City 2:56 002(Taylor, Davis) Trio Music Co, Inc. (BMI)(0141372ERE/CD1/16)American Beauties – Hey Baby!1 Lesley Gore: It's My Party 2:18 091(Gluck, Gold, Wiener) World Song Publishing Inc. (ASCAP)(0149612ERE/11)2 The Drifters: Save The Last Dance For Me 2:36 ???(Pomus, Shuman) Manor Music Co.Ltd.(0141372ERE/CD1/19)3 Bruce Channel: Hey Baby! 2:23 050(Channel, Cobb) EMI Unart Catalog Inc. / Le Bill Music Inc. (BMI)(0149612ERE/20)4 Wanda Jackson: Let's Have A Party 2:20 113(Robinson) MPL Communications Inc. (ASCAP)(0141372ERE/CD1/04)5 Carl Dobkins jr.: My Heart Is An Open Book 2:16 ???(Robinson) Casa David Music/Emily Music Publishing Corp. (ASCAP)(CD 070/06)6 Swinging Blue Jeans: Hippy Hippy Shake 1:48 205(Romero) Jonware Music Corp. / Careers-BMG Music Publishing (BMI)(0149612ERE/06)7 Fabian: Tiger 2:31 076(Jones) Music Corporation of America / Screen Gems-EMI Music Inc. (BMI)(0149612ERE/03)8 Foundations: Build Me Up Buttercup 2:59 082(D'Abo, McCaulay) EMI Unart Catalog Inc. / BMG Songs Inc. (BMI)(0149612ERE/10)9 Tremeloes: Here Comes My Baby 2:55 215(Stevens) Angusa Music Co. Ltd. / Mainstay Music Inc. (BMI)(0149612ERE/17)10 Bobby Rydell: Wild One 02:21 176(D. Appell, K. Mann, B. Lowe) Lowe Music Publishing Corp. (ASCAP)(CD 176/05)11 Drifters: Sweets For My Sweet 2:40 074(Pomus, Shuman) Trio Music Co. Inc. / Hill & Range Songs (BMI)(0149612ERE/16)12 Trini Lopez: La Bamba – Part 1 4:24 135(Lopez) Songs Of PolyGram International Inc. (BMI)(0149612ERE/19)13 The Coasters: Poison Ivy 2:44 056(Leiber, Stoller) Jerry Leiber Music / Mike Stoller Music (ASCAP)(0141372ERE/CD1/12)14 Chubby Checker: Let's Twist Again 2:24 052(Mann, Appell) Kalmann Music Inc. (ASCAP)(0149612ERE/04)15 The Drifters: There Goes My Baby (re.) 2:12 074(Nelson, Patterson, Treadwell) Rightsong Music Co. / Jot Corp., (BMI)(0125042ERE/03)16 Cleftones: Heart and Soul 01:46 054(H. Carmichael, F. Loesser) Famous Music Publishing Co. (ASCAP)(CD 054/14)17 Little Richard: Send Me Some Lovin' (re.) 2:27 130(J. Marascalco, L. Price) EMI Blackwood Music Inc. (BMI)(0125042ERE/18)18 The Diamonds: Little Darlin' (re.) 2:11 068(Williams) AVI Music Publishing Group Inc. (BMI)(0125042ERE/10)American Beauties – Only You1 Ben E. King: Stand By Me (re.) 3:00 122(King, J., Leiber, J., Stoller, M.) Jerry Leiber Music / Mike Stoller Music (ASCAP) / Hill & Range Songs (BMI)(0125042ERE/07)2 Brook Benton: It's Just A Matter Of Time (re.) 2:32 024(B. Benton, B. Hendricks, C. Otis) Hudson Bay Music Co. / Trio Music Co. Inc., Eden Music (BMI)(0125042ERE/14)3 Robert Knight: Everlasting Love 2:51 123(Cason, Gayden) Rising Suns Music Inc. (BMI)(0149612ERE/08)4 The Shangri-Las: Give Him A Great Big Kiss 2:10 179(G. Morton) Screen Gems - EMI Music Inc. / Tender Tunes Inc. / Trio Music Co. Inc. (BMI)(0125042ERE/09)5 Tina Turner: Stand By Your Man (re.) 2:44 215(B. Sherrill, T. Wynette) EMI Al Gallico Music Corp. (BMI)(0125042ERE/11)6 Wayne Fontana: A Groovy Kind Of Love (re.) 2:02 083(Sager, Wine) Sceen Gems-EMI Music, Inc. (BMI)(0125042ERE/08)7 Frankie Avalon: Just Ask Your Heart 2:29 009(P. Damato, D. De Nota, J. Ricci) Rambed Music Publishing (BMI) / Music Corporation Of America(0125042ERE/17)8 The Association: Cherish (re.) 3:23 006(Kirkman) Beechwood Music Corp. (BMI)(0125042ERE/12)9 The Platters: Only You (And You Alone) (re.) 2:38 160(B. Ram, A. Rand) Hollis Music Inc. / Screen Gems-EMI Music Inc. (BMI)(0125042ERE/02)10 Jewel Akens: So This Is Love 2:20 003(Howard, Newman) Pattern Music Inc. / MCA Music Publishing (ASCAP)(0125042ERE/05)11 Clarence "Frogman" Henry: (I Don't Know Why) But I Do 2:18 098(Guidry, Gayten) ARC Music Corp. (BMI)(0141372ERE/CD1/14)12 Bobby Vee: More Than I Can Say 2:25 219(Curt, Allison) Peermusic (UK) Limited(0141372ERE/CD1/08)13 Shirelles: Dedicated To The One I Love 2:18 181(Bass, Pauling) Duchess-MCA Music Publishing / Fort Knox Music Inc. / Trio Music(0149612ERE/14)14 Skeeter Davis: The End Of The World 2:40 068(Dee, Kent) Edward Proffitt Music / Music Sales Corp. (ASCAP)(0149612ERE/13)15 Betty Everett & Jerry Butler: Let it Be Me 02:51 076(G. Becaud, M. Curtis, Delanoe) MCA Music Publishing Co. (ASCAP) / SDRM(CD 076/12)16 The Platters: Smoke Gets In Your Eyes 2:36 160(Kern, Harbach) PolyGram International Publishing Inc. (ASCAP)(0141372ERE/CD1/15)17 Percy Sledge: When A Man Loves A Woman (re.) 2:55 185(C. Lewis, A.Wright) Pronto Music Inc. / Quincy Music Inc. (BMI)(0125042ERE/04)18 The Bachelors: Whispering 02:28 010(Coburn, R., Rose, V., Schonberger, J.) Public Domain(CD 010/10)American Beauties – Surf City1 Jan & Dean: Surf City 02:30 118(J. Berry, B. Wilson) Screen-Gems-EMI Music Inc. (BMI)(CD 118/05)2 Jimmy Clanton: Venus In Blue Jeans 2:18 054(Greenfield, Sedaka) Screen Gems-EMI Music Inc. / Careers-BMG Songs (BMI)(0149612ERE/12)3 The Drifters: Saturday Night At The Movies 2:36 074(Mann, Weil) Screen Gems-EMI Music Ltd(0141372ERE/CD1/01)4 The Elegants: Little Star (re.) 2:43 075(Picone, Venosa) ABZ Music Corp. (BMI)(0125042ERE/19)5 The Marcels: Blue Moon 2:09 ???(Hart, Rogers) EMI Robbins Catalog Inc. (ASCAP)(0141372ERE/CD1/09)6 Pat Boone: Love Letters In The Sand (re.) 2:21 028(F. Coots, C. Kenny, N. Kenny) Bourne Co.(ASCAP)(0125042ERE/01)7 Pat Boone: Speedy Gonzales 2:38 028(Kaye, Hill, Lee) Bienstock Publishing Co. / Larry Spier Inc. (ASCAP) / Budd Music(0149612ERE/18)8 Chubby Checker: Popeye the Hitchhiker 02:31 052(Mann, Appell) Kalmann Music Inc. (ASCAP)(CD 052/14)9 Sam and Dave: Soul Man 02:38 176(I. Hayes, D. Porter) Walden Music Inc. / Almo Music Corporation (ASCAP)(CD 176/18)10 Frankie Ford: Sea Cruise 2:45 083(Smith) Cotillion Music Inc. (BMI)(0149612ERE/05)11 Spanky and Our Gang: Lazy Day 03:07 188(Fischoff, Powers) Scren Gems-EMI Music, Inc. (BMI)(CD 188/17)12 Paul Evans: Seven Little Girls Sitting in the Back Seat 02:13 076(Hillard, Pockruss) Post Music (BMI)(CD 076/10)13 Bobby Sherman: Bubble Gum and Braces 02:07 182(Justin, Sherman) Not Needy Just Greedy Music (BMI)(CD 182/07)14 Four Preps: Down by the Station 02:35 083(Belland, Larson) Beechwood Music Corp. (BMI)(CD 083/06)15 Jimmy Clanton: Just A Dream 02:26 054(Clanton, Matassa) Carbert Music, Inc. (BMI)(CD 054/06)16 Del Shannon: Little Town Flirt (re.) 2:50 179(Cook, Shannon) Bug Music / Mole Hole Music / Unichappell Music Inc. (BMI)(0125042ERE/15)17 Hank Ballard: Let's Go, Let's Go, Let's Go 02:34 010(Ballard) Fort Knox Music Inc. / Trio Music Co, Inc. (BMI)(CD 010/14)18 Danny & The Juniors: At The Hop 2:40 066(Singer, Medora, White) ARC Music Corp. / Six Continents Music (BMI)(0149612ERE/02)All titles: With courtesy of Dominion Entertainment Inc. (A K-Tel Company)(P) Dominion Entertainment, Inc.(C) 2003 edel CLASSICS GmbH

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Marillion
39,00 € *
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Marillion are a British rock group. Formed in Aylesbury, Buckinghamshire, England in 1979, their recorded studio output comprises fifteen albums and is generally regarded as comprising two distinct eras, delineated by the departure of original vocalist & frontman Fish in late 1988 after their first four albums, and the subsequent arrival of replacement Steve Hogarth ("h") in early 1989. Marillion has thus far released eleven albums with Hogarth. The core lineup of Steve Rothery (Lead Guitar and the sole 'pre-Fish' original member), Pete Trewavas (Bass), Mark Kelly (Keyboards) and Ian Mosley (Drums) is unchanged since 1984. The band has enjoyed critical and commercial success with a string of UK Top Ten hits spanning their career, an estimated fifteen million total worldwide album sales and even an entry into the Guinness Book of World Records. The band's music has changed stylistically throughout their career. The band themselves have stated that each new album tends to represent a reaction to the preceding one, and for this reason their output is difficult to 'pigeonhole'.

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Love my Jazz, Fotobildband u. 4 Audio-CDs
44,48 € *
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Giuseppe Pino - Love My JazzStarphotograph Giuseppe Pino präsentiert in Love My Jazz Porträts aller großen Namen, die die internationale Jazzszene seit den 60er Jahren hervorgebracht hat. Faszinierende Aufnahme von Louis Armstrong, Chet Baker, Count Basie, Dee Dee Bridgewater, Dave Brubeck, Chick Corea, Miles Davis, Duke Ellington, Bill Evans, Ella Fitzgerald, Stan Getz, Dizzy Gillespie, Lionel Hampton, Keith Jarrett, Oscar Peterson, Nina Simone, Joe Zawinul umfassen drei Generationen von Jazzmusikern begleitet von der Musik vieler abgebildeter Jazzgrößen.MUSIK-INHALT:CD 1 – Swing & Joy[1] Sonny Rollins: St. Thomas 6:47(Rollins) Prestige Music[2] Freddy Hubbard: Joy Spring 6:47(Brown) copyright controlFreddie Hubbard(tp)Harold Land: tenor saxBilly Childs: keyboardsLarry Klein: bassSteve Houghton: drumsBuck Clark: Percussion[3] Stan Getz & His Four Brothers: Five Brothers 3:12(Mulligan) Beechwood Music-BMIStan Getz, Zoot Sims, Al Cohn, Allan Eager, Brew Moore: tenor saxophonesWalter Bishop: pianoGene Ramey: bass · Charlie Perry: drums[4] Zoot Sims Four: I Hear a Rhapsody 5:33(Fragos, Baker, Gasparre) Thorn Creatives Int.-BMIZoot Sims: tenor saxRichards Wyands: pianoFrank Tate: bass · Akira Tana: drums[5] Dexter Gordon: Fried Bananas 6:09(Gordon) Dex Music-BMIDexter Gordon: tenor sax · Barry Harris: pianoBuster Williams: bass · Allbert “Tootie” Heath: drums [6] Milt Jackson & Wes Montgomery: Stablemates 5:45(Golson) copyright controlMilt Jackson: vibesWes Montgomery: guitar · Wynton Kelly: pianoSam Jones: bass · Philly Joe Jones: drums[7] Dave Brubeck: The Way You Look Tonight 7:45(Kern, Fields) Warner Bros. MusicDave Brubeck: piano · Paul Desmond: alto saxCD 2 – Cool & Soft[1] Miles Davis Quintet: My Funny Valentine 6:01(Rodgers, Hart) ChappellMiles Davis: trumpet · Red Garland: pianoPaul Chambers: bass · Philly Joe Jones: drums[2] Chet Baker: How High The Moon 3:39(Hamilton, Lewis) Chappell MusicChet Baker: trumpet · Herbie Mann: flutePepper Adams: baritone sax · Bill Evans: pianoPaul Chambers: bass · Connie Kay: drums[3] Ron Carter: All Blues 8:43(Davis) Musical Frontiers-BMIRon Carter: piccolo bass · Kenny Barron: pianoBuster Williams: bass · Ben Riley: drums[4] Herbie Mann & Bobby Jaspar: Tel Aviv 14:42(Mann) Prestige Music-BMIHerbie Mann, Bobby Jaspar: flutes, tenor saxTommy Flanagan: pianoJoe Puma: guitarWendell Marshall: bassBobby Donaldson: drums[5] Paul Bley: Like Someone in Love 4:07(Burke, van Heusen) Bourne/Music Sales Corp.Paul Bley: pianoCharles Mingus, bassArk Blakey: drums[6] Bill Evans Trio: Spring is Here 5:06(Rodgers, Hart) Robbins Music-ASCAPBill Evans: pianoScott Lafaro: bass · Paul Motian: drumsCD 3 – Blues & Classics[1] Duke Ellington: C-Jam Blues 5:14(Ellington) EMI RobbinsDuke Ellington: pianoRoy Burrowes, Cat Anderson,Bill Berry, Ray Nance: trumpetsLawrence Brown, Leon Cox,Chuck Connors: trombonesRussell Procope, Johnny Hodges: alto saxJimmy Hamilton: clarinet, tenor saxPaul Gonsalves: tenor sax · Harry Carney: baritone saxAaron Bell: bass · Sam Woodyard: drums[2] Big Joe Turner: Stormy Monday 4:37(Walker) Gregmark Music-BMIJoe Turner: vocalsPee Wee Crayton: guitarJ. D. Nicholson: pianoCharles Norris: bassWashington Rucker: drums[3] Count Basie Jam: Jumpin’ at the Woodside 4:32(Basie) Warner Bros. MusicCount Basie: pianoVic Dickenson, Al Grey: trombones · Roy Eldridge: trumpetBenny Carter: alto saxophone · Zoot Sims: tenor saxophoneRay Brown: bass · Jimmie Smith: drums[4] Louis Armstrong: Mack the Knife 3:28(Brecht/Weill) Weill-Brecht-Harms-ASCAPLouis Armstrong: trumpet, vocalsTrummy Young: trombone · Edmund Hall: clarinetBilly Kyle: piano · Squire Gersh: bass · Barrett Deems: drumsRecorded: July 4, 1957, Newport[5] Oliver Nelson, King Curtis & Jimmy Forest: Blues at the Five Spot 5:43(Nelson) Noslen Music-BMIOliver Nelson, King Curtis, Jimmy Forest: tenor saxGene Casey: piano · George Dvivier: bass · Roy Haynes: drums[6] Ella Fitzgerald: Night and Day 6:59(Porter) Harms Inc.-ASCAPElla Fitzgerald: vocals · Tommy Flanagan: pianoEd Thipgen: drums · Frank de la Rosa: bass[7] Ray Bryant: Take the “A” Train 4:06(Ellington, Strayhorn) Tempo Music-ASCAPRay Bryant: pianoRecorded: July 13, 1977, Montreux(P) 1977 Pablo Records Tenth & Parker Berkeley, CA 94710ISCR US-FI8-77-00001OJCCD-371[8] Oscar Peterson & The Bassists: Sweet Georgia Brown 5:09(Bernie, Pinkard, Casey) Warner Bros.-ASCAPOscar Peterson, pianoRay Brown: bass · Niels Pedersen: bassCD 4 – Bop & More[1] Woody Herman: La Fiesta 5:00(Corea) Litha Music-ASCAPWoody Herman: clarinet,sax · Greg Herbert: sax,fluteFrank Tiberi, Steve Lederer, Harry Kleintank:saxLarry Pyatt, Gil Rathel, Walt Blanton, Bill Byrne: trumpetBill Stapelton: trumpet, flugelhornJim Pugh, Geoff Sharp, Harold Garrett: tromboneAndy Laverne: piano · Joe Beck: guitarWayne Darling: bass · Ed Soph: drums · Ray Barretto: conga[2] Art Blakey & Jazz Messengers: Caravan 9:45(Ellington, Mills, Tizol) American Academy of MusicArt Blakey: drums · Freddie Hubbard: trumpetCurtis Fuller: trombone · Wayne Shorter: tenor saxCedar Walton: piano · Reggie Workman: bass[3] Charles Mingus: Jump Monk 6:53(Mingus) Jazz Workshop-BMICharles Mingus: bassEddie Bert: trombone · George Barrow: tenor saxMal Waldron: piano · Willie Jones: drums[4] Dizzy Gillespie: Manteca 9:26(Gillespie, Fuller) Music Sales Corp.-ASCAPDizzy Gillespie, trumpet · Toots Thielemans, guitarBernard “Pretty” Purdie, drums[5] McCoy Tyner: Afro Blue 9:58 Flöten, Percussion, Es-Dur(Santamaria) Mongo Music–BMIMcCoy Tyner: pianoSonny Fortune: soprano & alto sax, fluteVirgil Jones, Cecil Bridgewater, Jon Faddis: trumpetDick Griffin: trombone, bass tromboneGarnett Brown: trombone · Kiani Zawadi: euphoniumJulius Watkins, Willie Ruff, William Warnick III: French hornBob Stewart: tubaHubert Laws: piccolo, flute · Harry Smyles: oboeSelwart Clarke, John Blair, Sanford Allen, Winston CollymoreNoel DaCosta, Marie Hence: violinJulien Barber, Alfred Brown: violaRonald Lipscomb, Kermit Moore: celloJooney Booth: bassAlphonse Mouzon: drums · Sonny Morgan: congas

Anbieter: Dodax
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Apter, J: Tragedy
27,90 CHF *
zzgl. 3,50 CHF Versand

Metallica, the seventh-biggest recording act in American history, are consummate musicians—but it wasn’t always that way. A significant proportion of their playing expertise was acquired from a pivotal three-year period in their history—1983 to 1986— during which their music, a potent variant of thrash metal, evolved from garage level to sophisticated, progressive heights thanks to the teachings of their bass player, Cliff Burton. The rise and fall of the brothers Gibb—Barry, Robin, Maurice, and younger brother Andy—is perhaps the greatest saga in Australian music history. Although the Bee Gees enjoyed several rebirths in a career that spanned many decades, it seemed that tragedy followed the Gibbs like a curse. For every incredible career high there was a hefty personal downside: divorce, drunkenness, and death seemed as synonymous with the Gibbs as falsetto harmonies, flares, and multi-platinum record sales. This is the revised and updated new edition.

Anbieter: Orell Fuessli CH
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Apter, J: Tragedy
20,60 € *
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Metallica, the seventh-biggest recording act in American history, are consummate musicians—but it wasn’t always that way. A significant proportion of their playing expertise was acquired from a pivotal three-year period in their history—1983 to 1986— during which their music, a potent variant of thrash metal, evolved from garage level to sophisticated, progressive heights thanks to the teachings of their bass player, Cliff Burton. The rise and fall of the brothers Gibb—Barry, Robin, Maurice, and younger brother Andy—is perhaps the greatest saga in Australian music history. Although the Bee Gees enjoyed several rebirths in a career that spanned many decades, it seemed that tragedy followed the Gibbs like a curse. For every incredible career high there was a hefty personal downside: divorce, drunkenness, and death seemed as synonymous with the Gibbs as falsetto harmonies, flares, and multi-platinum record sales. This is the revised and updated new edition.

Anbieter: Thalia AT
Stand: 30.05.2020
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