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War on Sound , Hörbuch, Digital, 1, 1179min
9,95 € *
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Kid Centrifuge is a rock band with dreams no bigger than other rock bands: ho-hum, tour and get signed and be famous and change the universe. Alas, unlike their rock-music forebears, our heroes live in a world that has largely moved on to techno, dance and pop. Yes, the music industry is still littered with double-crossers and backbiters, but now they're looking for DJs, and maybe guitar champions need no longer apply. So the kids tilt against the same old windmills musicians have battled forever, but with a suspicion that the same old animating dream - all you need is a guitar and a great song and you'll make a million bucks - is dead. That gives their grass-roots aspirations more than a little desperation, and bad decisions ensue. War On Sound gets inside its four featured musicians - Amanda, the singer; Sebastian, the guitarist; Kate, the drummer; and Scott, the bass player and angsty piloting force - the way Don DeLillo did in Great Jones Street and Roddy Doyle did in The Commitments. These talented kids wage war, blinkers in place, faith challenged...they have big success and big failure, and they keep playing. War on Sound is by turns hilarious and profound, and illuminates the contemporary music scene better than any recent novel. 1. Language: English. Narrator: Christopher Harris. Audio sample: http://samples.audible.de/bk/acx0/069702/bk_acx0_069702_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 27.02.2020
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Luxury Hobo, 1 Audio-CD
8,68 € *
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Der BBC-Moderator Jools Holland ("Later with Jools Holland") hält ihn für "einen der größten Blueser unserer Zeit", das britische Blues Magazine bezeichnet ihn als "besten R&B-Sänger und -Gitarristen im Vereinigten Königreich", und für Craig Charles von BBC 6 Music klingt der Mann, als habe er "seine Stimmbänder während der letzten zehn Jahre in Terpentin getränkt". Alles richtig. Die Rede ist von Big Boy Bloater. "Luxury Hobo" ist das dritte Album, das Bloater mit seiner Band The Limits aufgenommen hat, und sein Einstand bei der Mascot Label Group - ein furioser Auftakt dort, so viel wird gleich beim ersten Durchlauf klar. Die Geschichte dieses Quartetts ist mit Steven Oats am Bass, Dan Edwards an den Keyboards und Matt Cowley an den Drums noch vergleichsweise jung, Big Boy Bloater selbst aber alles andere als ein unbeschriebenes Blatt: Der 45-jährige Südengländer macht von jungen Jahren an Musik und zeigt sich schon lange als nahezu omnipräsentes Multitalent. Mit verschiedenen eigenen Gruppen und auch solo war und ist er bei vielen wichtigen Festivals in Europa und den USA zu Hause - so beim Latitude, Secret Garden Party, dem Hop Farm Festival, dem BluesFest, The Great British R&B Festival, bei Burnley Blues und Viva Las Vegas, um nur einige zu nennen. Immer und überall beeindruckt er mit energiegeladen Gigs, meisterlichem Gitarrenspiel und seiner außergewöhnlich markanten, irgendwo zwischen Howlin' Wolf und Tom Waits einzuordnenden Stimmlage, die ihm bei den UK Blues Awards 2014 eine Nominierung in der Kategorie "Sänger des Jahres" einbrachte. Im Studio und als Sessionmusiker arbeitete Bloater mit Größen wie Wanda Jackson, Imelda May, Paloma Faith und Paul McCartney zusammen. Und beim britischen Internetsender Team Rock Radio präsentiert er als Gastgeber und Moderator jeden Dienstag seine "The Blues Magazine Show" mit exklusiven Interviews, Livesessions und dem Besten aus Delta Blues, Roots Music, R&B und zeitgenössischem Bluesrock. Big Boy Bloater und seine Männer gehen auf ihrem dritten Werk mit mächtig Druck zu Werke, das Album dampft und rockt noch expressiver als seine Vorgänger - von Anfang an und beinahe ausnahmslos. "Man verpasst mir zwar immer ein Blues-Etikett, aber ich sehe mich gar nicht als Bluesman im engeren Sinne", sagt Bloater. "Ich mag zum Beispiel auch dieses Pub-R&B-Ding der 1970er-Jahre sehr, außerdem habe ich seinerzeit auch gerne Mott the Hoople und T.Rex gehört. Von alldem wollte ich auf 'Luxury Hobo' etwas mit unterbringen. Deshalb hatte ich beim Schreiben diesmal reichlich Rock 'n' Roll im Kopf." Diese Operation ist auf jeden Fall gelungen - man hört es deutlich, und das Ganze macht verdammt viel Spaß.

Anbieter: Dodax
Stand: 27.02.2020
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Alive AG Strange Directions (2LP) 30 cm
21,99 € *
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(2LP mit DL-Code) DMX Krew veröffentlichte auf Aphex Twins Rephlex Records mehrere Alben. Electro mit Einflüssen von Hip-Hop oder 1980er Jahre Synthie Pop.nnDMX Krew ist ein Pseudonym des britischen Electro-Musikers Ed Upton. Als DMX Krew veröffentlichte er auf Aphex Twins Label Rephlex Records und seinem eigenen Label Breakin' Records seit 1996 mehrere Alben und eine Vielzahl von Singles und EP. Der Klang der DMX Krew wird weitestgehend als Electro eingeordnet, zeigt jedoch auch deutliche Einflüsse von Hip-Hop oder 1980er Jahre Synthie Pop. Since releasing his last album on Hypercolour in February 2016 ( You Exist ), DMX Krew has not for one moment rested on laurels, releasing two further LPs on the Ekster and Abstract Form labels, as well as EPs and singles for Central Processing Unit, Shipwrec, Revoke and more. Continuing to remain faithful to the roots of electro, IDM and the deeper shades of techno, and without compromise, DMX Krew cranks out emotive and brain scrambling electronica at a mighty rate, and never disappoints. Strange Directions is album number 21 from DMX Krew, and lands once more on Hypercolour, the British label that continues to make heady waves in the music scene with genre shifting releases from the like of Matthew Herbert, Luke Vibert, Gary Gritness, The Cyclist, Outboxx and A Sagittariun in the last 12 months alone. You ll know what kind of ride you are in for from the first few bars of album opener Snowy Blue , hypnotizing bass and spatial keys float over dusty micro breaks, produced with an infectious aesthetic that continues over the long player s fifty-five minute tenure. Experimental and expansive joints such as Odd Chill and Strange Directions sit comfortably alongside funkier techno jams such as Thin Hype and Zero Sum , whilst the melancholic synth sensibilities of tracks like Hip Hopeless and Axial Mode Beat catches DMX Krew on fine form. Another fine set of highly polished and visionary electronic goodies from one of the scene s most dedicated and consistent player TRACKS: A1 - Snowy Blue, A2 - U Talk 2 Much, A3 - Hip Hopeless, A4 - Odd Chill B1 - Home Made Drum Machine, B2 - Kinesthetic, B3 - Nice Portal, B4 - Soft Networks C1 - Strode Down, C2 - Thin Hype, C3 - Grimsthorpe D1 - Zero Sum, D2 - Axial Mode Beat, D3 - Strange Directions

Anbieter: Dodax
Stand: 27.02.2020
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Alive AG Arkansas (LP) 30 cm
19,70 € *
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(180 gr. schwarzes Vinyl im Standard-Cover mit DL-Card) John Oates, eine Häflte der der legendären Hall & Oates, legt eine Americana-Platte vor. Klassischer Delta & Country Blues und Ragtime, dazu neue Stücke von Oates, die sich nahtlos einfügen.nnJohn Oates, eine Häflte der der legendären Hall & Oates, machte endlich die Platte, die er immer machen wollte. Arkansas ist eine Americana-Platte. Von seinem neuen Heim in Nashville, Tennesse aus tauchte er eine Dekade lang tief in die Geschichte der Roots-Musik. Es gibt Interpretationen von Emmett Millers Anytime von 1924 oder den Jimmie Rodgers Tune Miss the Mississippi and You von 1932. Traditional Delta, Country Blues und Ragtime huldigen Mississippi John Hurt und Blind Blake. Dazu kommen neue Stücke von Oates, die sich nahtlos einfügen. The sonic glue that holds the project together is called The Good Road Band. The impressive lineup consists of legendary mandolin players Sam Bush, pedal steel innovator Russ Pahl, world famous electric guitar picker Guthrie Trapp, bass veteran Steve Mackey, cello virtuoso Nat Smith, and the groove of percussionist Josh Day. Combine that ensemble with Oates' warm and personal storytelling, and you have a one-of-a-kind experience that is authentic and unforgettable. The project originally began as a tribute to Oates' idol, Mississippi John Hurt . It evolved organically, during a series of Nashville recording sessions, into a unique, retrospective collection drawing from a wide range of Oates' musical influences. Asked about the style and sound of Arkansas, he say's , It's like Dixieland dipped in bluegrass and salted with Delta blues. The title track is propelled by a driving production that frames evocative images of the mist rising off the mighty Mississippi River and the expansiveness of the cotton fields in America's heartland. With the essence of roots music at its core, vintage and modern recording techniques are woven throughout the album. With this incredible band, Oates shines a light on popular songs from America's past long before the birth of rock 'n' roll. TRACKS: 1. Anytime 2. Arkansas 3. My Creole Belle 4. Pallet Soft and Low 5. Miss the Mississippi and You 6. Stack O Lee 7. That'll Never Happen No More 8. Dig Back Deep 9. Lord Send Me 10. Spike Driver Blues

Anbieter: Dodax
Stand: 27.02.2020
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Bluegrass Music
59,00 € *
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High Quality Content by WIKIPEDIA articles! Bluegrass music is a form of American roots music, and is a sub-genre of country music. It has roots in Irish, West African, Scottish, Welsh and English traditional music. Bluegrass was inspired by the music of immigrants from the United Kingdom and Ireland (particularly the Scots-Irish immigrants in Appalachia), and African-Americans, particularly through genres such as jazz and blues. In bluegrass, as in some forms of jazz, one or more instruments each takes its turn playing the melody and improvising around it, while the others perform accompaniment, this is especially typified in songs called breakdowns. This is in contrast to old-time music, in which all instruments play the melody together or one instrument carries the lead throughout while the others provide accompaniment. Traditional bluegrass is typically based around a small set of acoustic stringed instruments including mandolin, acoustic guitar, banjo, fiddle, resonator guitar and upright bass, with or without vocals. Bluegrass music has attracted a diverse and extremely loyal following world-wide. Many enthusiasts often describe their introduction to the genre as akin to having "caught the bug."

Anbieter: Dodax
Stand: 27.02.2020
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Volym 2 (Volume 2)
45,00 € *
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High Quality Content by WIKIPEDIA articles! Volym 2 (Volume 2) is the second album from Swedish hard rock band Jerusalem, released in 1980. The Swedish version was released on Prim Records. The English version was released on Lamb & Lion Records in the US and on Word Records in the UK.All songs by Ulf Christiansson, except "Dialogue" ("Dialog") by Dan Tibell.Hard rock (or heavy rock) is a genre of rock music which has its earliest roots in mid-1960s garage, blues rock and psychedelic rock and is considerably harder than conventional rock music. It is typified by a heavy use of distorted electric guitars, bass guitar, drums, pianos, and keyboards.

Anbieter: Dodax
Stand: 27.02.2020
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Nickel Creek
29,00 € *
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Nickel Creek is an American acoustic music trio. Although the group''s music has roots from bluegrass, the trio describes itself as "progressive acoustic". Nickel Creek consisted of three permanent members: Chris Thile (mandolin), Sara Watkins (fiddle), and her brother Sean Watkins (guitar). The trio has always recorded and toured with a bass player, but no bass player has ever been an official member of the band. Chris''s father Scott Thile played bass with the group until 2000, followed by Byron House, and Derek Jones. Mark Schatz has played bass regularly with the group since 2003. In interviews, the band has stressed that they are not a bluegrass band, but a band that "incorporates bluegrass into music". Nickel Creek has covered songs by Weezer, Radiohead, Pavement, Coldplay, Elliott Smith, Bob Dylan, The White Stripes, the Jackson Five and Britney Spears.

Anbieter: Dodax
Stand: 27.02.2020
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Miami Bass
34,00 € *
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online.Miami bass (also known as booty music or booty bass, a term that may also include other genres, such as dirty rap), is a type of hip hop music, that became popular in the 1980s and 1990s. Its roots are directly linked to the Electro- funk sound of the early 1980s, pioneered by Afrika Bambataa & The Soulsonic Force and later on by UK-based musician Paul Hardcastle. The use of the Roland TR-808 sustained kick drum, raised dance tempos, and occasional sexually explicit lyrical content differentiate it from other hip hop subgenres. Music author Richie Unterberger has characterized Miami Bass as using rhythms with a "stop start flavor" and "hissy" cymbals with lyrics that "reflected the language of the streets, particularly Miami''s black ghettos such as Liberty City and Overtown". Miami bass has never found consistent mainstream acceptance, though it has had a profound impact on the development of drum and bass, Baltimore Club, Southern rap, Funk carioca, and other genres.

Anbieter: Dodax
Stand: 27.02.2020
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Hard Rock
39,00 € *
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High Quality Content by WIKIPEDIA articles! Hard rock or heavy rock is a sub-genre of rock music which has its earliest roots in mid-1960s garage, blues rock and psychedelic rock and is considerably harder than conventional rock music. It is typified by a heavy use of distorted electric guitars, bass guitar, drums, pianos, and keyboards.

Anbieter: Dodax
Stand: 27.02.2020
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