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The Doors in Concert - in concert
24,50 € *
zzgl. 5,95 € Versand

The Doors in Concert (NL)The Doors gelten als eine der einflussreichsten Bands der 1960er-Jahre deren Frontmann James Douglas ?Jim? Morrison zu den charismatischsten Persönlichkeiten der Rockmusik jener Zeit zählte. Am 08. Dezember wäre er 69 Jahre alt geworden. Am 03. Juli diesen Jahres hatte sich sein Todestag zum 41. Mal gejährt. Mit nur 27 Jahren ist er auf mysteriöse Art und Weise in Paris gestorben und noch heute ist seine Grabstätte auf dem Pariser Ostfriedhof Père Lachaise eine Pilgerstätte für seine zahlreichen jungen wie alten Fans. Ihm zu Ehren und anlässlich seines 69. Geburtstages lassen wir mit der holländischen Tributband ?The Doors in Concert? die guten alten Zeiten wieder aufleben.The Doors in Concert sind eine authentische DOORS-Tributband. Der Sänger hat das richtige Aussehen und die perfekte Stimme, der Keyboarder hat viele Ähnlichkeiten mit Ray Manzarek, der Gitarrist spielt und klingt wie Robby Krieger und schließlich kann sich der Trommler John Densmore´s feinsten Finessen nähern.The Doors in Concert Die absolute Authentizität ist das Markenzeichen dieser Tributband. So werden nur Instrumente benutzt, welche exakt auch die Originalband spielte, um sich dem richtigen Klang so gut wie möglich zu nähern. Natürlich passen der Vox Continental, Gibson G-101 und der Gibson SG in dieses Gerüst. Der Keyboarder von The Doors in Concert spielt die Basslinien genauso mit seiner linken Hand auf einem historisch korrekten Silver-Top Fender Rhodes Piano Bass wie Ray Manzarek, der exakt so ein Modell auch genutzt hat. Natürlich werden ebenso die Vintage Fender Amps and Mikrophone verwendet, wie es seinerzeit THE DOORS taten.Jedes Instrument und jedes Stück der technischen Ausrüstung ist sorgfältig und liebevoll dem Original-Equipment nachempfunden und zusammengestellt, damit der glorreiche originale Klang bis ins feinste Detail erhalten bleibt.The Doors in Concert produzieren so den ´live´ Klang der originalen Band. Die ?live?-Versionen sind oft musikalisch viel interessanter und reiner als die bearbeiteten Studioaufnahmen.Von den verschiedenen Live-Aufnahmen (die gerade neu remastert auf CD herausgebracht wurden) inspiriert, werden besonders Songs aus diesen (musikalischen) Sphären gespielt: ?The Doors In Concert?, ?Live at the Aquarius Theatre?, ?Live in Pittsburgh?, ?Live in New York?, ?Live in Stockholm? und ?Live at the Matrix?.So werden neben den vielen Hits wie Light My Fire, The End, Riders On The Storm, Roadhouse Blues und Love Street, auch Songs wie Alabama Song (Whisky Bar) / Backdoor Man, End Of The Night, Gloria, LA Woman, Unknown Soldier, Hyacinth House, When The Music?s Over u.v.m. zu hören sein.Jim Morrison gilt als Rockmusiker, der die Fantasien, Visionen, Ängste und die Selbstdestruktivität der Generation der späten 1960er Jahre artikulierte und exemplarisch auslebte. Gemeinsam mit den Doors erweiterte er das Repertoire der Rockmusik um mehrschichtige Konzeptstücke und Formen des Rocktheaters. Die Shows der Doors waren energiegeladen, explosiv, spannend und oft ereignisreich.The Doors in Concert bringen diese Zeit zurück auf die Bühne. Authentisch, leidenschaftlich und perfekt im Sound und Outfit. Jeder der Jim Morrison und die Doors mochte, sollte sich dieses Ereignis und diese Tribut-Show nicht entgehen lassen.Line-up:Danny van Veldhuizen | VocalWillem Vonhof | KeysGandert de Boo | GuitarBobby Baudoin| Percussion, Drums

Anbieter: Konzertkasse
Stand: 26.02.2020
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GREGOR HILDEN ORGAN TRIO - Jazzy, funky, bluesy_
18,00 € *
zzgl. 5,95 € Versand

Wenn drei etablierte Musiker der deutschen Jazz und R&B Szene zu einem Konzertabend einladen, wird man sicherlich ein musikalisches Highlight erwarten dürfen. Vornehmlich Titel aus der Feder des Gitarristen Gregor Hilden ? der auch dieses Projekt initiierte ? stehen auf dem Programm. Musik, im Grenzbereich von Jazz, Soul, Blues, die durch die Spiellaune und die Spontanität der drei Protagonisten geprägt wird. Improvisation, Groove, gute Laune: Das Konzept verspricht einen mitreißenden und vielseitigen Gig mit hohem Musikalitäts- und Spaßfaktor! Gregor Hilden - git.,voc. / Wolfgang Roggenkamp - hammond-organ,voc / Dirk Brand - drumsGregor Hilden - Blues, Soul und grooviger Jazz stehen auf dem Programm des münsterischen Gitarristen Gregor Hilden. Mit unzähligen Auftritten und insgesamt 12 CDs und einer Live-DVD unter eigenem Namen ist er seit langem in der Szene aktiv und mittlerweile auch international bekannt geworden. Das Fachmagazin Gitarre und Bass widmete ihm mehrere Features, wies dabei auf Einflüsse von Peter Green und Larry Carlton hin und belegte sein Spiel mit Prädikaten wie ökonomisch, flexibel und elegant. Das charakterisiert Hildens Musik - eine Melange aus Blues, Jazz und Soul - denn auch höchst zutreffend. Hildens Spiel ist nicht auf Attribute wie besser, schneller oder spektakulärer angewiesen, sondern überzeugt vielmehr durch einen gefühlvollen Stil, der nicht durch Schubladen-Denken gekennzeichnet ist, sondern höchst individuelle Noten besitzt. Ebendies verdeutlicht der Musiker auf seinen letzten CDs Blue In Red und In Phase (2015) Die E-Gitarre ist die Stimme vornehmlich selbst geschriebenen Titel, die allesamt die vielfältigen stilistischen Interessen des Protagonisten widerspiegeln: Blues, Funk, Jazz, souligen Pop und R & B.Der musikalische Bogen aber, der auf dieser CD gespannt wird, ist ungleich umfassend: Federnde, singende Gitarrenlinien treffen auf extrem swingige Rhythmustruppe, knackiger Funk-Titel atmosphärische Balladen und schöne Uptempo-Jazz-Grooves.Interessant sind vor allem die Eigenkompositionen.Wolfgang Roggenkamp ? Organist und Schlagzeuger absolviert das Klassikstudium am Conservatorium in Osnabrück, von 1986-1989. In den Jahren 1989 - 1993 studiert er Jazz, Rock und Pop an der Folkwang Hochschule in Essen. 1996 verschlägt es Wolfgang an das Berklee College of Music in Boston. Schon in diesen frühen Jahren hat Wolfgang viele Engagements, geht auf Tourneen und spielt Platten ein. Zusammenarbeiten, u.a. mit dem Trompeter Uli Beckerhoff, Gitarrist Peter O´Mara, Helmut Hattler, Johnny Heartsman oder Kenny Wheeler machen ihn zu einem erfahrenen Musiker. Er verlässt die Position des Nur Drummers, als sich über die Jahre Kompositionen und Tasteninstrumente zu einem weiteren Arbeitsfeld entwickeln. 1995 erscheint Wolfgangs erste CD Spirits, es folgt die erste veröffentlichte Komposition African Blues, erschienen im Gretel Verlag. Seit 1986 spielte er auf ca. 35 CDs mit, seit 2000 lebt er in Berlin und gründet dort seine eigene Band. Wolfgang tourt und recorded, gibt Drum-, Keyboard- und Hammondworkshops.Dirk Brand - Schon mit sieben Jahren erhielt Dirk Brand bei dem englischen Jazztrommler James Sargent Schlagzeugunterricht und spielte bereits mit zehn Jahren in mehreren Sinfonie- und Jugendorchestern. 1985 gewann er mit einem Percussionensemble den Wettbewerb Jugend musiziert. Auch in anderen Bereichen, z. B. Theater- und Musicalproduktionen, war er erfolgreich tätig. 1989 legte er seine Abschlussprüfung zum Industriekaufmann vor der IHK Münster ab. Durch die ?Modern Drum School? wurde Brand auf das Percussion Institute of Technology (PIT) in Los Angeles/USA aufmerksam. Dort studierte er bei Ralph Humphrey (Frank Zappa), Joe Porcaro (Master Teacher), Richie Garcia (Latin Great) und Joe Brancato (Ella Fitzgerald) und erlernte neue Spieltechniken und Konzepte. Er schloss das Studium mit dem ?Diploma with Honors? ab. Seit Anfang 1998 ist er Lehrbeauftragter der Westfälischen Wilhelms-Universität in Münster im Fachbereich Musikpädagogik und Instrumentalunterricht. Seit 2008 ist er weiterhin Lehrbeauftragter an der Rock-Pop-Jazz Akademie Mittelhessen, einem staatlich geprüften Institut für Musik, in Gießen.

Anbieter: Konzertkasse
Stand: 26.02.2020
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Laurie Berkner's Song and Story Kitchen, Hörbuc...
9,95 € *
ggf. zzgl. Versand

Laurie Berkner and the Laurie Berkner Band have filled countless venues nationwide with adoring fans, selling millions of albums, songs, and videos. Now young listeners ages 3 to 8 can join Laurie and her buddy, Thelonious Pig (Josiah Gaffney), as she whips up yummy food, songs, and stories in Laurie Berkner’s Song and Story Kitchen. Each chapter of this whimsical Audible Original features a different food and tells a new story set in the magical world of Juniper Fields with Laurie's friends: Oscar Beebee the bumblebee, Layla Meeska the mouse, Tallulah Jones the dinosaur, and ferret cousins Victor Vito and Freddie Vasco.Along with original new music, fans will hear recordings of some of the Laurie Berkner Band’s greatest hits, with Susie Lampert on keyboard, Bob Golden on drums and percussion, Brady Rymer on bass, and several special guest musicians. In addition to learning gentle lessons through Laurie’s storytelling and upbeat songs, families will receive a free PDF of Laurie’s favorite recipes. There’s even a musical bonus chapter at the end!Cover art designed by Eliza Sturgeon.PLEASE NOTE: When you purchase this title, the accompanying recipes and reference material will be available in your My Library section on desktop only, along with the audio. 1. Language: English. Narrator: Laurie Berkner, Josiah Gaffney. Audio sample: http://samples.audible.de/or/orig/000270/or_orig_000270_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 26.02.2020
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Christmas
17,95 € *
ggf. zzgl. Versand

Christmas ab 17.95 € als sonstiges: World Music junior. für Ensemble in variabler Besetzung ( 2 Melodieinstrumente (auch B/Es-Stimme) Klavier Gitarre Bass) Percussion Die Partitur zu diesem Heft ist erhältlich unter der Bestellnummer UE32712. Stimmensatz.. Aus dem Bereich: Bücher, Kunst & Musik,

Anbieter: hugendubel
Stand: 26.02.2020
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10cc - 10cc in Concert
42,50 € *
zzgl. 5,95 € Versand

10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

Anbieter: Konzertkasse
Stand: 26.02.2020
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10cc - 10cc in Concert
49,95 € *
zzgl. 5,95 € Versand

10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

Anbieter: Konzertkasse
Stand: 26.02.2020
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Christmas
17,95 € *
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Christmas ab 17.95 EURO World Music junior. für Ensemble in variabler Besetzung ( 2 Melodieinstrumente (auch B/Es-Stimme) Klavier Gitarre Bass) Percussion Die Partitur zu diesem Heft ist erhältlich unter der Bestellnummer UE32712. Stimmensatz.

Anbieter: ebook.de
Stand: 26.02.2020
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Alive AG Santana IV (2LP) 30 cm
21,99 € *
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(2x180gr LP + DL) SANTANA ist zurück mit dem ersten Album in Orignalbesetzung seit 1973!nnSANTANA ist zurück mit dem ersten Album in Orignalbesetzung seit 1973! Die Gruppe um den Gitarristen und Sänger Carlos Santana gilt seit dem Ende der 1960er Jahre als die wichtigste Band des Latin Rock. Die Band wurde 1966 in San Francisco gegründet, zur ersten Formation gehörten Tom Frazier (Gitarre), Mike Carabello (Percussion), Rod Harper (Schlagzeug), Gus Rodriguez (Bassgitarre) und Gregg Rolie (Orgel, Gesang). In den Folgejahren hat sich die Zusammensetzung der Gruppe sehr häufig und grundlegend verändert. Mit dem Song Soul Sacrifice traten sie 1969, kurz nach ihrem ersten Album, beim Woodstock-Festival auf und führten dieses zu einem der ersten musikalischen Höhepunkte. IV markiert nun das erste Album in Originalbesetzung seit 1973! Auch mit Keyboarder und Sänger Greg Rolie, der mit Black Magic Woman den größten Hit der Band sang. Ausstattung - Santana-Sticker 1st Time Since 1973 mit den Namen der Band - LP-Version: 2 x 180 Gramm schwarzes Vinyl im Gatefolded-Cover in zwei Taschen, Gold-Folie Sticker 180g & Download, UV-Klarlack auf Zähne, Augen und Logo im Artwork April 15, 2016 marks the release date of Santana IV, the wildly anticipated studio album that reunites the revered early 70s lineup of guitar icon Carlos Santana (guitar, vocals), Gregg Rolie (keyboards, lead vocals), Neal Schon (guitar, vocals), Michael Carabello (percussion) and Michael Shrieve (drums). The album signifies the first time in 45 years since 1971 s multi-platinum classic Santana III that the quintet has recorded together. Santana IV features 16 all-new tracks written and produced by the band that burst with the same unparalleled energy and superlative musicianship that made Santana a pioneering force in world music and a household name across the globe. Joining the core Santana IV band in the studio are current Santana members Karl Perazzo (percussion) and Benny Rietveld (bass), with the legendary vocalist Ronald Isley guesting on two cuts. TRACKS: 1. Yambu 2. Shake It 3. Anywhere you Want To Go 4. Fillmore East 5. Love Makes The World Go Round (Feat: Ronald Isley) 6. Freedom In Your Mind (Feat: Ronald Isley) 7. Choo Choo 8. All Aboard 9. Suen_os 10. Caminando 11. Blues Magic 12. Echizo 13. Leave Me Alone 14. You And I 15. Come As You Are 16. Forgiveness

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Stand: 26.02.2020
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Bach, Coltrane
8,19 € *
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André Rossi (Orgel) - Jean-Luc Di Fraya (Percussion) - Michel Péres (Double Bass) - Quatuor Manfred - Gérard Lesne (Countertenor) -- An inscrutable attempt by French saxophonist Imbert to link Bach and Coltrane spiritually by focusing on their church-rooted music, in which a dialogue occurs between jazz improvisers, baroque organ and the Manfred string quartet.

Anbieter: Dodax
Stand: 26.02.2020
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