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Music Man StingRay Special MM108 MN CN HH E-Bass
2.669,00 € *
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Nachdem Leo Fender seine Firma Fender an CBS verkauft hatte, gründete er 1972 MusicMan. Der StingRay, der 1975 entwickelt wurde, war so etwas wie eine perfektionierte modernere Version des legendären Precision-Basses und wurde von den Bassisten begeistert angenommen. Ein Humbucker mit aktiver 3-Band Klangreglung und die 3/1 Anordnung der Mechaniken (zur Vermeidung von Deadspots) waren revolutionär. Aufgrund der hohen Qualität der Hölzer, der Verarbeitung und der flexiblen Klangreglung, sind die Bässe universell einsetzbar. Berühmte StingRay User sind z. B. Cliff Williams (AC/DC) Tony Levin (Peter Gabriel), John Deacon (Queen), Flea (Red Hot Chilli Peppers)... · Der legendäre Stingray hat ein Facelift, vielmehr ein umsassendes Update erfahren. Nun hat er einen Bund mehr, also 22, das untere Cutaway wurde daraufhin angepasst und der gesamte Korpus im Zuge dessen neu designt, ohne aber die eigene Herkunft zu verleugnen. Der Hals ist nun immer "roasted" und fühlt sich also noch spektakulärer an. Weitere Erneuerungen sind die um ein viertel gewichtsreduzierten Mechaniken zur Vermeidung von Kopflastigkeit und der nun mit 18 Volt arbeitende Preamp für mehr Wumms und Headroom. · Korpusform: Sting Ray · Korpusmaterial: Esche (Ash) · Bauart: Solid Body · Farbe: Classic Natural · Halskonstruktion: verschraubt · Mensur: Longscale · Mensur: 34" (86,36 cm) · Hals: Roasted Maple Neck · Griffbrett Einlagen: Dot Inlays · Bundanzahl: 22 · Saitenanzahl: 4-saitig · Saitenstärke ab Werk: .045-.100 · Pickuptyp: MM-Style · Pickup Neck: Music Man Neodymium magnets · Pickup Bridge: Music Man Neodymium magnets · Klangelektronik: 3-Band EQ · Pickup Wahlschalter: 5-Weg Schalter · Hardware: Chrom · Lieferumfang: Koffer · Besonderheit(en): 18 Volt Preamp · Produktionsland: E-Bass

Anbieter: Musik Produktiv
Stand: 08.12.2019
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Music Man StingRay5 Special MM208 MN CN HH E-Bass
2.799,00 € *
ggf. zzgl. Versand

Nachdem Leo Fender seine Firma Fender an CBS verkauft hatte, gründete er 1972 MusicMan. Der StingRay, der 1975 entwickelt wurde, war so etwas wie eine perfektionierte modernere Version des legendären Precision-Basses und wurde von den Bassisten begeistert angenommen. Ein Humbucker mit aktiver 3-Band Klangreglung und die 3/1 Anordnung der Mechaniken (zur Vermeidung von Deadspots) waren revolutionär. Aufgrund der hohen Qualität der Hölzer, der Verarbeitung und der flexiblen Klangreglung, sind die Bässe universell einsetzbar. Berühmte StingRay User sind z. B. Cliff Williams (AC/DC) Tony Levin (Peter Gabriel), John Deacon (Queen), Flea (Red Hot Chilli Peppers)... · Der legendäre Stingray hat ein Facelift, vielmehr ein umsassendes Update erfahren. Nun hat er einen Bund mehr, also 22, das untere Cutaway wurde daraufhin angepasst und der gesamte Korpus im Zuge dessen neu designt, ohne aber die eigene Herkunft zu verleugnen. Der Hals ist nun immer "roasted" und fühlt sich also noch spektakulärer an. Weitere Erneuerungen sind die um ein viertel gewichtsreduzierten Mechaniken zur Vermeidung von Kopflastigkeit und der nun mit 18 Volt arbeitende Preamp für mehr Wumms und Headroom. · Korpusform: Sting Ray · Korpusmaterial: Esche (Ash) · Bauart: Solid Body · Farbe: Classic Natural · Halskonstruktion: verschraubt · Mensur: Longscale · Mensur: 34" (86,36 cm) · Hals: Roasted Maple Neck · Griffbrett Einlagen: Dot Inlays · Bundanzahl: 22 · Saitenanzahl: 5-saitig · Saitenstärke ab Werk: .045-.130 · Serien-Nr.: F85019 · Pickuptyp: MM-Style · Pickup Neck: Music Man Neodymium magnets · Pickup Bridge: Music Man Neodymium magnets · Klangelektronik: 3-Band EQ · Pickup Wahlschalter: 5-Weg Schalter · Hardware: Chrom · Lieferumfang: Koffer · Besonderheit(en): 18 Volt Preamp · Gewicht: 3,68 kg · Produktionsland: E-Bass

Anbieter: Musik Produktiv
Stand: 08.12.2019
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Music Man StingRay Special MM107 MN CN E-Bass
2.549,00 € *
ggf. zzgl. Versand

Nachdem Leo Fender seine Firma Fender an CBS verkauft hatte, gründete er 1972 MusicMan. Der StingRay, der 1975 entwickelt wurde, war so etwas wie eine perfektionierte modernere Version des legendären Precision-Basses und wurde von den Bassisten begeistert angenommen. Ein Humbucker mit aktiver 3-Band Klangreglung und die 3/1 Anordnung der Mechaniken (zur Vermeidung von Deadspots) waren revolutionär. Aufgrund der hohen Qualität der Hölzer, der Verarbeitung und der flexiblen Klangreglung, sind die Bässe universell einsetzbar. Berühmte StingRay User sind z. B. Cliff Williams (AC/DC) Tony Levin (Peter Gabriel), John Deacon (Queen), Flea (Red Hot Chilli Peppers)... · Der legendäre Stingray hat ein Facelift, vielmehr ein umsassendes Update erfahren. Nun hat er einen Bund mehr, also 22, das untere Cutaway wurde daraufhin angepasst und der gesamte Korpus im Zuge dessen neu designt, ohne aber die eigene Herkunft zu verleugnen. Der Hals ist nun immer "roasted" und fühlt sich also noch spektakulärer an. Weitere Erneuerungen sind die um ein viertel gewichtsreduzierten Mechaniken zur Vermeidung von Kopflastigkeit und der nun mit 18 Volt arbeitende Preamp für mehr Wumms und Headroom. · Korpusform: Sting Ray · Korpusmaterial: Esche (Ash) · Bauart: Solid Body · Farbe: Classic Natural · Halskonstruktion: verschraubt · Mensur: Longscale · Mensur: 34" (86,36 cm) · Hals: Roasted Maple Neck · Griffbrett Einlagen: Dot Inlays · Bundanzahl: 22 · Saitenanzahl: 4-saitig · Saitenstärke ab Werk: .045-.100 · Pickuptyp: MM-Style · Pickup Bridge: Music Man Neodymium magnets · Klangelektronik: 3-Band EQ · Hardware: Chrom · Lieferumfang: Koffer · Besonderheit(en): 18 Volt Preamp · Produktionsland: E-Bass

Anbieter: Musik Produktiv
Stand: 08.12.2019
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Yoga Music: 11 dreamlike soundscapes for the re...
9,95 € *
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With this audiobook you get 11 wafting compositions with long, warm bass tones, perfect for any yoga session.A unique blend of gentle relaxation music and subtle natural sounds, for healing harmonization and gentle energy balancing in yoga.All pieces combine artistic inspiration, sensitivity and excellent sound quality, the right notes vibrate in perfect resonance with your body and bring it into a state of deepest relaxation. Benefit from the gentle soundscapes that soothe your soul, lower your pulse rate and deeply relax your body and mind.Perfect for all types of YOGA sessions, between 20 and 60 minutes in length. The pieces were developed by world-renowned musicians in collaboration with yoga expert Yella A. Deeken in order to draw the body back into balance through listening.Yella is a passionate yoga teacher and globetrotter. Since 2004, she has travelled around the world, creating wonderful audiobooks that touch, inspire and lastingly change the lives of many people. 1. Language: English. Narrator: Ian Brannan. Audio sample: http://samples.audible.de/bk/lyne/000658/bk_lyne_000658_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 08.12.2019
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Fresh Air, Daniel Clowes, Terry Zwigoff, and Re...
9,95 € *
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Cartoonist Daniel Clowes, director Terry Zwigoff, and remembering country music star Waylon Jennings on this edition of Fresh Air. Waylon Jennings died this week at the age of 64. Born in 1937 in Littlefield, Texas, he was a disc jockey at 14, and had already formed his own band at the age of 12, making guest appearances on local station KDAV's "Sunday Party," where he met Buddy Holly in 1955. Jennings became Holly's bass player. In 1975, Waylon was named the Country Music Association's Male Vocalist of the Year, and in 1976, he helped found the "Outlaw Movement." Waylon, the authorized autobiography, was written with writer-musician Lenny Kaye in 1996. Drawn in 1950s pop culture style, Daniel Clowes' comics are darkly humorous satires of middle class America. His graphic novel Ghost World (first published in 1993) is the basis of the film of the same name. Ghost World has just been nominated for an academy award in the Adapted Screenplay division. Clowes' first comic book series was Lloyd Llewellyn, followed by Eightball. Clowes was the first cartoonist to contribute a comic story to Esquire's annual fiction issue. Producer/ Director Terry Zwigoff directed the film Ghost World based on the graphic novel of the same name by Daniel Clowes. Zweigoff also directed the documentary Crumb about the life of Robert Crumb, the famous underground artist who popularized character's such as Mr. Natural, Flakey Foont, and Keep on Truckin'. He also directed the documentary Louie Bluie. (Original Broadcast Dates: October 14, 1996 and September 6, 2001) 1. Language: English. Narrator: Terry Gross. Audio sample: http://samples.audible.de/rt/whyy/020215/rt_whyy_020215_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 08.12.2019
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What Is It All but Luminous
18,99 € *
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"From the golden-haired, curly-headed half of Simon & Garfunkel--a memoir (of sorts): artful, moving, lyrical impressions of a life that reveal the making of a musician, the evolution of a man; a portrait of a lifelong friendship and of a collaboration that became the most successful singing duo in the roiling age that embraced, and was defined by their pathfinding music. In What Is It All but Luminous, Art Garfunkel writes about growing up in the 1940s and '50s (son of a traveling salesman listening as his father played Enrico Caruso records), a middle-class Jewish boy living in a redbrick semi-attached house on Jewel Avenue in Kew Gardens, Queens, playing chess by day watching the Brooklyn Dodgers on TV by night, feeling his vocal cords "vibrate with the love of sound" from the age of five when he "began to sing with the sense of God's gift running through" him. He writes of meeting Paul Simon, the funny guy who made Art laugh (they met at their graduation play, Alice in Wonderland; Paul was the White Rabbit; Art, the Cheshire Cat). Of their being twelve at the birth of rock 'n' roll--Chuck Berry, Jerry Lee Lewis, Bobby Freeman ("It was rhythm and blues. It was black. It was from New Orleans, Chicago, Philadelphia. It was dirty music; 'sexual.' I was captured. So was Paul."), of a demo of their song "Hey, Schoolgirl" for seven dollars and the actual record (with Paul's father on bass) going to #40 on the national charts, selling 150,000 copies. He writes about their becoming Simon & Garfunkel, ruling the pop charts from the age of sixteen, about not being a natural performer but more of a thinker, an underground man. He writes of the hit songs, touring, sex on tour for the thrills, reading books to calm it down, the road to walk it off ... he writes ofhis wife to ease his soul and children to end the aloneness ... about being an actor working with director Mike Nichols ("the greatest of them all"), about choosing music over a PhD in mathematics. And he writes about his long-unfolding split with Paul, and how and why it evolved, and after, learning to perform on his own ... about his voice going south (a stiffening of one of his vocal cords) and working to get it back ... about being a husband, a father, and much more."--Jacket.

Anbieter: buecher
Stand: 08.12.2019
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What Is It All but Luminous: Notes from an Unde...
9,95 € *
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From the golden-haired, curly-headed half of Simon & Garfunkel - a memoir (of sorts): artful, moving, lyrical; the making of a musician; the evolution of a man, a portrait of a lifelong friendship and collaboration that became one of the most successful singing duos of their time. Art Garfunkel writes about his life before, during, and after Simon & Garfunkel...about their folk-rock music in the roiling age that embraced and was defined by their path-breaking sound. He writes about growing up in the 1940s and '50s (son of a traveling salesman), a middle class Jewish boy, living in a red brick semi-attached house in Kew Gardens, Queens, a kid who was different - from the age of five feeling his vocal cords "vibrating with the love of sound"...meeting Paul Simon in school, the funny guy who made Art laugh; their going on to junior high school together, of being 12 at the birth of rock 'n' roll, both of them "captured" by it; going to a recording studio in Manhattan to make a demo of their song "Hey Schoolgirl" (for $7!) and the actual record (with Paul's father on bass) going to number 40 on the national charts, selling 150,000 copies.... He writes about their becoming Simon & Garfunkel, taking the world by storm, ruling the pop charts from the time he was 16, about not being a natural performer but more a thinker...touring; sex-for-thrills on the road, reading or walking to calm down (walking across two continents - the USA and Europe). He writes of being an actor working with directors Nicolas Roeg (Bad Timing) and Mike Nichols ("the greatest of them all")...getting his master's in mathematics at Columbia; choosing music over a PhD; his slow, unfolding split with Paul and its aftermath; learning to perform on his own, giving a thousand concerts worldwide, his voice going south (a stiffening of one vocal cord) and working to get it back...about being a husband, a father, and much more. 1. Language: English. Narrator: Art Garfunkel. Audio sample: http://samples.audible.de/bk/rand/005245/bk_rand_005245_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 08.12.2019
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Schnyder, D: Music for four Guitars
56,90 CHF *
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Daniel Schnyder's 'Music for Four Guitars' reflects on various aspects of guitar music. The composition superimposes modern rhythms of South American provenience with European forms and compositional techniques. The fusion of these elements creates new music which at the same time sounds familiar. The combining of the two different worlds of music illuminates the diversity of today's music and it's beautiful possibilities on infinite new combinations. 'Unveiling of a Canon' is build on a canon, hidden behind rich ornamentations and melodic embellishments. The canon gradually unfolds as the piece develops. At the end of the movement the canon presents itself in its original form. The canon is the strictest musical form. The art of embellishments over a canon is rarely heard today. Jazz and jazz related music concentrate on improvising over chord structures - vertical structures - rather than improvsing over polyphonic patterns which by definition develop horizontally in a musical texture. Switching from the strict canon to embellishments creates tension between freedom and the strict hidden order. We know that very well from the music of J.S. Bach or Bela Bartok. 'Fairytale' is the pragmatic juxtaposition of a completely different way of musical thinking. The movement is based on harmonic and rhythmic fundamentals derived from Brazilian music. Basically the four guitars play on three different layers which rhythmically interact with each other: bass melody, rhythm with complimentary rhythm, and melody. For classically trained musicians the hidden African color of the music may be unusual, new and sophisticated. The accents are delayed to the off-beats. 'Fairytale' combines classical and non-European musical influences in a natural and sophisticated way. In spite of the unusual rhythmic approach, the audience will find this dance-like movement very accessible. 'Coding Against Memory' transforms the musical material from the canon, unweiled in the first movement, in a different way. Single elements of the canon have been isolated and consequently alongated, turned upside down, etc. These techniques are very fundamental and essential in the tradition of European art music but not really common in jazz and other non-written music. The third movement relates to movement one and reflects on the European roots and tradition. 'Dancing With My Lady' corresponds with the dance-like African quality of the second movement but with an emphasis on the inexaustible rhythmic vocabulary of South America, especially the energy-giving, high-spirited Samba. The whole piece therefore is written in a loose thematic ABAB form. This work was originally commissioned by the EOS Guitar Quartet and performed in numerous concerts. Instrumentation: 4 guitars

Anbieter: Orell Fuessli CH
Stand: 08.12.2019
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Shenanigans
46,90 CHF *
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A unique feature for your tenor saxophone soloist. In typical McNeely style the writing in this chart grows and develops in an organic, natural manner. The interaction between the band and the soloist and the through composed character of the piece makes this chart a standout. These arrangements for saxophones and rhythm section, written for the Eastman School of Music’s award winning jazz ensemble, Saxology, showcase the saxophone section in unique and interesting ways. Though originally written for saxophones most of the arrangements include optional horn parts (flügelhorn/trumpet and trombone) and work equally well with a mixed instrumentation. Instrumentation: 5 saxophones (SATTBar) with piano, guitar (ad lib), double bass, percussion

Anbieter: Orell Fuessli CH
Stand: 08.12.2019
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