Two Part Invention No. 1 for Flute and Double Bass - Pure Duet Sheet Music By Lars Christian Lundholm ab 4.49 EURO
Two Part Invention No. 5 for Recorder and Double Bass - Pure Duet Sheet Music By Lars Christian Lundholm ab 4.49 EURO
Two Part Invention No. 5 for Violin and Double Bass - Pure Duet Sheet Music By Lars Christian Lundholm ab 4.49 EURO
High Quality Content by WIKIPEDIA articles! Deeper and Deeper is a song by Madonna, released as the second single from her 1992 studio album Erotica. It was released in December 1992 by Maverick Records. The dance-pop song was described as "pure disco" by Rolling Stone and "both a product of its time and a timeless Madonna classic in the 'Vogue' vein" by Slant magazine in 2001. Slant goes on to say, "The track even invokes that famous chart-topper's invitation to the dancefloor: 'Let your body move to the music!' One of the few tracks from 'Erotica' not weighed down or muddled by Pettibone's gritty production, 'Deeper and Deeper' sounds just as good today as it did nearly a decade ago." Madonna performed the song on The Girlie Show World Tour in 1993 and during the Re-Invention World Tour in 2004. For the latter tour, the song was performed as a slow-cut jazz version with trumpets and an up-right bass. It was also rehearsed for her 2006 Confessions Tour but it was dropped from the set list.
Freak Out! is the debut album by American experimental rock band The Mothers of Invention, released June 27, 1966 on Verve Records. Though often cited as one of rock music's first concept albums, the real unifying theme of the album is not musical, but a satirical attitude based on frontman Frank Zappa's unique perception of American pop culture. It was also one of the earliest double albums in rock music, and the first 2-record debut. The album was produced by Tom Wilson, who signed The Mothers, formerly a bar band called the Soul Giants. Zappa said many years later that Wilson signed the group to a record deal in the belief that they were a white blues band. The album features vocalist Ray Collins, along with bass player Roy Estrada, drummer Jimmy Carl Black and guitar player Elliot Ingber, who would later join Captain Beefheart's Magic Band under the name Winged Eel Fingerling. The band's original repertoire consisted entirely of cover songs. When Zappa joined the band, he not only changed their name but expanded its music to include a wide range of original material.
Neue Band auf dem New Yorker Hipster-Label Mexican Summer. Pill kombinieren den Geist des Punk im NYC der 80er und Ideen aus Free Jazz und No Wave.nnNeue Band auf dem New Yorker Hipster-Label Mexican Summer. Pill kombinieren den Geist des Punk im NYC der 80er und Ideen aus Free Jazz und No Wave. Mexican Summer present Convenience by Pill due for release on the 19th august 2016. Convenience skids like a garbage truck with no brakes, barreling through passages of guitar chording bent at the wrong angles and ring-modded riffs aligning with Benjamin Jaffe's expressive sax before splitting apart into chaos. Veronica Torres assumes double-duty between vocals and bass, while Jon Campolo plays three instruments in the live setting and Andrew Spaulding four, including circuit-bent noise rigs of their own invention. Veronica's words are delivered with the speed and frenzy of someone with their life on the line, but she's also able to slow things down in a gesture of dominance, confidence, and trust. This band is wise enough to know that safety is fleeting, so they take their digs when and where they can. Given Pill's backgrounds, their music advances a notion of what the punk spirit of NYC might be: the capture and distillation of the energy and friction that comes from living amongst so many people in such a confined space. The idea seeds in free jazz and improvisation, reached adolescence in galleries and loft spaces in the '70s, found politics in squats and independent spaces, and it grows stronger the more these several sensibilities are practiced ands stewed. Call them No wave, post-punk, noise, they are immune, content to head off in a direction of their own design. TRACKS: 1. 60 Sec. 2. Which Is True? 3. My Rights 4. Fetish Queen 5. Dead Boys 6. J-E-N-O-V-A 7. 100% Cute 8. Sex With Santa 9. Speaking Up 10. Vagabond 11. Love & Other Liquids 12. Medicine
With the invention of the saxophone in the early 1840s, transcriptions are useful to present day saxophonists who wish to perform music of various styles and composers, and are thus an important part of the saxophone repertoire. One source of music to transcribe is the wind music of the Classical era. Mozart&#8217;s Finale from Serenade in B-flat, KV 361 of the early 1780s was originally scored for paired oboes, clarinets, basset horns (now obsolete), and bassoons, plus four horns and double bass. The work was later performed for eight wind players. The Serenade has also been called &#8220;Gran Partita&#8221;, implying music for the outdoors. Since one original intent for the saxophone was to replace less-voluminous woodwinds of French military/marching bands, it seems feasible that saxophones, while also handling well the virtuoso demands of the piece, are a good choice for this transcription. Two objectives were in mind while transcribing the Finale. One was to produce a relatively clean manuscript with a minimum of articulation and dynamic markings so as to allow interpretation by the performers. The articulation markings placed at the beginning of the work are provided only as suggestions. Secondly, the melodies were divided among all parts, rather than a solo featuring just the soprano saxophone. The Finale, a molto allegro in rondo form, should sparkle with cheerful charm and wit. Indoors or outdoors, saxophonists should strive for the lightness and grace so prevalent in much of Mozart&#8217; timeless music. Instrumentation: 4 saxophones (SATBar) KV 361
Margaret Brandman's 'Contemporary Piano Method' is designed to equip the student with the necessary skills to play both Classical and Modern music with ease and understanding. The methodology incorporates a variety of progressive learning modalities, including the interval approach, harmonic understanding and multi-key performance. Book 4 is the most advanced level of the method. The material in this book expand students' musical knowledge and playing skills into the realm of extended chord structures, chord voicings and jazz progressions, plus chord figuring and how to realise a figured bass at the keyboard. This level of the Contemporary Piano Method continues the study of polyphonic music including a three-part invention and a Prelude and Fugue by J.S.Bach. The book explores the various compositional resources of Western music of the Twentieth Century and beyond. The scope of the book covers the structure of music along with the topic of Root Progressions, tools for improvisation and much more. Throughout the book these tools are applied to help students successfully learn advanced pieces in a variety of both classical and contemporary styles, plus understand and perform jazz chord progressions and learn about music outside of the western music tradition, for instance the sound of Indonesian or Japanese music. It also features original compositions by the author who is also an established contemporary composer of works for orchestra, chamber ensembles, choir and solo voice, and piano.
From around 1720, the Inventions were originally composed as musical keyboard exercises for Johann Sebastian Bach's students while living in Koethen. Like the Well-Tempered Clavier, the Inventions were first published after his lifetime (in 1801) Duet Sheet Music for Accordion accompanied by Double Bass arranged by Lars Christian Lundholm. Two Part Invention No. 5 is also known by alternative title: BWV 772, 15 Inventions Number 5. - Instrumentation: Accordion and Double Bass - Level: Advanced - Score Type: Solo Score - Tempo: Fast - Genre: Baroque - Composer: Johann Sebastian Bach - Year Composed: 1720 - Pages (approximate): 4