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Rossi, M: Kwazulu Zam
42,90 CHF *
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As an American jazz artist and educator based in South Africa since 1999, this is one in a set of pieces that reflect my musical and other experiences in this fascinating country. Kwazulu Zam was composed using a traditional South African song form called mbaquanga. Mbaquanga is a characteristic South African musical form that utilises a repeated (cyclical) 2 or 4-measure harmonic structure based on I - IV - V - I and I - IV - 1 6/4 - V - I. These progressions are the backbone of South African jazz much like the blues and its variants is to American jazz. The piece is performed in the kwela style which is based on a strong swing feel. The original meaning for kwela during less fortunate times was “kwela–kwela; hurry, hurry, the police are on the way.” Much like early jazz and throughout the swing period, the use of riff based playing and soloing was common. Bennie Moten’s and Count Basie’s early bands come to mind, and are just two examples of great riff based ensembles with exciting riff based soloing. Performance Tips The melodies or riffs in Kwazulu Zam must swing. Play them with a loose, relaxed feel. Really dip or slide into the notes that are marked. Intervals of a fifth or larger marked with slides should really be scooped and vocal in nature. Please note that African music and particularly South African jazz, is vocal and organic in nature. This tune is written in the Kwela/Swing style. It can also be played on a more traditional Mbaqango style. To get to know Kwela you can listen to recordings by Hugh Masekela, Darius Brubeck and Afro Cool Concept; also Paul Simon’s “Graceland,” for a better understanding of Mbaqango. Notes on Soloing Pay attention to the rhythm of the themes; play off rhythms found in the piece as well as playing rhythmically. The solo improvisation section at letter C should pay particular attention to the use of, and drawing from the three themes of the piece. Backgrounds and interludes can be very flexible. For example, B and C can be cued by signaling the number 1 for the background at letter B. Signal 2 for the background at C or 3 for both B and C. A closed fist indicates the last time when repeated more than once. Letters B & C can be played between solos or as a background building to the next soloist or just optionally letter C between solos. The solo background at letter C also has the option of being repeated more than once if your soloist is cooking and your rhythm section is grooving! Experiment too with dynamic shapes during repeated backgrounds that will add excitement to the background and influence the soloist. Even experiment with interchanging letters B & C as solo backgrounds. It is important to note that playing contemporary jazz phrases or licks really doesn’t work and is out of context or style of the piece. Play in the style, play rhythmically, use material from the three themes to develop and build your solo. Most importantly have fun!!! Mike Rossi Instrumentation: 3 melody instruments, piano, guitar, double bass, percussion

Anbieter: Orell Fuessli CH
Stand: 11.12.2019
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Der Barbier von Sevilla Akt I - Part II.
34,90 CHF *
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Harmoniemusik Music for Wind Instruments arranged for Saxophone Quartet in Four Volumes. Dating back to circa 1770, Harmoniemusik music for wind instruments was originally conceived for wind orchestras. Scored for wood and brass instruments, it was mainly performed at open-air concerts and as Tafelmusik (table music). The standard instrumentation used to include pairs of oboes, clarinets, horns and bassoons forming a wind octet; the ensemble was often complemented by additional bass instruments such as a double bassoon, a double bass or further wind instruments. Mostly, it was the composers themselves who arranged their works for wind instruments. This does not hold true for the original Barber of Seville Harmoniemusik . It was written by the clarinetist Wenzel Sedlák. The version on hand takes up Harmoniemusik tradition and transposes the magnificent melodies of this opera into a contemporary musical setting via saxophone quartet.Harmoniemusik Music for Wind Instruments arranged for Saxophone Quartet in Four Volumes. Dating back to circa 1770, Harmoniemusik music for wind instruments was originally conceived for wind orchestras. Scored for wood and brass instruments, it was mainly performed at open-air concerts and as Tafelmusik (table music). The standard instrumentation used to include pairs of oboes, clarinets, horns and bassoons forming a wind octet; the ensemble was often complemented by additional bass instruments such as a double bassoon, a double bass or further wind instruments. Mostly, it was the composers themselves who arranged their works for wind instruments. This does not hold true for the original Barber of Seville Harmoniemusik . It was written by the clarinetist Wenzel Sedlák. The version on hand takes up Harmoniemusik tradition and transposes the magnifi cent melodies of this opera into a contemporary musical setting via saxophone quartet. Instrumentation: 4 saxophones (SATB)

Anbieter: Orell Fuessli CH
Stand: 11.12.2019
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Der Barbier von Sevilla Akt II - Part II
42,90 CHF *
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Harmoniemusik – Music for Wind Instruments arranged for Saxophone Quartet in Four Volumes. Dating back to circa 1770, “Harmoniemusik” – music for wind instruments –was originally conceived for wind orchestras. Scored for wood and brass instruments, it was mainly performed at open-air concerts and as “Tafelmusik” (table music). The standard instrumentation used to include pairs of oboes, clarinets, horns and bassoons forming a wind octet; the ensemble was often complemented by additional bass instruments such as a double bassoon, a double bass or further wind instruments. Mostly, it was the composers themselves who arranged their works for wind instruments. This does not hold true for the original Barber of Seville “Harmoniemusik”. It was written by the clarinetist Wenzel Sedlák. The version on hand takes up “Harmoniemusik” tradition and transposes the magnificent melodies of this opera into a contemporary musical setting via saxophone quartet. Instrumentation: 4 saxophones (SATBar)

Anbieter: Orell Fuessli CH
Stand: 11.12.2019
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Der Barbier von Sevilla Akt II - Part I
41,90 CHF *
ggf. zzgl. Versand

Harmoniemusik Music for Wind Instruments arranged for Saxophone Quartet in Four Volumes. Dating back to circa 1770, Harmoniemusik music for wind instruments was originally conceived for wind orchestras. Scored for wood and brass instruments, it was mainly performed at open-air concerts and as Tafelmusik (table music). The standard instrumentation used to include pairs of oboes, clarinets, horns and bassoons forming a wind octet; the ensemble was often complemented by additional bass instruments such as a double bassoon, a double bass or further wind instruments. Mostly, it was the composers themselves who arranged their works for wind instruments. This does not hold true for the original Barber of Seville Harmoniemusik . It was written by the clarinetist Wenzel Sedlák. The version on hand takes up Harmoniemusik tradition and transposes the magnificent melodies of this opera into a contemporary musical setting via saxophone quartet.Harmoniemusik Music for Wind Instruments arranged for Saxophone Quartet in Four Volumes. Dating back to circa 1770, Harmoniemusik music for wind instruments was originally conceived for wind orchestras. Scored for wood and brass instruments, it was mainly performed at open-air concerts and as Tafelmusik (table music). The standard instrumentation used to include pairs of oboes, clarinets, horns and bassoons forming a wind octet; the ensemble was often complemented by additional bass instruments such as a double bassoon, a double bass or further wind instruments. Mostly, it was the composers themselves who arranged their works for wind instruments. This does not hold true for the original Barber of Seville Harmoniemusik . It was written by the clarinetist Wenzel Sedlák. The version on hand takes up Harmoniemusik tradition and transposes the magnificent melodies of this opera into a contemporary musical setting via saxophone quartet. Instrumentation: 4 saxophones (SATBar)

Anbieter: Orell Fuessli CH
Stand: 11.12.2019
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Mintzer, B: Red Sea
46,90 CHF *
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This contemporary Latin 6/4 is fun for the players as well as the audience - grooves hard! These arrangements for saxophones and rhythm section, written for the Eastman School of Music’s award winning jazz ensemble, Saxology, showcase the saxophone section in unique and interesting ways. Though originally written for saxophones most of the arrangements include optional horn parts (flügelhorn/trumpet and trombone) and work equally well with a mixed instrumentation. Instrumentation: 5 saxophones (SATTBar) with piano, guitar (ad lib), double bass, percussion

Anbieter: Orell Fuessli CH
Stand: 11.12.2019
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Jasm Tales
11,90 CHF *
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The special feature of this book is, that although these are jazz music pieces, the scores are not limited to a classic guide. On the contrary, here you find recorded in detail, the integrated music and the orchestration idea: theme, chords / combing and separate melodic lines. This is an important musical tool for both beginners A book that deserves to be studied by contemporary bands, as scores have been written with great detail and care by Christos Digas (professor, composer and active musician) and is a training and enhancement tool for those who study music. The songs are written for the following instruments:: leading voice, electric guitar, piano, bass, accordion & percussion

Anbieter: Orell Fuessli CH
Stand: 11.12.2019
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The Haters
9,00 CHF *
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From Jesse Andrews, author of the New York Times bestselling Me and Earl and the Dying Girl and screenwriter of the Sundance award-winning motion picture of the same name, comes a groundbreaking young adult novel about music, love, friendship, and freedom as three young musicians follow a quest to escape the law long enough to play the amazing show they hope (but also doubt) they have in them. Inspired by the years he spent playing bass in a band himself, The Haters is Jesse Andrews's road trip adventure about a trio of jazz-camp escapees who, against every realistic expectation, become a band. For Wes and his best friend, Corey, jazz camp turns out to be lame. It's pretty much all dudes talking in Jazz Voice. But then they jam with Ash, a charismatic girl with an unusual sound, and the three just click. It's three and a half hours of pure musical magic, and Ash makes a decision: They need to hit the road. Because the road, not summer camp, is where bands get good. Before Wes and Corey know it, they're in Ash's SUV heading south, and The Haters Summer of Hate Tour has begun. In his second novel, Andrews again brings his brilliant and distinctive voice to YA, in the perfect book for music lovers, fans of The Commitments (author Rody Doyle raves 'The Haters is terrific. It is shocking and funny, unsettling and charming.' ), and High Fidelity, or anyone who has ever loved-and hated-a song or a band. This witty, funny coming-of-age novel is contemporary fiction at its best. A New York Times bestseller

Anbieter: Orell Fuessli CH
Stand: 11.12.2019
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Der Barbier von Sevilla Akt I - Part II.
27,80 € *
ggf. zzgl. Versand

Harmoniemusik Music for Wind Instruments arranged for Saxophone Quartet in Four Volumes. Dating back to circa 1770, Harmoniemusik music for wind instruments was originally conceived for wind orchestras. Scored for wood and brass instruments, it was mainly performed at open-air concerts and as Tafelmusik (table music). The standard instrumentation used to include pairs of oboes, clarinets, horns and bassoons forming a wind octet; the ensemble was often complemented by additional bass instruments such as a double bassoon, a double bass or further wind instruments. Mostly, it was the composers themselves who arranged their works for wind instruments. This does not hold true for the original Barber of Seville Harmoniemusik . It was written by the clarinetist Wenzel Sedlák. The version on hand takes up Harmoniemusik tradition and transposes the magnificent melodies of this opera into a contemporary musical setting via saxophone quartet.Harmoniemusik Music for Wind Instruments arranged for Saxophone Quartet in Four Volumes. Dating back to circa 1770, Harmoniemusik music for wind instruments was originally conceived for wind orchestras. Scored for wood and brass instruments, it was mainly performed at open-air concerts and as Tafelmusik (table music). The standard instrumentation used to include pairs of oboes, clarinets, horns and bassoons forming a wind octet; the ensemble was often complemented by additional bass instruments such as a double bassoon, a double bass or further wind instruments. Mostly, it was the composers themselves who arranged their works for wind instruments. This does not hold true for the original Barber of Seville Harmoniemusik . It was written by the clarinetist Wenzel Sedlák. The version on hand takes up Harmoniemusik tradition and transposes the magnifi cent melodies of this opera into a contemporary musical setting via saxophone quartet. Instrumentation: 4 saxophones (SATB)

Anbieter: Thalia AT
Stand: 11.12.2019
Zum Angebot
Der Barbier von Sevilla Akt II - Part I
27,80 € *
ggf. zzgl. Versand

Harmoniemusik Music for Wind Instruments arranged for Saxophone Quartet in Four Volumes. Dating back to circa 1770, Harmoniemusik music for wind instruments was originally conceived for wind orchestras. Scored for wood and brass instruments, it was mainly performed at open-air concerts and as Tafelmusik (table music). The standard instrumentation used to include pairs of oboes, clarinets, horns and bassoons forming a wind octet; the ensemble was often complemented by additional bass instruments such as a double bassoon, a double bass or further wind instruments. Mostly, it was the composers themselves who arranged their works for wind instruments. This does not hold true for the original Barber of Seville Harmoniemusik . It was written by the clarinetist Wenzel Sedlák. The version on hand takes up Harmoniemusik tradition and transposes the magnificent melodies of this opera into a contemporary musical setting via saxophone quartet.Harmoniemusik Music for Wind Instruments arranged for Saxophone Quartet in Four Volumes. Dating back to circa 1770, Harmoniemusik music for wind instruments was originally conceived for wind orchestras. Scored for wood and brass instruments, it was mainly performed at open-air concerts and as Tafelmusik (table music). The standard instrumentation used to include pairs of oboes, clarinets, horns and bassoons forming a wind octet; the ensemble was often complemented by additional bass instruments such as a double bassoon, a double bass or further wind instruments. Mostly, it was the composers themselves who arranged their works for wind instruments. This does not hold true for the original Barber of Seville Harmoniemusik . It was written by the clarinetist Wenzel Sedlák. The version on hand takes up Harmoniemusik tradition and transposes the magnificent melodies of this opera into a contemporary musical setting via saxophone quartet. Instrumentation: 4 saxophones (SATBar)

Anbieter: Thalia AT
Stand: 11.12.2019
Zum Angebot