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Black Sabbath The ultimate collection  CD  Stan...
8,99 € *
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Keine andere Band hat das Metal-Genre so sehr geprägt und beeinflusst wie Black Sabbath aus Birmingham. Nun neigt sich nach fast 50 Jahren die Karriere dem Ende zu. Die letzte Tour, The end", führt Black Sabbath seit Monaten (Support Rival Sons) über den Globus und am 04. Februar schließt sich der Kreis mit dem letzten Konzert in ihrer Heimatstadt Birmingham. Das letzte Konzert auf deutschem Boden findet am 17. Januar in der Kölner Lanxess Arena statt. Ozzy Osbourne (Gesang), Tony Iommi (Gitarre), Geezer Butler (Bass) und Bill Ward (Schlagzeug) haben bisher über 75 Millionen Alben verkauft. Seit 2005 sind sie ein Teil der UK Music Hall Of Fame und 2006 wurden sie in die Rock and Roll Hall Of Fame in den USA eingeführt. "The ultimate collection" erscheint am 28.10. als 2CD im Digipack mit 31 Tracks, die an der aktuellen Setlist der laufenden Tour angelehnt sind und zusammen mit der Band ausgesucht wurden. Alle Songs wurden von Andy Pearce re-mastered."

Anbieter: EMP
Stand: 08.12.2019
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Black Sabbath The ultimate collection  LP  Stan...
42,99 € *
zzgl. 3,95 € Versand

Erscheint als limitierte 4-LP im Kreuzform-fold out Sleeve! Keine andere Band hat das Metal-Genre so sehr geprägt und beeinflusst wie Black Sabbath aus Birmingham. Nun neigt sich nach fast 50 Jahren die Karriere dem Ende zu. Die letzte Tour, The end", führt Black Sabbath seit Monaten (Support Rival Sons) über den Globus und am 04. Februar schließt sich der Kreis mit dem letzten Konzert in ihrer Heimatstadt Birmingham. Das letzte Konzert auf deutschem Boden findet am 17. Januar in der Kölner Lanxess Arena statt. Ozzy Osbourne (Gesang), Tony Iommi (Gitarre), Geezer Butler (Bass) und Bill Ward (Schlagzeug) haben bisher über 75 Millionen Alben verkauft. Seit 2005 sind sie ein Teil der UK Music Hall Of Fame und 2006 wurden sie in die Rock and Roll Hall Of Fame in den USA eingeführt. "The ultimate collection" erscheint am 18.11. als 4-LP mit 31 Tracks, die an der aktuellen Setlist der laufenden Tour angelehnt sind und zusammen mit der Band ausgesucht wurden. Alle Songs wurden von Andy Pearce re-mastered."

Anbieter: EMP
Stand: 08.12.2019
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Geddy Lee's Big Beautiful Book of Bass
55,99 € *
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Rock 'n' Roll Hall of Famer and Rush bassist Geddy Lee celebrates rock music's thunderous, rumbly bottom end-the bass-in this unique, lavishly illustrated, full-color compendium showcasing over two hundred rare, iconic, beautiful, and sometimes eccentric bass guitars from his extensive collection. In this luxurious keepsake volume, Geddy Lee chronicles the fascinating history of one of rock music's foundation instruments, the bass guitar. Written with arts journalist Daniel Richler, gorgeously photographed by Richard Sibbals, and with insight from Geddy's trusted bass tech and curator, John "Skully" McIntosh, Geddy Lee's Big Beautiful Book of Bass profiles over two hundred classic basses from Geddy's extensive collection. The book combines knowledge and observations gleaned from Geddy's long, successful career with new and behind-the-scenes photos, ranging from his earliest days to Rush's sold-out 40th anniversary tour in 2015, plus personal interviews with some of the world's top bassists and collectors. A musician and guitar freak, Geddy has acquired the magnificent bass models that have been the backbone of the world's greatest popular music, from greats such as Paul McCartney, John Entwistle, and Jack Bruce. The book features vintage basses from 1950 through the mid-1970s-the golden age of guitar making. Suffused with Geddy's intelligence, taste, and disarming wit, Geddy Lee's Big Beautiful Book of Bass is also an entertaining look at a legend's career on stage, in the studio, and at home. Geddy shares his views of the role of the bass guitar in his life and in the lives of the great players who've influenced him, revealing his passions and motivations, and ultimately broadening fans' appreciation of his beloved instrument.

Anbieter: buecher
Stand: 08.12.2019
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Killer Nashville Noir: Cold-Blooded , Hörbuch, ...
9,95 € *
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Best-selling authors Jeffery Deaver and Anne Perry join rising stars like Dana Chamblee Carpenter and Paul Gail Benson in a collection that proves Music City is a deadly place to be when your song gets called. Featuring stories by Donald Bain, Robert Dugoni, Jefferson Bass, Mary Burton, Jonathan Stone, Steven James, Maggie Toussaint, Clay Stafford, Heywood Gould, Jaden Terrell, and more.... Every year some of the biggest names in the thriller world converge in Tennessee for the Killer Nashville conference, an event where stars of the genre rub elbows with their most devoted fans, where the best sellers of tomorrow pick up tricks of the trade, and where some of the best writers of today swap dark tales of good deals gone bad, rights made wrong, and murder in all shades.... This collection of new stories features some of the biggest names in suspense, from best sellers to ferociously talented newcomers. Grouped around the classic theme of murder, Killer Nashville Noir: Cold-Blooded is a first-class collection and a must-have for fans of the genre. 1. Language: English. Narrator: Nicholas Techosky, Jennifer Riker, Kevin Stillwell. Audio sample: http://samples.audible.de/bk/adbl/028213/bk_adbl_028213_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 08.12.2019
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Loose Wheels and Narrow Necks: Cart 437 and Oth...
9,95 € *
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Over the years while writing, directing, and acting at radio theater workshops and in the Mark Time Radio Show performances at Minneapolis' CONvergence science fiction conventions, Brian Price and Jerry Stearns found that they shared a love for classic Beat poetry, Lord Buckley, and prose poems, so they started doing some of their own. This is a collection of their unique hybrid of humor, music, character, and performance. "Closed Mouths and Narrow Necks" (The Yellow House - West Plains, MO, May 29, 2002) - Bass: Thom Hoglen, Sax: Eric Elder "Cart 437" (or "The Long Way Around") (CONvergence 2006 - July 7, 2006) "The Collapse of the 20th Century Was So Gradual" (Minicon 32 - March 28, 1997) - Piano: David Emerson "Clones Day Parade" (CONvergence 2001 - July 6, 2001) - Piano: Mike Wheaton "Unrelated Cliffhanger Theater" (CONvergence 2006 - July 7, 2006) with Windy Bowlsby, Tim Wick, Charlie Meitzner, Preston Ossman, Eleanor Price, and David Ossman "Your Mileage May Vary" (CONvergence 2002 - July 5, 2002) with Richard Fish; Music by Eleanor Price "A Cure for Science" (CONvergence 2004 - July 2, 2004) - Trombone: Jim ten Bensel "The Tiniest Souls" (CONvergence 2007 - July 6, 2007) "Under the Broken Tree Bridge" (CONvergence 2008 - July 3, 2008) with Eleanor Price; Piano: Keith Spears "Cart 437: Part Two" (Hear Now Festival - Kansas City, MO, June 9, 2016) "You Can't Handle the Truth" (CONvergence 2007 - July 6, 2007) with Wally Wingert, Windy Bowlsby, Tim Wick, Preston Ossman, Eleanor Price, and David Ossman 1. Language: English. Narrator: David Ossman, full cast. Audio sample: http://samples.audible.de/bk/blak/010527/bk_blak_010527_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 08.12.2019
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How to Fix a Broken Record: Thoughts on Vinyl R...
9,95 € *
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Your soul holds a massive record collection: melodies, rhythms, and bass lines. Memories that ask you to dance and memories that haunt you in a minor key. Lies that become soundtracks to your days while truths play too softly to be heard. Spoken word poet Amena Brown’s broken records played messages about how she wasn’t worthy to be loved. How to Fix a Broken Record chronicles her journey of healing as she’s allowed the music of God’s love to replace the scratchy taunts of her past. From bad dates to marriage lessons at Waffle House, from learning to love her hair to learning to love an unexpected season of life, from discovering the power of saying no and the freedom to say yes, Amena offers keep-it-real stories your soul can relate to. The hurtful words of others and the failures of your past often determine what record you play the most in your mind. Those painful repetitions can become loud at the most inopportune time, keeping you from speaking up, pursuing your dreams, and growing closer to God. Recognize the negative messages that play on repeat every day in your mind. Learn how to replace them with the truth that you are a beloved child of God. And discover how to laugh along the way as you find new joy in the beautiful music of your life. A bonus audio track is included in the How to Fix a Broken Record audiobook, which features a special spoken-word performance by author Amena Brown. 1. Language: English. Narrator: Amena Brown. Audio sample: http://samples.audible.de/bk/zond/001775/bk_zond_001775_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 08.12.2019
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To the Best of Our Knowledge: The Creative Mind...
9,95 € *
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In this hour, Charles Limb is a surgeon and musician who researches the way creativity works in the brain. He puts jazz musicians inside an fMRI to find out what the brain does during musical improvisation. Bass player Mike Pope is one of his subjects. Anne Strainchamps talks with them about the music and the science. Next, creativity is hard-wired in the human brain, but we could all learn to be more creative. Harvard psychologist Shelley Carson's research has identified seven different modes of creative thinking. She tells Anne Strainchamps how we can all learn to amplify our own creative abilities.Then, imagine beginning your life's work at age 72. In the 1770's, Mary Delaney invented the medium we now call collage. Her collection of botanically-correct floral collages is today housed in the British Museum. Poet Molly Peacock fell in love with the work and the artist and has written a meditation on both and on late-life creativity.Finally, cosmologist Brian Swimme and Religion scholar Mary Evelyn Tucker tell the story of the origins of the universe, from the Big Bang to the present moment. They describe the universe as a story of unceasing creativity. They talk with Steve Paulson about their new book and film, Journey of the Universe. [Broadcast Date: July 4, 2012] 1. Language: English. Audio sample: http://samples.audible.de/rt/tbon/120704/rt_tbon_120704_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 08.12.2019
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To the Best of Our Knowledge: The Creative Mind...
9,95 € *
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In this hour, Charles Limb is a surgeon and musician who researches the way creativity works in the brain. He puts jazz musicians inside an fMRI to find out what the brain does during musical improvisation. Bass player Mike Pope is one of his subjects. Anne Strainchamps talks with them about the music and the science. Next, creativity is hard-wired in the human brain, but we could all learn to be more creative. Harvard psychologist Shelley Carson's research has identified seven different modes of creative thinking. She tells Anne Strainchamps how we can all learn to amplify our own creative abilities.Then, imagine beginning your life's work at age 72. In the 1770's, Mary Delaney invented the medium we now call collage. Her collection of botanically-correct floral collages is today housed in the British Museum. Poet Molly Peacock fell in love with the work and the artist and has written a meditation on both and on late-life creativity.Finally, cosmologist Brian Swimme and Religion scholar Mary Evelyn Tucker tell the story of the origins of the universe, from the Big Bang to the present moment. They describe the universe as a story of unceasing creativity. They talk with Steve Paulson about their new book and film, Journey of the Universe. [Broadcast Date: August 17, 2011] 1. Language: English. Audio sample: http://samples.audible.de/rt/tbon/110817/rt_tbon_110817_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 08.12.2019
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Bach, J: Triosonate VI in G-Dur
31,90 CHF *
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Bach composed the six Trio Sonatas for Organ BWV 525 – 530 probably between 1727 and 1730 when he was Cantor at the St. Thomas Church in Leipzig. The trio sonata as a baroque genre usually employs four players: two solo parts (violin, flute or oboe), a bass part (violoncello, violone or bassoon) and the continuo part (organ, harpsichord or lute). It is assumed that during his time in Köthen (1717 – 1723), Bach composed a few dozen trio sonatas for various instruments, of which very few have survived. In fact, the Triosonata for two Flutes and Continuo BWV 1039, along with the one from the Musical Offering (which was written much later), is the only one of which the authenticity can be regarded as certain. Bach arranged it for Viola da Gamba and harpsichord (BWV 1027). The upper solo part is played by the right hand of the harpsichordist while the Viola plays the second part an octave lower. Later, Bach arranged the last movement for organ (Trio in G). Here, the pedal plays a slightly simplified bass, and the left hand takes up the second part. Maybe some of the movements of the six Trio Sonatas for Organ go back to lost compositions Bach has arranged in a similar manner. There are earlier versions of many movements, and the original of at least one movement (BWV 528, I.) was written for more than one instrument: the Sinfonia of the second part of Cantata BWV 76 which is set for Oboe d’amore, Viola da Gamba and Basso Continuo. The linear, distinctly chamber music-like disposition of the Sonatas further supports this assumption, and a number of recent recordings of the Sonatas with two solo instruments and basso continuo convincingly justify the reconstruction of a hypothetical original. The sixth Trio Sonata might be the only one that Bach explicitly composed for this collection. The particularly high number of changes in the manuscript might indicate that he was still working on it when he copied the Sonata into the collection. The first movement Vivace has a certain resemblance with the first movement of Bach’s Italian Concerto for harpsichord. It is a concerto movement, but the solo and tutti passages are often ambiguous. The unison in the beginning is unparalleled in the Trio Sonatas and emphasizes the concerto character of this movement. The first theme returns in modified forms: syncopated (bar 53), in sequence (bar 73) and embellished in minor (101). Extended arpeggios in the interludes (T 37 – 52, 85 – 100 und 137 – 152) and a remarkably active bass (bar 101) effectively contrast the homophone main theme. The declamatory character and its rhythmically and melodically independent solo parts make the Lento sound more like an aria from Bach’s cantatas with obligato (violin, flute or oboe) than a chamber sonata. There are elements of the Siciliano (esp. the dotted 6/8 rhythms) and the bass gets involved in the thematic development. Like in Sonatas BWV 526, 528, und 529 the bass is also involved in the development of the fugue subject in the last movement Allegro. While the first theme only employs one and a half bars, the second theme in the parallel minor stretches over four bars and dominates the middle section with motivic sequences and frequent modulations. Due to the range (first theme soprano) the Sonata was transposed a half-step above the original key. For the same reason, the upper parts were switched in bars 156 – 160. The alto part was transposed an octave down in bars 21 and 22 (with two eight notes pickup). The 8va in the third movement can be performed as written. Instrumentation: 3 saxophones (SABar/SAT) and cello ad lib BWV 530

Anbieter: Orell Fuessli CH
Stand: 08.12.2019
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