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Music Sales Really Easy Piano - Ultimate Chart ...
13,95 € *
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Featuring 17 of the biggest hits from the current charts, Ultimate Chart Hits is a contemporary-focused addition to the Really Easy Piano series, helping beginners to play their favourite pop chart tunes. The standard of pop songs has been steadily increasing, and right now it's possibly the best it's ever been. With songwriters like Meghan Trainor, John Legend and George Ezra gracing the charts with their catchy hooks and heartfelt lyrics, there couldn't be a better time to learn the best pop hits on the Piano. This collection of perfect pop sheet music will allow you to learn hits like All About That Bass, Rather Be and Stay With Me, as well as the amazing instant classics Shake It Off by Taylor Swift and Uptown Funk by Mark Ronson with Bruno Mars. If you are a beginner pianist who loves the current pop output, Really Easy Piano: Ultimate Chart Hits is the sheet music book for you. The simplified arrangements give you just the most important parts of the songs, with lyrics and chord symbols, too. Not only this, but interesting background information for each song will let you know which ones got to number one, while some really helpful performance hints and tips will let you focus on the difficult bits and nail each and every performance. Whether you love a bit of Ed Sheeran, Tom Odell or Take That, there is something for every pop lover here. If you are a beginning pianist who has a proclivity for pop, then Ultimate Chart Hits is most definitely for you. It's a brilliant collection of that pure pop perfection that we all enjoy on the radio and television every day, all arranged for Easy Piano, enabling anyone to play these great tunes especially if you're a beginner. · ISBN: 978-1783059454 · Instrument: Klavier · Bindung: Softcover · Format: 21,0 x 29,7 cm (DIN A4) · Seitenanzahl: 48 · Sprache: Englisch · Erscheinungsjahr: Notenbuch

Anbieter: Musik Produktiv
Stand: 14.12.2019
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Black Sabbath The ultimate collection  LP  Stan...
42,99 € *
zzgl. 3,95 € Versand

Erscheint als limitierte 4-LP im Kreuzform-fold out Sleeve! Keine andere Band hat das Metal-Genre so sehr geprägt und beeinflusst wie Black Sabbath aus Birmingham. Nun neigt sich nach fast 50 Jahren die Karriere dem Ende zu. Die letzte Tour, The end", führt Black Sabbath seit Monaten (Support Rival Sons) über den Globus und am 04. Februar schließt sich der Kreis mit dem letzten Konzert in ihrer Heimatstadt Birmingham. Das letzte Konzert auf deutschem Boden findet am 17. Januar in der Kölner Lanxess Arena statt. Ozzy Osbourne (Gesang), Tony Iommi (Gitarre), Geezer Butler (Bass) und Bill Ward (Schlagzeug) haben bisher über 75 Millionen Alben verkauft. Seit 2005 sind sie ein Teil der UK Music Hall Of Fame und 2006 wurden sie in die Rock and Roll Hall Of Fame in den USA eingeführt. "The ultimate collection" erscheint am 18.11. als 4-LP mit 31 Tracks, die an der aktuellen Setlist der laufenden Tour angelehnt sind und zusammen mit der Band ausgesucht wurden. Alle Songs wurden von Andy Pearce re-mastered."

Anbieter: EMP
Stand: 14.12.2019
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Killer Nashville Noir: Cold-Blooded , Hörbuch, ...
9,95 € *
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Best-selling authors Jeffery Deaver and Anne Perry join rising stars like Dana Chamblee Carpenter and Paul Gail Benson in a collection that proves Music City is a deadly place to be when your song gets called. Featuring stories by Donald Bain, Robert Dugoni, Jefferson Bass, Mary Burton, Jonathan Stone, Steven James, Maggie Toussaint, Clay Stafford, Heywood Gould, Jaden Terrell, and more.... Every year some of the biggest names in the thriller world converge in Tennessee for the Killer Nashville conference, an event where stars of the genre rub elbows with their most devoted fans, where the best sellers of tomorrow pick up tricks of the trade, and where some of the best writers of today swap dark tales of good deals gone bad, rights made wrong, and murder in all shades.... This collection of new stories features some of the biggest names in suspense, from best sellers to ferociously talented newcomers. Grouped around the classic theme of murder, Killer Nashville Noir: Cold-Blooded is a first-class collection and a must-have for fans of the genre. 1. Language: English. Narrator: Nicholas Techosky, Jennifer Riker, Kevin Stillwell. Audio sample: http://samples.audible.de/bk/adbl/028213/bk_adbl_028213_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 14.12.2019
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Indiana Jones Quadrilogy
53,99 € *
zzgl. 1,49 € Versand

Every unforgettable exploit of world-renowned, globetrotting hero Indiana Jones is featured with pristine picture and sound in Indiana Jones: The Complete Adventures. The cinematic classic that started it all--Raiders of the Lost Ark--has been meticulously restored under the supervision of director Steven Spielberg and sound designer Ben Burtt. Additionally, Indiana Jones and the Temple of Doom and Indiana Jones and the Last Crusade have both been remastered alongside 2008’s Indiana Jones and the Kingdom of the Crystal Skull making this landmark release the first time all four films in the epic and award-winning franchise have been available together in sparkling high definition. In addition to all of Indy’s thrilling adventures, the set includes seven hours of fascinating documentaries, featurettes and interviews with cast members and filmmakers. This comprehensive collection of behind-the-scenes bonus features is augmented by a brand new two-part documentary entitled “On Set with Raiders of the Lost Ark – From Jungle to Desert and From Adventure to Legend.” Featuring nearly an hour of rarely seen footage from the set of the film and archival interviews with Steven Spielberg, George Lucas and Harrison Ford, these captivating pieces transports fans back to where the legend began. Raiders of the Lost Ark has been painstakingly restored with careful attention to preserving the original look, sound and feel of the iconic film. The original negative was scanned at 4K and then examined frame-by-frame so that any damage could be repaired. The sound design was similarly preserved using Burtt’s original master mix, which had been archived and unused since 1981. New stereo surrounds were created using the original music tracks and original effects recorded in stereo but used previously only in mono. In addition, the sub bass was redone entirely up to modern specifications and care was taken to improve dialogue and correct small technical flaws to create the most complete and highest quality version of the sound possible while retaining the director’s vision. Disc 1--Raiders of the Lost Ark Audio: English 5.1 DTS-HD Master Audio / French Dolby Digital 5.1 / German Dolby Digital 5.1 / German Surround Video: 2.35:1 Anamorphic Widescreen Subtitles: English, English for the deaf and hard of hearing, Danish, Dutch, Finnish, French, German, Norwegian, Swedish Running Time: 115 mins approx. Special Features: • Teaser Trailer (HD) • Theatrical Trailer (HD) • Re-Issue Trailer (HD) Disc 2--Indiana Jones and the Temple of Doom Audio: English 5.1 DTS-HD Master Audio / French Dolby Digital 5.1 / German Dolby Digital 5.1 Video: 2.35:1 Anamorphic Widescreen Subtitles: English, English for the deaf and hard of hearing, Danish, Dutch, Finnish, French, German, Norwegian, Swedish Running Time: 118 mins approx. Special Features: • Teaser Trailer (HD) • Theatrical Trailer (HD) Disc 3--Indiana Jones and the Last Crusade Audio: English 5.1 DTS-HD Master Audio / French Dolby Digital 5.1 / German Dolby Digital 5.1 Video: 2.35:1 Anamorphic Widescreen Subtitles: English, English for the deaf and hard of hearing, Danish, Dutch, Finnish, French, German, Norwegian, Swedish Running Time: 127mins approx. Special Features: • Teaser Trailer (HD) • Theatrical Trailer (HD) Disc 4--Indiana Jones and the Kingdom of the Crystal Skull Audio: English 5.1 DTS-HD Master Audio / French Dolby Digital 5.1 / German Dolby Digital 5.1 / Italian Dolby Digital 5.1 / Spanish Dolby Digital 5.1 / Audio Descriptive Track English Dolby Digital 5.1 (feature only) Video: 2.40:1 Anamorphic Widescreen Subtitles: English, English for the deaf and hard of hearing, Catalan, Danish, Dutch, Finnish, French, German, Italian, Norwegian, Spanish, Swedish Running Time: 123mins approx. Special Features: • Theatrical Trailer #2 (HD) • Theatrical Trailer #3 (HD) • Theatrical Trailer #4 (HD) Disc 5--Bonus Features Audio: English Stereo Subtitles: English, Cantonese, Catalan, Czech, Danish, Dutch, Finnish, French, German, Italian, Japanese, Mandarin, Norwegian, Polish, Russian, Spanish, Swedish • New--On Set with Raiders of the Lost Ark o From Jungle to Desert o From Adventure to Legend • Making the Films o The Making of Raiders of the Lost Ark (1981 documentary previously unavailable on DVD) o The Making of Raiders of the Lost Ark o The Making of Indiana Jones and the Temple of Doom o The Making of Indiana Jones and the Last Crusade o The Making of Indiana Jones and the Kingdom of the Crystal Skull (HD) • Behind the Scenes o The Stunts of Indiana Jones o The Sound of Indiana Jones o The Music of Indiana Jones o The Light and Magic of Indiana Jones o Raiders: The Melting Face! o Indiana Jones and the Creepy Crawlies (with optional pop-ups) o Travel with Indiana Jones: Locations (with optional pop-ups) o Indy’s Women: The American Film Institute Tribute o Indy’s Friends and Enemies o Iconic Props (Crystal Skull) (HD) o The Effects of Indy (Crystal Skull) (HD) o Adventures in Post Production (Crystal Skull) (HD) INDIANA JONES - RAIDERS OF THE LOST ARK Languages - English, French, German Subtitles - English, English SDH, French, Dutch, German, Danish, Finnish, Swedish, Norwegian INDIANA JONES - TEMPLE OF DOOM Languages - English, French, German Subtitles - English, English SDH, French, Dutch, German, Danish, Finish, Swedish, Norwegian INDIANA JONES - THE LAST CRUSADE Languages - English, French, German Subtitles - English, English SDH, French, Dutch, German, Danish, Finnish, Swedish, Norwegian INDIANA JONES - KINGDOM OF THE CRYSTAL SKULL Languages - English, French, German, Italian, Spanish Subtitles - English, English SDH, French, German, Dutch, Italian, Danish, Swedish, Norwegian, Finnish, Spanish, Catalan INDIANA JONES - BONUS DISC Languages - English Subtitles - English, Japanese, Spanish, French, Italian, German, Swedish, Finnish, Norwegian, Danish, Dutch, Catalan, Russian, Czech, Polish, Cantonese, Mandarin

Anbieter: Zavvi
Stand: 14.12.2019
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Loose Wheels and Narrow Necks: Cart 437 and Oth...
9,95 € *
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Over the years while writing, directing, and acting at radio theater workshops and in the Mark Time Radio Show performances at Minneapolis' CONvergence science fiction conventions, Brian Price and Jerry Stearns found that they shared a love for classic Beat poetry, Lord Buckley, and prose poems, so they started doing some of their own. This is a collection of their unique hybrid of humor, music, character, and performance. "Closed Mouths and Narrow Necks" (The Yellow House - West Plains, MO, May 29, 2002) - Bass: Thom Hoglen, Sax: Eric Elder "Cart 437" (or "The Long Way Around") (CONvergence 2006 - July 7, 2006) "The Collapse of the 20th Century Was So Gradual" (Minicon 32 - March 28, 1997) - Piano: David Emerson "Clones Day Parade" (CONvergence 2001 - July 6, 2001) - Piano: Mike Wheaton "Unrelated Cliffhanger Theater" (CONvergence 2006 - July 7, 2006) with Windy Bowlsby, Tim Wick, Charlie Meitzner, Preston Ossman, Eleanor Price, and David Ossman "Your Mileage May Vary" (CONvergence 2002 - July 5, 2002) with Richard Fish; Music by Eleanor Price "A Cure for Science" (CONvergence 2004 - July 2, 2004) - Trombone: Jim ten Bensel "The Tiniest Souls" (CONvergence 2007 - July 6, 2007) "Under the Broken Tree Bridge" (CONvergence 2008 - July 3, 2008) with Eleanor Price; Piano: Keith Spears "Cart 437: Part Two" (Hear Now Festival - Kansas City, MO, June 9, 2016) "You Can't Handle the Truth" (CONvergence 2007 - July 6, 2007) with Wally Wingert, Windy Bowlsby, Tim Wick, Preston Ossman, Eleanor Price, and David Ossman 1. Language: English. Narrator: David Ossman, full cast. Audio sample: http://samples.audible.de/bk/blak/010527/bk_blak_010527_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 14.12.2019
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How to Fix a Broken Record: Thoughts on Vinyl R...
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Your soul holds a massive record collection: melodies, rhythms, and bass lines. Memories that ask you to dance and memories that haunt you in a minor key. Lies that become soundtracks to your days while truths play too softly to be heard. Spoken word poet Amena Brown’s broken records played messages about how she wasn’t worthy to be loved. How to Fix a Broken Record chronicles her journey of healing as she’s allowed the music of God’s love to replace the scratchy taunts of her past. From bad dates to marriage lessons at Waffle House, from learning to love her hair to learning to love an unexpected season of life, from discovering the power of saying no and the freedom to say yes, Amena offers keep-it-real stories your soul can relate to. The hurtful words of others and the failures of your past often determine what record you play the most in your mind. Those painful repetitions can become loud at the most inopportune time, keeping you from speaking up, pursuing your dreams, and growing closer to God. Recognize the negative messages that play on repeat every day in your mind. Learn how to replace them with the truth that you are a beloved child of God. And discover how to laugh along the way as you find new joy in the beautiful music of your life. A bonus audio track is included in the How to Fix a Broken Record audiobook, which features a special spoken-word performance by author Amena Brown. 1. Language: English. Narrator: Amena Brown. Audio sample: http://samples.audible.de/bk/zond/001775/bk_zond_001775_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 14.12.2019
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To the Best of Our Knowledge: The Creative Mind...
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In this hour, Charles Limb is a surgeon and musician who researches the way creativity works in the brain. He puts jazz musicians inside an fMRI to find out what the brain does during musical improvisation. Bass player Mike Pope is one of his subjects. Anne Strainchamps talks with them about the music and the science. Next, creativity is hard-wired in the human brain, but we could all learn to be more creative. Harvard psychologist Shelley Carson's research has identified seven different modes of creative thinking. She tells Anne Strainchamps how we can all learn to amplify our own creative abilities.Then, imagine beginning your life's work at age 72. In the 1770's, Mary Delaney invented the medium we now call collage. Her collection of botanically-correct floral collages is today housed in the British Museum. Poet Molly Peacock fell in love with the work and the artist and has written a meditation on both and on late-life creativity.Finally, cosmologist Brian Swimme and Religion scholar Mary Evelyn Tucker tell the story of the origins of the universe, from the Big Bang to the present moment. They describe the universe as a story of unceasing creativity. They talk with Steve Paulson about their new book and film, Journey of the Universe. [Broadcast Date: July 4, 2012] 1. Language: English. Audio sample: http://samples.audible.de/rt/tbon/120704/rt_tbon_120704_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 14.12.2019
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To the Best of Our Knowledge: The Creative Mind...
9,95 € *
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In this hour, Charles Limb is a surgeon and musician who researches the way creativity works in the brain. He puts jazz musicians inside an fMRI to find out what the brain does during musical improvisation. Bass player Mike Pope is one of his subjects. Anne Strainchamps talks with them about the music and the science. Next, creativity is hard-wired in the human brain, but we could all learn to be more creative. Harvard psychologist Shelley Carson's research has identified seven different modes of creative thinking. She tells Anne Strainchamps how we can all learn to amplify our own creative abilities.Then, imagine beginning your life's work at age 72. In the 1770's, Mary Delaney invented the medium we now call collage. Her collection of botanically-correct floral collages is today housed in the British Museum. Poet Molly Peacock fell in love with the work and the artist and has written a meditation on both and on late-life creativity.Finally, cosmologist Brian Swimme and Religion scholar Mary Evelyn Tucker tell the story of the origins of the universe, from the Big Bang to the present moment. They describe the universe as a story of unceasing creativity. They talk with Steve Paulson about their new book and film, Journey of the Universe. [Broadcast Date: August 17, 2011] 1. Language: English. Audio sample: http://samples.audible.de/rt/tbon/110817/rt_tbon_110817_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 14.12.2019
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Bach, J: Triosonate VI in G-Dur
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Bach composed the six Trio Sonatas for Organ BWV 525 – 530 probably between 1727 and 1730 when he was Cantor at the St. Thomas Church in Leipzig. The trio sonata as a baroque genre usually employs four players: two solo parts (violin, flute or oboe), a bass part (violoncello, violone or bassoon) and the continuo part (organ, harpsichord or lute). It is assumed that during his time in Köthen (1717 – 1723), Bach composed a few dozen trio sonatas for various instruments, of which very few have survived. In fact, the Triosonata for two Flutes and Continuo BWV 1039, along with the one from the Musical Offering (which was written much later), is the only one of which the authenticity can be regarded as certain. Bach arranged it for Viola da Gamba and harpsichord (BWV 1027). The upper solo part is played by the right hand of the harpsichordist while the Viola plays the second part an octave lower. Later, Bach arranged the last movement for organ (Trio in G). Here, the pedal plays a slightly simplified bass, and the left hand takes up the second part. Maybe some of the movements of the six Trio Sonatas for Organ go back to lost compositions Bach has arranged in a similar manner. There are earlier versions of many movements, and the original of at least one movement (BWV 528, I.) was written for more than one instrument: the Sinfonia of the second part of Cantata BWV 76 which is set for Oboe d’amore, Viola da Gamba and Basso Continuo. The linear, distinctly chamber music-like disposition of the Sonatas further supports this assumption, and a number of recent recordings of the Sonatas with two solo instruments and basso continuo convincingly justify the reconstruction of a hypothetical original. The sixth Trio Sonata might be the only one that Bach explicitly composed for this collection. The particularly high number of changes in the manuscript might indicate that he was still working on it when he copied the Sonata into the collection. The first movement Vivace has a certain resemblance with the first movement of Bach’s Italian Concerto for harpsichord. It is a concerto movement, but the solo and tutti passages are often ambiguous. The unison in the beginning is unparalleled in the Trio Sonatas and emphasizes the concerto character of this movement. The first theme returns in modified forms: syncopated (bar 53), in sequence (bar 73) and embellished in minor (101). Extended arpeggios in the interludes (T 37 – 52, 85 – 100 und 137 – 152) and a remarkably active bass (bar 101) effectively contrast the homophone main theme. The declamatory character and its rhythmically and melodically independent solo parts make the Lento sound more like an aria from Bach’s cantatas with obligato (violin, flute or oboe) than a chamber sonata. There are elements of the Siciliano (esp. the dotted 6/8 rhythms) and the bass gets involved in the thematic development. Like in Sonatas BWV 526, 528, und 529 the bass is also involved in the development of the fugue subject in the last movement Allegro. While the first theme only employs one and a half bars, the second theme in the parallel minor stretches over four bars and dominates the middle section with motivic sequences and frequent modulations. Due to the range (first theme soprano) the Sonata was transposed a half-step above the original key. For the same reason, the upper parts were switched in bars 156 – 160. The alto part was transposed an octave down in bars 21 and 22 (with two eight notes pickup). The 8va in the third movement can be performed as written. Instrumentation: 3 saxophones (SABar/SAT) and cello ad lib BWV 530

Anbieter: Orell Fuessli CH
Stand: 14.12.2019
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