Bruce Dickinson, as always keeps it real and tells it like it is! This raw interview with the members of Iron Maiden proves the Band loves their fans and will keep on rocking! Originally Formed in London, England, in 1976, Iron Maiden was from the start the brainchild of Bass player Steve Harris. The Band was named after a medieval torture device, the music was suitably heavy and hard on the senses. There were several line-up changes in the Iron Maiden ranks in the very early days, and come the
High Quality Content by WIKIPEDIA articles! Partibrejkers is a prominent Serbian rock group from Belgrade, as well as an acclaimed act of the former Yugoslav rock scene. The band were formed in 1982 and released their debut album in 1985 in a two guitars, drums and vocal set (no bass), produced by Du an "Koja" Koji of Disciplina Ki me. Their influences are diverse, such as the Stooges, MC5, early Rolling Stones and New York Dolls combined with blues, rhythm-and-blues, rockabilly and classic rocknroll. Until today they have experienced numerous line-up changes. The mainstay of the band are Zoran "Cane" Kosti (vocals) and Neboj a "Anton" Antonijevi (guitar). They have received steady critical acclaim over the years and are well received by audiences all over former Yugoslavia, not only because of their music, but also due to their anti-war activism with the Rimtutituki project.
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Primal Scream are a Scottish alternative rock group formed in 1982 in Glasgow by Bobby Gillespie (vocals) and Jim Beattie. The current lineup consists of Gillespie, Andrew Innes (guitar), Martin Duffy (keyboards), Gary "Mani" Mounfield (bass), and Darrin Mooney (drums). Barrie Cadogan toured with the band in 2006 as a temporary replacement after the departure of guitarist Robert "Throb" Young. Young''s permanent replacement has not yet been announced. They have sold 10 million albums to date. The band performed throughout 1982-1984, but their career didn''t especially take off until Gillespie left his position as drummer of The Jesus and Mary Chain. The band were a key part of the mid-1980s indie pop scene, but eventually moved away from their more jangly sound, taking on more psychedelic and then garage rock influences, before incorporating a dance music element to their sound. Their 1991 album Screamadelica broke the band into the mainstream. Despite multiple lineup changes, the band has remained commercially successful and continues to tour and record to this day.
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The discography of At the Drive-In, an El Paso, Texas-based post-hardcore band active from 1994 to 2001, consists of three studio albums, one compilation album, five EPs, six singles, and three music videos. At the Drive-In formed in 1994 with an initial lineup of Cedric Bixler-Zavala (lead vocals), Jim Ward (guitar and backing vocals), Jarrett Wrenn (guitar), Kenny Hopper (bass guitar), and Bernie Rincon (drums). This lineup released the band''s debut EP, Hell Paso, through their own imprint Western Breed Records that November. Rincon was replaced by Davy Simmons for their second EP, 1995''s ¡Alfaro Vive, Carajo!. Further lineup changes saw Wrenn replaced by Adam Amparan, Hopper by Omar Rodríguez-López, and Simmons by Ryan Sawyer. The band''s debut album, Acrobatic Tenement, was released in July 1996 through Flipside Records.
High Quality Content by WIKIPEDIA articles! Puncture was an early English punk group. Founded in the summer of 1976, this Islington, London based, four-piece combo consisted of Paul McCallum (guitar/vocals), Steve Counsel (bass/vocals), Jak Stafford (guitar/vocals) and "The Fabulous" Marty Truss (drums). Their influences ranged from early The Who, The Kinks, Small Faces, through to Roxy Music, David Bowie, blues, rhythm and blues, and The Bonzo Dog Doo-Dah Band. Their first major gig was in November 1976, at Fulham Town Hall in London a week after an early gig by The Clash. Various personnel changes ensued, with Jak Stafford leaving to join prominent punk band X-Ray Spex, as Jak Airport. A brief tenure with guitarist Eric Electroid (aka Kenny) saw them move on to pastures new, with the recruitment of band member Anthony Keen on synthesizer and keyboards.
High Quality Content by WIKIPEDIA articles! Ozomatli is a seven to ten piece band playing primarily Latin, hip hop, and rock music, formed in 1995 in Los Angeles. They are known both for their vocal activist viewpoints and their wide array of musical styles - including salsa, jazz, funk, reggae, and others. Ozomatli take their name from the Nahuatl word for the Aztec astrological symbol of the monkey, which is also a god of dance, fire, the new harvest, and music. The band has experienced many member changes, having had as many as ten members, and as few as seven. There are a core of six members who have been featured in all of its lineups: Asdru Sierra (lead vocals, trumpet), Raul Pacheco (lead vocals, guitar, tres, jarana), Justin Poree (rap vocals, percussion), Wil-dog Abers (bass, backing vocals), Jiro Yamaguchi (tabla, percussion, backing vocals) and Ulises Bella (sax, clarinet, requinto jarocho, keyboards, backing vocals).
This is the first in a series of books and audio/video recordings which describe a simple and pragmatic approach to improvisation. While focusing on the jazz idiom, the techniques discussed are applicable to many styles of music and all instruments, be it rock guitar, jazz saxophone, or the solos of the fusion keyboardist. The system presented in this volume offers a tangible pathway to inside the creative imagination by getting inside harmony, inside the changes. Chord changes are included for C Concert, B flat and E flat instruments. In addition the book includes transposed examples for all instruments (C treble clef, B flat, E flat and bass clef). The accompanying recording has been designed for use in conjunction with each of the chapter assignments. There are nine tunes for you to play along with, each played at a slow and then medium tempo featuring Garry Dial on piano, Dave Santoro on bass and Alan Dawson on drums, plus 12 demonstration tracks performed by the author on piano and/or tenor saxophone.Instrumentation:melody instruments (C or Bb or Eb or bass clef)
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Bach composed the six Trio Sonatas for Organ BWV 525 &#8211; 530 probably between 1727 and 1730 when he was Cantor at the St. Thomas Church in Leipzig. The trio sonata as a baroque genre usually employs four players: two solo parts (violin, flute or oboe), a bass part (violoncello, violone or bassoon) and the continuo part (organ, harpsichord or lute). It is assumed that during his time in Köthen (1717 &#8211; 1723), Bach composed a few dozen trio sonatas for various instruments, of which very few have survived. In fact, the Triosonata for two Flutes and Continuo BWV 1039, along with the one from the Musical Offering (which was written much later), is the only one of which the authenticity can be regarded as certain. Bach arranged it for Viola da Gamba and harpsichord (BWV 1027). The upper solo part is played by the right hand of the harpsichordist while the Viola plays the second part an octave lower. Later, Bach arranged the last movement for organ (Trio in G). Here, the pedal plays a slightly simplified bass, and the left hand takes up the second part. Maybe some of the movements of the six Trio Sonatas for Organ go back to lost compositions Bach has arranged in a similar manner. There are earlier versions of many movements, and the original of at least one movement (BWV 528, I.) was written for more than one instrument: the Sinfonia of the second part of Cantata BWV 76 which is set for Oboe d&#8217;amore, Viola da Gamba and Basso Continuo. The linear, distinctly chamber music-like disposition of the Sonatas further supports this assumption, and a number of recent recordings of the Sonatas with two solo instruments and basso continuo convincingly justify the reconstruction of a hypothetical original. The sixth Trio Sonata might be the only one that Bach explicitly composed for this collection. The particularly high number of changes in the manuscript might indicate that he was still working on it when he copied the Sonata into the collection. The first movement Vivace has a certain resemblance with the first movement of Bach&#8217;s Italian Concerto for harpsichord. It is a concerto movement, but the solo and tutti passages are often ambiguous. The unison in the beginning is unparalleled in the Trio Sonatas and emphasizes the concerto character of this movement. The first theme returns in modified forms: syncopated (bar 53), in sequence (bar 73) and embellished in minor (101). Extended arpeggios in the interludes (T 37 &#8211; 52, 85 &#8211; 100 und 137 &#8211; 152) and a remarkably active bass (bar 101) effectively contrast the homophone main theme. The declamatory character and its rhythmically and melodically independent solo parts make the Lento sound more like an aria from Bach&#8217;s cantatas with obligato (violin, flute or oboe) than a chamber sonata. There are elements of the Siciliano (esp. the dotted 6/8 rhythms) and the bass gets involved in the thematic development. Like in Sonatas BWV 526, 528, und 529 the bass is also involved in the development of the fugue subject in the last movement Allegro. While the first theme only employs one and a half bars, the second theme in the parallel minor stretches over four bars and dominates the middle section with motivic sequences and frequent modulations. Due to the range (first theme soprano) the Sonata was transposed a half-step above the original key. For the same reason, the upper parts were switched in bars 156 &#8211; 160. The alto part was transposed an octave down in bars 21 and 22 (with two eight notes pickup). The 8va in the third movement can be performed as written. Instrumentation: 3 saxophones (SABar/SAT) and cello ad lib BWV 530