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GPO Retro Memphis Turntable 4-in-1 Music System...
160,99 € *
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The GPO Retro Memphis Turntable 4-in-1 Music System with Built in CD and FM Radio has a built-in amplifier and 2 x 1.5w RMS speakers, so you can enjoy all your favourite music and activate bass boost for powerful sound. The retro styled CD player also features an LCD display with blue back light that will display FM radio details and a 3.5mm jack plug to connect MP3 players or smartphones (connection lead included). Features: Retro full-size LP turntable and CD/MP3/USB/SD player Belt drive system, 33/45/78 RPM selectable turntable Built-in amplifier and speakers 2 x 1.5w RMS output power Repeat one / all function LCD display with blue back light FM radio with digital LCD display Bass boost function Record music directly to USB and SD card from built in LP turntable Record music directly to USB and SD card from built in CD player Includes full remote control 3.5mm jack plug to connect MP3 players and smartphones (connection lead included) Dimensions: H: 18cm x W: 38cm x D: 35cm

Anbieter: Sowaswillichauch
Stand: 26.01.2020
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Love my Jazz, Fotobildband u. 4 Audio-CDs
27,96 € *
ggf. zzgl. Versand

Giuseppe Pino - Love My JazzStarphotograph Giuseppe Pino präsentiert in Love My Jazz Porträts aller großen Namen, die die internationale Jazzszene seit den 60er Jahren hervorgebracht hat. Faszinierende Aufnahme von Louis Armstrong, Chet Baker, Count Basie, Dee Dee Bridgewater, Dave Brubeck, Chick Corea, Miles Davis, Duke Ellington, Bill Evans, Ella Fitzgerald, Stan Getz, Dizzy Gillespie, Lionel Hampton, Keith Jarrett, Oscar Peterson, Nina Simone, Joe Zawinul umfassen drei Generationen von Jazzmusikern begleitet von der Musik vieler abgebildeter Jazzgrößen.MUSIK-INHALT:CD 1 – Swing & Joy[1] Sonny Rollins: St. Thomas 6:47(Rollins) Prestige Music[2] Freddy Hubbard: Joy Spring 6:47(Brown) copyright controlFreddie Hubbard(tp)Harold Land: tenor saxBilly Childs: keyboardsLarry Klein: bassSteve Houghton: drumsBuck Clark: Percussion[3] Stan Getz & His Four Brothers: Five Brothers 3:12(Mulligan) Beechwood Music-BMIStan Getz, Zoot Sims, Al Cohn, Allan Eager, Brew Moore: tenor saxophonesWalter Bishop: pianoGene Ramey: bass · Charlie Perry: drums[4] Zoot Sims Four: I Hear a Rhapsody 5:33(Fragos, Baker, Gasparre) Thorn Creatives Int.-BMIZoot Sims: tenor saxRichards Wyands: pianoFrank Tate: bass · Akira Tana: drums[5] Dexter Gordon: Fried Bananas 6:09(Gordon) Dex Music-BMIDexter Gordon: tenor sax · Barry Harris: pianoBuster Williams: bass · Allbert “Tootie” Heath: drums [6] Milt Jackson & Wes Montgomery: Stablemates 5:45(Golson) copyright controlMilt Jackson: vibesWes Montgomery: guitar · Wynton Kelly: pianoSam Jones: bass · Philly Joe Jones: drums[7] Dave Brubeck: The Way You Look Tonight 7:45(Kern, Fields) Warner Bros. MusicDave Brubeck: piano · Paul Desmond: alto saxCD 2 – Cool & Soft[1] Miles Davis Quintet: My Funny Valentine 6:01(Rodgers, Hart) ChappellMiles Davis: trumpet · Red Garland: pianoPaul Chambers: bass · Philly Joe Jones: drums[2] Chet Baker: How High The Moon 3:39(Hamilton, Lewis) Chappell MusicChet Baker: trumpet · Herbie Mann: flutePepper Adams: baritone sax · Bill Evans: pianoPaul Chambers: bass · Connie Kay: drums[3] Ron Carter: All Blues 8:43(Davis) Musical Frontiers-BMIRon Carter: piccolo bass · Kenny Barron: pianoBuster Williams: bass · Ben Riley: drums[4] Herbie Mann & Bobby Jaspar: Tel Aviv 14:42(Mann) Prestige Music-BMIHerbie Mann, Bobby Jaspar: flutes, tenor saxTommy Flanagan: pianoJoe Puma: guitarWendell Marshall: bassBobby Donaldson: drums[5] Paul Bley: Like Someone in Love 4:07(Burke, van Heusen) Bourne/Music Sales Corp.Paul Bley: pianoCharles Mingus, bassArk Blakey: drums[6] Bill Evans Trio: Spring is Here 5:06(Rodgers, Hart) Robbins Music-ASCAPBill Evans: pianoScott Lafaro: bass · Paul Motian: drumsCD 3 – Blues & Classics[1] Duke Ellington: C-Jam Blues 5:14(Ellington) EMI RobbinsDuke Ellington: pianoRoy Burrowes, Cat Anderson,Bill Berry, Ray Nance: trumpetsLawrence Brown, Leon Cox,Chuck Connors: trombonesRussell Procope, Johnny Hodges: alto saxJimmy Hamilton: clarinet, tenor saxPaul Gonsalves: tenor sax · Harry Carney: baritone saxAaron Bell: bass · Sam Woodyard: drums[2] Big Joe Turner: Stormy Monday 4:37(Walker) Gregmark Music-BMIJoe Turner: vocalsPee Wee Crayton: guitarJ. D. Nicholson: pianoCharles Norris: bassWashington Rucker: drums[3] Count Basie Jam: Jumpin’ at the Woodside 4:32(Basie) Warner Bros. MusicCount Basie: pianoVic Dickenson, Al Grey: trombones · Roy Eldridge: trumpetBenny Carter: alto saxophone · Zoot Sims: tenor saxophoneRay Brown: bass · Jimmie Smith: drums[4] Louis Armstrong: Mack the Knife 3:28(Brecht/Weill) Weill-Brecht-Harms-ASCAPLouis Armstrong: trumpet, vocalsTrummy Young: trombone · Edmund Hall: clarinetBilly Kyle: piano · Squire Gersh: bass · Barrett Deems: drumsRecorded: July 4, 1957, Newport[5] Oliver Nelson, King Curtis & Jimmy Forest: Blues at the Five Spot 5:43(Nelson) Noslen Music-BMIOliver Nelson, King Curtis, Jimmy Forest: tenor saxGene Casey: piano · George Dvivier: bass · Roy Haynes: drums[6] Ella Fitzgerald: Night and Day 6:59(Porter) Harms Inc.-ASCAPElla Fitzgerald: vocals · Tommy Flanagan: pianoEd Thipgen: drums · Frank de la Rosa: bass[7] Ray Bryant: Take the “A” Train 4:06(Ellington, Strayhorn) Tempo Music-ASCAPRay Bryant: pianoRecorded: July 13, 1977, Montreux(P) 1977 Pablo Records Tenth & Parker Berkeley, CA 94710ISCR US-FI8-77-00001OJCCD-371[8] Oscar Peterson & The Bassists: Sweet Georgia Brown 5:09(Bernie, Pinkard, Casey) Warner Bros.-ASCAPOscar Peterson, pianoRay Brown: bass · Niels Pedersen: bassCD 4 – Bop & More[1] Woody Herman: La Fiesta 5:00(Corea) Litha Music-ASCAPWoody Herman: clarinet,sax · Greg Herbert: sax,fluteFrank Tiberi, Steve Lederer, Harry Kleintank:saxLarry Pyatt, Gil Rathel, Walt Blanton, Bill Byrne: trumpetBill Stapelton: trumpet, flugelhornJim Pugh, Geoff Sharp, Harold Garrett: tromboneAndy Laverne: piano · Joe Beck: guitarWayne Darling: bass · Ed Soph: drums · Ray Barretto: conga[2] Art Blakey & Jazz Messengers: Caravan 9:45(Ellington, Mills, Tizol) American Academy of MusicArt Blakey: drums · Freddie Hubbard: trumpetCurtis Fuller: trombone · Wayne Shorter: tenor saxCedar Walton: piano · Reggie Workman: bass[3] Charles Mingus: Jump Monk 6:53(Mingus) Jazz Workshop-BMICharles Mingus: bassEddie Bert: trombone · George Barrow: tenor saxMal Waldron: piano · Willie Jones: drums[4] Dizzy Gillespie: Manteca 9:26(Gillespie, Fuller) Music Sales Corp.-ASCAPDizzy Gillespie, trumpet · Toots Thielemans, guitarBernard “Pretty” Purdie, drums[5] McCoy Tyner: Afro Blue 9:58 Flöten, Percussion, Es-Dur(Santamaria) Mongo Music–BMIMcCoy Tyner: pianoSonny Fortune: soprano & alto sax, fluteVirgil Jones, Cecil Bridgewater, Jon Faddis: trumpetDick Griffin: trombone, bass tromboneGarnett Brown: trombone · Kiani Zawadi: euphoniumJulius Watkins, Willie Ruff, William Warnick III: French hornBob Stewart: tubaHubert Laws: piccolo, flute · Harry Smyles: oboeSelwart Clarke, John Blair, Sanford Allen, Winston CollymoreNoel DaCosta, Marie Hence: violinJulien Barber, Alfred Brown: violaRonald Lipscomb, Kermit Moore: celloJooney Booth: bassAlphonse Mouzon: drums · Sonny Morgan: congas

Anbieter: Dodax
Stand: 26.01.2020
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Love my Jazz, Fotobildband u. 4 Audio-CDs
30,85 € *
ggf. zzgl. Versand

Giuseppe Pino - Love My JazzStarphotograph Giuseppe Pino präsentiert in Love My Jazz Porträts aller großen Namen, die die internationale Jazzszene seit den 60er Jahren hervorgebracht hat. Faszinierende Aufnahme von Louis Armstrong, Chet Baker, Count Basie, Dee Dee Bridgewater, Dave Brubeck, Chick Corea, Miles Davis, Duke Ellington, Bill Evans, Ella Fitzgerald, Stan Getz, Dizzy Gillespie, Lionel Hampton, Keith Jarrett, Oscar Peterson, Nina Simone, Joe Zawinul umfassen drei Generationen von Jazzmusikern begleitet von der Musik vieler abgebildeter Jazzgrößen.MUSIK-INHALT:CD 1 – Swing & Joy[1] Sonny Rollins: St. Thomas 6:47(Rollins) Prestige Music[2] Freddy Hubbard: Joy Spring 6:47(Brown) copyright controlFreddie Hubbard(tp)Harold Land: tenor saxBilly Childs: keyboardsLarry Klein: bassSteve Houghton: drumsBuck Clark: Percussion[3] Stan Getz & His Four Brothers: Five Brothers 3:12(Mulligan) Beechwood Music-BMIStan Getz, Zoot Sims, Al Cohn, Allan Eager, Brew Moore: tenor saxophonesWalter Bishop: pianoGene Ramey: bass · Charlie Perry: drums[4] Zoot Sims Four: I Hear a Rhapsody 5:33(Fragos, Baker, Gasparre) Thorn Creatives Int.-BMIZoot Sims: tenor saxRichards Wyands: pianoFrank Tate: bass · Akira Tana: drums[5] Dexter Gordon: Fried Bananas 6:09(Gordon) Dex Music-BMIDexter Gordon: tenor sax · Barry Harris: pianoBuster Williams: bass · Allbert “Tootie” Heath: drums [6] Milt Jackson & Wes Montgomery: Stablemates 5:45(Golson) copyright controlMilt Jackson: vibesWes Montgomery: guitar · Wynton Kelly: pianoSam Jones: bass · Philly Joe Jones: drums[7] Dave Brubeck: The Way You Look Tonight 7:45(Kern, Fields) Warner Bros. MusicDave Brubeck: piano · Paul Desmond: alto saxCD 2 – Cool & Soft[1] Miles Davis Quintet: My Funny Valentine 6:01(Rodgers, Hart) ChappellMiles Davis: trumpet · Red Garland: pianoPaul Chambers: bass · Philly Joe Jones: drums[2] Chet Baker: How High The Moon 3:39(Hamilton, Lewis) Chappell MusicChet Baker: trumpet · Herbie Mann: flutePepper Adams: baritone sax · Bill Evans: pianoPaul Chambers: bass · Connie Kay: drums[3] Ron Carter: All Blues 8:43(Davis) Musical Frontiers-BMIRon Carter: piccolo bass · Kenny Barron: pianoBuster Williams: bass · Ben Riley: drums[4] Herbie Mann & Bobby Jaspar: Tel Aviv 14:42(Mann) Prestige Music-BMIHerbie Mann, Bobby Jaspar: flutes, tenor saxTommy Flanagan: pianoJoe Puma: guitarWendell Marshall: bassBobby Donaldson: drums[5] Paul Bley: Like Someone in Love 4:07(Burke, van Heusen) Bourne/Music Sales Corp.Paul Bley: pianoCharles Mingus, bassArk Blakey: drums[6] Bill Evans Trio: Spring is Here 5:06(Rodgers, Hart) Robbins Music-ASCAPBill Evans: pianoScott Lafaro: bass · Paul Motian: drumsCD 3 – Blues & Classics[1] Duke Ellington: C-Jam Blues 5:14(Ellington) EMI RobbinsDuke Ellington: pianoRoy Burrowes, Cat Anderson,Bill Berry, Ray Nance: trumpetsLawrence Brown, Leon Cox,Chuck Connors: trombonesRussell Procope, Johnny Hodges: alto saxJimmy Hamilton: clarinet, tenor saxPaul Gonsalves: tenor sax · Harry Carney: baritone saxAaron Bell: bass · Sam Woodyard: drums[2] Big Joe Turner: Stormy Monday 4:37(Walker) Gregmark Music-BMIJoe Turner: vocalsPee Wee Crayton: guitarJ. D. Nicholson: pianoCharles Norris: bassWashington Rucker: drums[3] Count Basie Jam: Jumpin’ at the Woodside 4:32(Basie) Warner Bros. MusicCount Basie: pianoVic Dickenson, Al Grey: trombones · Roy Eldridge: trumpetBenny Carter: alto saxophone · Zoot Sims: tenor saxophoneRay Brown: bass · Jimmie Smith: drums[4] Louis Armstrong: Mack the Knife 3:28(Brecht/Weill) Weill-Brecht-Harms-ASCAPLouis Armstrong: trumpet, vocalsTrummy Young: trombone · Edmund Hall: clarinetBilly Kyle: piano · Squire Gersh: bass · Barrett Deems: drumsRecorded: July 4, 1957, Newport[5] Oliver Nelson, King Curtis & Jimmy Forest: Blues at the Five Spot 5:43(Nelson) Noslen Music-BMIOliver Nelson, King Curtis, Jimmy Forest: tenor saxGene Casey: piano · George Dvivier: bass · Roy Haynes: drums[6] Ella Fitzgerald: Night and Day 6:59(Porter) Harms Inc.-ASCAPElla Fitzgerald: vocals · Tommy Flanagan: pianoEd Thipgen: drums · Frank de la Rosa: bass[7] Ray Bryant: Take the “A” Train 4:06(Ellington, Strayhorn) Tempo Music-ASCAPRay Bryant: pianoRecorded: July 13, 1977, Montreux(P) 1977 Pablo Records Tenth & Parker Berkeley, CA 94710ISCR US-FI8-77-00001OJCCD-371[8] Oscar Peterson & The Bassists: Sweet Georgia Brown 5:09(Bernie, Pinkard, Casey) Warner Bros.-ASCAPOscar Peterson, pianoRay Brown: bass · Niels Pedersen: bassCD 4 – Bop & More[1] Woody Herman: La Fiesta 5:00(Corea) Litha Music-ASCAPWoody Herman: clarinet,sax · Greg Herbert: sax,fluteFrank Tiberi, Steve Lederer, Harry Kleintank:saxLarry Pyatt, Gil Rathel, Walt Blanton, Bill Byrne: trumpetBill Stapelton: trumpet, flugelhornJim Pugh, Geoff Sharp, Harold Garrett: tromboneAndy Laverne: piano · Joe Beck: guitarWayne Darling: bass · Ed Soph: drums · Ray Barretto: conga[2] Art Blakey & Jazz Messengers: Caravan 9:45(Ellington, Mills, Tizol) American Academy of MusicArt Blakey: drums · Freddie Hubbard: trumpetCurtis Fuller: trombone · Wayne Shorter: tenor saxCedar Walton: piano · Reggie Workman: bass[3] Charles Mingus: Jump Monk 6:53(Mingus) Jazz Workshop-BMICharles Mingus: bassEddie Bert: trombone · George Barrow: tenor saxMal Waldron: piano · Willie Jones: drums[4] Dizzy Gillespie: Manteca 9:26(Gillespie, Fuller) Music Sales Corp.-ASCAPDizzy Gillespie, trumpet · Toots Thielemans, guitarBernard “Pretty” Purdie, drums[5] McCoy Tyner: Afro Blue 9:58 Flöten, Percussion, Es-Dur(Santamaria) Mongo Music–BMIMcCoy Tyner: pianoSonny Fortune: soprano & alto sax, fluteVirgil Jones, Cecil Bridgewater, Jon Faddis: trumpetDick Griffin: trombone, bass tromboneGarnett Brown: trombone · Kiani Zawadi: euphoniumJulius Watkins, Willie Ruff, William Warnick III: French hornBob Stewart: tubaHubert Laws: piccolo, flute · Harry Smyles: oboeSelwart Clarke, John Blair, Sanford Allen, Winston CollymoreNoel DaCosta, Marie Hence: violinJulien Barber, Alfred Brown: violaRonald Lipscomb, Kermit Moore: celloJooney Booth: bassAlphonse Mouzon: drums · Sonny Morgan: congas

Anbieter: Dodax AT
Stand: 26.01.2020
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Massive Attack's Blue Lines
12,46 € *
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In 1991, a loose-knit collective released a record called Blue Lines under the name Massive Attack, splicing together American hip-hop and soul with the sounds of the British underground. With its marauding bass lines, angular guitars, and psychedelic effects, Blue Lines built on the Caribbean soundsystems and nascent rave scene of the 1980s while also looking ahead to the group's signature blend of epic cinematics and lush downtempo. In the process, Blue Lines invented an entirely new genre called trip hop and launched the career of a rapper named Tricky.Ultimately, Blue Lines created the sonic playbook for an emerging future: hybrid, digital, cosmopolitan, and rooted in the black and immigrant communities who animated the urban wreckage of the postindustrial city. Massive Attack envisioned an alternate future in sharp counterpoint to the glossy triumphalism of Brit Pop. And while the group would go on to bigger things, this record was both a warning shot and a definitive statement that sounds as otherworldy today as on the day of its release. As Blue Lines's iconic flame logo spun on turntables the world over, Massive Attack and their spaced-out urban blues reimagined music for the 1990s and beyond.

Anbieter: Dodax
Stand: 26.01.2020
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Massive Attack's Blue Lines
12,74 € *
ggf. zzgl. Versand

In 1991, a loose-knit collective released a record called Blue Lines under the name Massive Attack, splicing together American hip-hop and soul with the sounds of the British underground. With its marauding bass lines, angular guitars, and psychedelic effects, Blue Lines built on the Caribbean soundsystems and nascent rave scene of the 1980s while also looking ahead to the group's signature blend of epic cinematics and lush downtempo. In the process, Blue Lines invented an entirely new genre called trip hop and launched the career of a rapper named Tricky.Ultimately, Blue Lines created the sonic playbook for an emerging future: hybrid, digital, cosmopolitan, and rooted in the black and immigrant communities who animated the urban wreckage of the postindustrial city. Massive Attack envisioned an alternate future in sharp counterpoint to the glossy triumphalism of Brit Pop. And while the group would go on to bigger things, this record was both a warning shot and a definitive statement that sounds as otherworldy today as on the day of its release. As Blue Lines's iconic flame logo spun on turntables the world over, Massive Attack and their spaced-out urban blues reimagined music for the 1990s and beyond.

Anbieter: Dodax AT
Stand: 26.01.2020
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Safe From Harm (Song)
35,00 € *
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. "Safe from Harm" is the third single from Blue Lines, the 1991 debut from Massive Attack. The bass, guitar, and drums are sampled from the song "Stratus" by Billy Cobham, from his album Spectrum. Additional drums are sampled from "Good Old Music" by Funkadelic. The vocals are sung by Shara Nelson. "Safe from Harm" (Perfecto Mix) is featured at the end of the Michael Mann-directed movie The Insider.

Anbieter: Dodax AT
Stand: 26.01.2020
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Arrangement "I Say A Little Prayer" (Aretha Fra...
9,30 € *
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Studienarbeit aus dem Jahr 2009 im Fachbereich Musikwissenschaft, Note: 1,5, Pädagogische Hochschule Ludwigsburg, Sprache: Deutsch, Abstract: Auf der Grundlage des Seminars "Arrangements für das Musizieren in der Schule"(Wintersemester 2008/2009) soll hier das Lied "I Say A Little Prayer", im Original gesungenvon Aretha Franklin, für eine Schulklasse in der Hauptschule arrangiert werden.Als Besetzung wähle ich Gesang (Solo), Chor sowie Klavier, Gitarre, E-Bass, Posaune undSchlagzeug (Drum-Set).Das Arrangement spricht einen mittleren Schwierigkeitsgrad, vor allem bedingt durchmehrere Taktwechsel innerhalb des Stückes, an, dennoch bin ich der Meinung, dass es sich,eventuell in einer leicht vereinfachten Form, in der Sekundarstufe I mit Schülerinnen undSchülern spielen beziehungsweise singen lässt.Der Stil des Stückes, wie ich ihn mir hier vorstelle, geht in die Richtung Jazz/Soul/Blues. Zur Durchführung wird benötigt: Bacharach, Burt (Music) und David, Hal (Words): "I Say A Little Prayer". Blue Seas Music Incorporated & Casa David Music Incorporated, USA 2006

Anbieter: Dodax AT
Stand: 26.01.2020
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Safe From Harm (Song)
34,00 € *
ggf. zzgl. Versand

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. "Safe from Harm" is the third single from Blue Lines, the 1991 debut from Massive Attack. The bass, guitar, and drums are sampled from the song "Stratus" by Billy Cobham, from his album Spectrum. Additional drums are sampled from "Good Old Music" by Funkadelic. The vocals are sung by Shara Nelson. "Safe from Harm" (Perfecto Mix) is featured at the end of the Michael Mann-directed movie The Insider.

Anbieter: Dodax
Stand: 26.01.2020
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Bayan Audio Soundbook Go Portable Wireless Blue...
20,99 € *
zzgl. 3,49 € Versand

Soundbook GO is our ultra compact wireless speaker that is designed to help you enjoy expansive sound wherever you travel. It can be connected simply in seconds via Bluetooth or NFC and its design and dimensions make it perfect for slipping in a bag or suitcase so you can enjoy your music anywhere for up to nine hours Designed with added bass, Soundbook GO produces a rich, balanced sound whether you're enjoying dance tracks at a beach party or acoustic tracks at a summer picnic. Available in four contemporary colours, Soundbook GO is the perfect travel companion to help you experience your music wherever you are. Enjoy up to 9 hours of wireless music Simple pairing in seconds with Smart Bluetooth v4.0 Dynamic bass NFC connection for super quick pairing with a supported Smartphone or tablet Ultra compact at 480g Micro USB to charge directly from a laptop or most Smartphone chargers Encased in an anti-slip, travel friendly smart cover - turns on when opened, off when closed Available in Black, Red, Blue or White Built in microphone for hands-free conference calling Portability Soundbook GO has an anti-slip, travel friendly smart cover for added protection and also conveniently switches the product on when opened and off automatically when closed, saving battery life when out and about. The compact size and weight makes Soundbook GO perfect for slipping into a bag, so music can be enjoyed anywhere, and the built in microphone allows you to answer your phone if a call comes in, so you wont miss any calls from your friends whilst you're enjoying your music. Design Soundbook GO has the clean, contemporary design which all Bayan Audio products offer and the one-touch auto pairing from any NFC-enabled device makes connecting to Soundbook GO fast and simple so you can enjoy your music more quickly. The protective anti-slip smart cover automatically turns the Soundbook GO on or off when opened or closed and it is available in four contemporary colours. Sound Soundbook GO defies its lightweight size with a remarkable 15W stereo power, achieving a subtle balance between a smooth, defined bass, pronounced vocal range and detailed high crisp notes. Amplifier Power Output - 15W Stereo Drive Units - 2 x 1 long throw neodymium, 1 x 2 passive bass radiator Frequency Range - 70Hz to 20 kHz THD (total harmonic distortion) - Power input voltage - 5V 1A micro USB Bluetooth - Bluetooth a2dp music profile with hands free profile Battery Life - >9 hours Inputs - 3.5mm AUX audio jack input, Bluetooth 4.0 (built in), Microphone (built-in) for hands free calling Auto Connect / Pairing - One touch connect and disconnect with Bluetooth 4.0 or integrated NFC Dimensions - 160mm wide, 88mm tall, 40mm deep Net Weight - 480g

Anbieter: Sowaswillichauch
Stand: 26.01.2020
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