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10cc - 10cc in Concert
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10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

Anbieter: Konzertkasse
Stand: 29.05.2020
Zum Angebot
10cc - 10cc in Concert
49,95 € *
zzgl. 5,95 € Versand

10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

Anbieter: Konzertkasse
Stand: 29.05.2020
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House Rules: Dance with Me , Hörbuch, Digital, ...
9,95 € *
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House is the first descendant of disco. While Black and Hispanic communities were jamming and party DJs spinning records, a new birth of rhythm gave way to music lovers from Chicago and New York in the form known as house music.Developed in Chicago's underground dance club culture in the early 1980s, house music began as DJs spinning in the gay subculture altered the pop-like disco dance tracks to give them a more mechanical beat and deeper bass lines. As well, these DJs began to mix synth pop, dub reggae, rap, and even jazz into their tracks.The first pioneers of house music were Chicago DJ and record producer Frankie Knuckles, Chicago acid-house electronic music group Phuture, Tennessee DJ and producer Mr. Fingers, and US-born, UK-based singer Kym Mazelle.House music quickly spread to other American cities such as Detroit, New York City, Baltimore, and Newark - all of which developed their own regional house scenes. Today, house music is worldwide and continues to dominate most club scenes and has expanded beyond its subculture beginning. 1. Language: English. Narrator: David Sadzin. Audio sample: http://samples.audible.de/bk/acx0/104659/bk_acx0_104659_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 29.05.2020
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Bob Marley: The Life and Legacy of Reggae's Glo...
9,95 € *
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We don't have education, we have inspiration; if I was educated I would be a damn fool. (Bob Marley) "If there remains any magic, it is music." (Bob Marley) In terms of raw popularity, Bob Marley sold over 20 million albums in a brief career that took him around the globe as, "[T]he first international superstar from the so-called third world", but the journey from anonymity within his own culture to reigning as, "[T]he defining figure of Jamaican music" was a circuitous and dangerous one. After leaving home at age 14, Marley's street skills helped him, "[G]ain a foothold in Jamaica's chaotic music industry while skillfully navigating politically partisan violence that abounded in Kingston through the 70s." His exaltation of the reggae form, couched in the Rastafari, became an instrument of order and a haven for otherwise directionless youth in Kingston and other communities of Jamaica. Beginning with the more lighthearted ska style, Marley drew fellow Jamaicans as kindred spirits by adding social commentary to the lyrics. As these popular dance hits were infused with songs of faith, the weightier genre of reggae emerged. Marley would become, "[O]ne of the genre's most beloved artists." To the outer world, he is by far the most iconic individual associated with the form and the era. As the merely distractive elements of ska fell away, "[I]nto the slower, bass-heavy reggae sound", the accompanying depth of his message lifted him above being a mere entertainer, and his fellow Jamaican youth turned to him for social truths. 1. Language: English. Narrator: Russell Stamets. Audio sample: http://samples.audible.de/bk/acx0/034106/bk_acx0_034106_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 29.05.2020
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To the Best of Our Knowledge: The Creative Mind...
9,95 € *
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In this hour, Charles Limb is a surgeon and musician who researches the way creativity works in the brain. He puts jazz musicians inside an fMRI to find out what the brain does during musical improvisation. Bass player Mike Pope is one of his subjects. Anne Strainchamps talks with them about the music and the science. Next, creativity is hard-wired in the human brain, but we could all learn to be more creative. Harvard psychologist Shelley Carson's research has identified seven different modes of creative thinking. She tells Anne Strainchamps how we can all learn to amplify our own creative abilities.Then, imagine beginning your life's work at age 72. In the 1770's, Mary Delaney invented the medium we now call collage. Her collection of botanically-correct floral collages is today housed in the British Museum. Poet Molly Peacock fell in love with the work and the artist and has written a meditation on both and on late-life creativity.Finally, cosmologist Brian Swimme and Religion scholar Mary Evelyn Tucker tell the story of the origins of the universe, from the Big Bang to the present moment. They describe the universe as a story of unceasing creativity. They talk with Steve Paulson about their new book and film, Journey of the Universe. [Broadcast Date: July 4, 2012] 1. Language: English. Audio sample: http://samples.audible.de/rt/tbon/120704/rt_tbon_120704_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 29.05.2020
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To the Best of Our Knowledge: The Creative Mind...
9,95 € *
ggf. zzgl. Versand

In this hour, Charles Limb is a surgeon and musician who researches the way creativity works in the brain. He puts jazz musicians inside an fMRI to find out what the brain does during musical improvisation. Bass player Mike Pope is one of his subjects. Anne Strainchamps talks with them about the music and the science. Next, creativity is hard-wired in the human brain, but we could all learn to be more creative. Harvard psychologist Shelley Carson's research has identified seven different modes of creative thinking. She tells Anne Strainchamps how we can all learn to amplify our own creative abilities.Then, imagine beginning your life's work at age 72. In the 1770's, Mary Delaney invented the medium we now call collage. Her collection of botanically-correct floral collages is today housed in the British Museum. Poet Molly Peacock fell in love with the work and the artist and has written a meditation on both and on late-life creativity.Finally, cosmologist Brian Swimme and Religion scholar Mary Evelyn Tucker tell the story of the origins of the universe, from the Big Bang to the present moment. They describe the universe as a story of unceasing creativity. They talk with Steve Paulson about their new book and film, Journey of the Universe. [Broadcast Date: August 17, 2011] 1. Language: English. Audio sample: http://samples.audible.de/rt/tbon/110817/rt_tbon_110817_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 29.05.2020
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The Ox
12,99 € *
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The definitive no-holds-barred biography of John Entwistle, The Who's legendary bass guitarist It is an unequivocal fact that in terms of rock bands, the Beatles, the Rolling Stones and the Who represent Year Zero; the beginning of all things, ground-breakers all. To that end, John Entwistle - the Who's beloved bassist - is also without question one of the most important and influential figures in the annals of rock. He is also among an even more rarefied few by virtue of his being such a fascinating, transfixing and gloriously oversized character. However, Entwistle has not been the subject of a major biography. Likely, this was due to no-one being able to gain close access to the subject himself: the still in many other respects enigmatic Entwistle's enduring legacy has been carefully guarded by his surviving family. With the full co-operation of the Entwistle family, The Ox will correct this oversight and in doing so, shine a long overdue light on one of the single greatest, and most impactful figures in rock history. Drawing on his own notes for an unfinished autobiography that he started before his death in 2002 (and which will be quoted from extensively), as well as his personal archives and interviews with his family and friends, The Ox will give readers a never-before-seen glimpse into the two very distinct poles of John Entwistle. On the one hand, he was the rock star incarnate, being larger than life, self-obsessed to a fault, and proudly and almost defiantly so. Extravagant with money, he famously shipped two vintage American cars across the Atlantic without having so much as a driver's license, built exponentially bigger and grandiose bars into every home he owned, and amassed an extraordinary collection of possessions, from arachnids, armor, and weaponry, to his patented Cuban-heeled boots. But beneath this fame and flutter, he was also a man of simple tastes and traditional opinions. He was a devoted father and family man who loved nothing more than to wake up to a full English breakfast, or to have a supper of fish, chips, and a pint at his local pub. After his untimely death, many of these stories were shuttered away into the memories of his family, friends, and loved ones, but now, for the first time, The Ox will introduce us to the man behind the myth-the iconic and inimitable John Entwistle. Paul Rees has been writing about popular music and culture since 1990. He is a former award-winning Editor of Kerrang! and was Editor-in-Chief of Q magazine from 2002-2012. His work has also appeared in such publications as the Sunday Times Culture, Observer, Sunday Times Magazine, Daily Telegraph, Sunday Express, and Classic Rock.

Anbieter: buecher
Stand: 29.05.2020
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The Ox
12,99 € *
ggf. zzgl. Versand

The definitive no-holds-barred biography of John Entwistle, The Who's legendary bass guitarist It is an unequivocal fact that in terms of rock bands, the Beatles, the Rolling Stones and the Who represent Year Zero; the beginning of all things, ground-breakers all. To that end, John Entwistle - the Who's beloved bassist - is also without question one of the most important and influential figures in the annals of rock. He is also among an even more rarefied few by virtue of his being such a fascinating, transfixing and gloriously oversized character. However, Entwistle has not been the subject of a major biography. Likely, this was due to no-one being able to gain close access to the subject himself: the still in many other respects enigmatic Entwistle's enduring legacy has been carefully guarded by his surviving family. With the full co-operation of the Entwistle family, The Ox will correct this oversight and in doing so, shine a long overdue light on one of the single greatest, and most impactful figures in rock history. Drawing on his own notes for an unfinished autobiography that he started before his death in 2002 (and which will be quoted from extensively), as well as his personal archives and interviews with his family and friends, The Ox will give readers a never-before-seen glimpse into the two very distinct poles of John Entwistle. On the one hand, he was the rock star incarnate, being larger than life, self-obsessed to a fault, and proudly and almost defiantly so. Extravagant with money, he famously shipped two vintage American cars across the Atlantic without having so much as a driver's license, built exponentially bigger and grandiose bars into every home he owned, and amassed an extraordinary collection of possessions, from arachnids, armor, and weaponry, to his patented Cuban-heeled boots. But beneath this fame and flutter, he was also a man of simple tastes and traditional opinions. He was a devoted father and family man who loved nothing more than to wake up to a full English breakfast, or to have a supper of fish, chips, and a pint at his local pub. After his untimely death, many of these stories were shuttered away into the memories of his family, friends, and loved ones, but now, for the first time, The Ox will introduce us to the man behind the myth-the iconic and inimitable John Entwistle. Paul Rees has been writing about popular music and culture since 1990. He is a former award-winning Editor of Kerrang! and was Editor-in-Chief of Q magazine from 2002-2012. His work has also appeared in such publications as the Sunday Times Culture, Observer, Sunday Times Magazine, Daily Telegraph, Sunday Express, and Classic Rock.

Anbieter: buecher
Stand: 29.05.2020
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The ultimate Ukulele fake book
54,00 € *
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ABRAHAM MARTIN AND JOHN / Gaye Marvin|AC CENT TCHU ATE THE POSITIVE|ACT NATURALLY / Beatles|AFTER YOU'VE GONE|AIN'T GOT NO HOME|AIN'T MISBEHAVIN'|AIN'T WE GOT FUN|THE AIR THAT I BREATHE|ALABAMY BOUND|All about that bass / Trainor Meghan|ALL I HAVE TO DO IS DREAM|All my loving / Beatles|ALL OF ME|ALL THE WAY|ALLEGHENY MOON|ALLEY OOP|ALOHA OE|AMERICAN TUNE|AND I LOVE HER / Beatles|And I love you so|AND SO IT GOES / Joel Billy|ANNIE'S SONG / Denver John|ANNIVERSARY SONG|ANTICIPATION|APRIL SHOWERS|ARE YOU HAVIN' ANY FUN|ARE YOU LONESOME TONIGHT / Presley Elvis|AS TEARS GO BY|AT SEVENTEEN|AT THE HOP|ATLANTIS|AUTUMN LEAVES|BABY FACE|BABY LOVE|Banana boat song|BANG THE DRUM ALL DAY / Rundgren Todd|BEHIND BLUE EYES|Bei Mir Bist Du Schoen (Means That You're Grand)|BEST OF MY LOVE / Eagles|THE BEST THINGS IN LIFE ARE FREE|BETTER TOGETHER|BEWITCHED|BEYOND THE SEA|BIG GIRLS DON'T CRY|BLACK MAGIC WOMAN|Blackbird|BLUE HAWAII|BLUE MOON OF KENTUCKY|BLUE VELVET|BLUEBERRY HILL|BOOGIE WOOGIE BUGLE BOY|BOOK OF LOVE|BRAND NEW KEY / Melanie|Break my stride|BREAKING UP IS HARD TO DO|BRING ME SUNSHINE|Brown eyed girl / Morrison Van|BUBBLY / Caillat Colbie|BUS STOP|BYE BYE BLACKBIRD|BYE BYE BLUES|CALL ME|CAN'T BUY ME LOVE / Beatles|CAN'T GET USED TO LOSING YOU|CAN'T SMILE WITHOUT YOU|CANDY|Carrie Anne|CARRY THAT WEIGHT / Beatles|Catch the wind / Donovan|CECILIA / Simon + Garfunkel|CHAPEL OF LOVE|CHICAGO (THAT TODDLIN' TOWN)|CHILDREN GO WHERE I SEND THEE|THE CIRCLE GAME|Coconut|COME GO WITH ME|COME SATURDAY MORNING|CONSIDER YOURSELF|COULD I HAVE THIS DANCE|COUNT ON ME|Counting stars / One Republic|Crazy|CREEP|DANCING IN THE STREET|DANCING QUEEN / Abba|'DEED I DO|DEFYING GRAVITY|DELILAH|DINAH|DON'T FENCE ME IN|DON'T GET AROUND MUCH ANYMORE|DON'T LET THE SUN CATCH YOU CRYING|DON'T SIT UNDER THE APPLE TREE|DON'T THINK TWICE IT'S ALL RIGHT|DON'T WORRY BABY|DOWN AT THE TWIST AND SHOUT|DOWN IN THE BOONDOCKS|Down On The Corner / CCR (Creedence Clearwater Revival)|DOWN UNDER|DOWNTOWN|DREAM|DREAM BABY (HOW LONG MUST I DREAM)|DRIFTING AND DREAMING (SWEET PARADISE)|EIGHT DAYS A WEEK / Beatles|ELENORE|ENJOY YOURSELF (IT'S LATER THAN YOU THINK)|EVERYBODY LOVES SOMEBODY|EVERYDAY|EXACTLY LIKE YOU|FALLING SLOWLY / Hansard Glen + Irglova Marketa|FERRY CROSS THE MERSEY|FIELDS OF GOLD / Sting|FIFTY WAYS TO LEAVE YOUR LOVER|Five hundred miles|FOREVER YOUNG|THE FRIM FRAM SAUCE|FROM ME TO YOU|GARDEN SONG / Denver John|GETTING TO KNOW YOU|GIRL|THE GLORY OF LOVE|God only knows|GOLDEN SLUMBERS / Beatles|GOOD DAY SUNSHINE / Beatles|GOOD NIGHT|GOODNIGHT MY SOMEONE|GRACELAND|THE GREAT PRETENDER|GROOVIN'|A groovy kind of love / Collins Phil|The hanging tree / Lawrence Jennifer|HAPPY|A hard day's night / Beatles|THE HAWAIIAN WEDDING SONG (KE KALI NEI AU)|HEAL THE WORLD / Jackson Michael|HEATWAVE (LOVE IS LIKE A HEATWAVE)|HELLO|Hello It's Me / Rundgren Todd|HELLO MARY LOU / Nelson Ricky|HERE THERE AND EVERYWHERE / Beatles|HEY GOOD LOOKIN'|Hey Jude / Beatles|HEY LOOK ME OVER|HONEYCOMB|HONEYSUCKLE ROSE|HOOKED ON A FEELING|HOUND DOG|HOUSE OF GOLD|HOW CAN YOU MEND A BROKEN HEART|HOW SWEET IT IS (TO BE LOVED BY YOU)|THE HUKILAU SONG|HURDY GURDY MAN|I AIN'T GOT NOBODY (AND NOBODY CARES FOR ME)|I DO|I DON'T CARE IF THE SUN DON'T SHINE|I FEEL FINE / Beatles|I HAVE A DREAM / Abba|I LOVE HOW YOU LOVE ME|I ONLY WANT TO BE WITH YOU|I SAW THE LIGHT|I SHOT THE SHERIFF / Marley Bob|I THINK WE'RE ALONE NOW|I want to hold your hand / Beatles|I WILL|I will follow you into the dark|I WISH YOU LOVE|I won't give up|I'LL BE SEEING YOU|I'LL FLY AWAY|I'LL FOLLOW THE SUN / Beatles|I'll never find another you|I'LL SEE YOU IN MY DREAMS|I'M BEGINNING TO SEE THE LIGHT|I'M CONFESSIN' (THAT I LOVE YOU)|I'M GONNA SIT RIGHT DOWN AND WRITE MYSELF A LETTER|I'm into something good|I'M LOOKING OVER A FOUR LEAF CLOVER|I'M SITTING ON TOP OF THE WORLD|I'm yours|IF I FELL / Beatles|IF WE ONLY HAVE LOVE (QUAND ON N'A QUE L'AMOUR)|IN MY LIFE|In the middle of an island|IN THE STILL OF THE NITE (I'LL REMEMBER)|INDIANA (BACK HOME AGAIN IN INDIANA)|IT HAD TO BE YOU|IT WAS A VERY GOOD YEAR|IT'S A GOOD DAY|IT'S A SIN TO TELL A LIE|It's not unusual|IT'S NOW OR NEVER / Presley Elvis|IT'S ONLY A PAPER MOON|JACKSON|Jam up and jelly tight|Jar of hearts / Perri Christina|JUST A SETTIN' AND A ROCKIN'|JUST THE WAY YOU ARE|KEEP ON THE SUNNY SIDE|KISSES SWEETER THAN WINE|KODACHROME|La vie en rose|THE LAST FAREWELL|THE LAST THING ON MY MIND|LAST TRAIN TO CLARKSVILLE|Lava|LAY DOWN SALLY / Clapton Eric|Let her go / Passenger|LET IT BE ME (JE T'APPARTIENS)|Let it go|LET YOUR LOVE FLOW (EIN BETT IM KORNFELD) / Bellamy Brothers|LET'S GET TOGETHER|THE LETTER|THE LION SLEEPS TONIGHT|Little Green Apples|LONG COOL WOMAN (IN A BLACK DRESS)|LOOK FOR THE SILVER LINING|THE LOOK OF LOVE|LOOKIN' FOR LOVE|Lookin' Out My Back Door / CCR (Creedence Clearwater Revival)|LOVE|LOVE IS THE ANSWER|LOVE ME DO / Beatles|LOVES ME LIKE A ROCK|LOVING YOU|LULU'S BACK IN TOWN|MAKE YOUR OWN KIND OF MUSIC|MAMA TRIED|MAMMA MIA / Abba|MASSACHUSETTS (THE LIGHTS WENT OUT)|ME AND JULIO DOWN BY THE SCHOOLYARD / Simon Paul|MEMORIES ARE MADE OF THIS|MISTER SANDMAN|MISTY|MOCKIN' BIRD HILL|MOONGLOW|Moonshadow / Stevens Cat|MORE (TI GUARDERO NEL CUORE)|MORE TODAY THAN YESTERDAY|MOTHER AND CHILD REUNION / Simon Paul|MRS BROWN YOU'VE GOT A LOVELY DAUGHTER|The MTA|Music to watch girls by|MY GIRL|MY GUY|MY LOVE|NEVER ON SUNDAY|NEW WORLD COMING|A NIGHTINGALE SANG IN BERKELEY SQUARE|NO PARTICULAR PLACE TO GO|NOWHERE MAN / Beatles|OCTOPUS'S GARDEN / Beatles|OLD CAPE COD|On a carousel|ON A SLOW BOAT TO CHINA|ON THE SUNNY SIDE OF THE STREET|ONCE UPON A TIME|ONE FINE DAY|ONE LOVE|ONLY YOU (AND YOU ALONE) / Platters|OUR DAY WILL COME|PADDLIN' MADELIN' HOME|PEACE TRAIN|PEEK A BOO WALTZ|PEGGY SUE / Holly Buddy|PENNY LANE / Beatles|PEOPLE GOT TO BE FREE|Please Mr Postman|PLEASE PLEASE ME / Beatles|PS I LOVE YOU / Beatles|RAINING IN MY HEART|RAMBLIN' MAN / Allman Brothers|REALIZE|RED SAILS IN THE SUNSET|REMINISCING|RIPPLE / Grateful Dead|RIPTIDE|Rockin' Robin|ROUTE 66|RUBY BABY|Rude / Magic|Runaway|SATIN DOLL|SAVE THE LAST DANCE FOR ME|THE SCIENTIST / Coldplay|SEASON OF THE WITCH|SECRET AGENT MAN|SEND IN THE CLOWNS|7 years / Lukas Graham|She Loves You / Beatles|SHE'S ALWAYS A WOMAN / Joel Billy|SHERRY|SHOW ME THE WAY TO GO HOME|SIDE BY SIDE|SINCE I DON'T HAVE YOU|SINCE I FELL FOR YOU|Skyfall / Adele|SLIP SLIDIN' AWAY|Slow Poke|SMILES|SNOWBIRD|Someone like you|SOMETHING GOOD|SOMETHING WONDERFUL|Somewhere my love (Lara's theme aus Doktor Schiwago)|A SONG OF OLD HAWAII|SPANISH HARLEM|SPINNING WHEEL|STAY WITH ME|STAYIN' ALIVE / Bee Gees|STILL CRAZY AFTER ALL THESE YEARS / Simon Paul|STONEY END|STORMY|STRANGERS IN THE NIGHT|Sugar Sugar|SUKIYAKI|Summer wind|SUMMERTIME|A SUNDAY KIND OF LOVE|SUNDAY WILL NEVER BE THE SAME|Sunny|SUNRISE SUNSET|Sunshine Superman|SUSIE Q|SWANEE|SWEET CITY WOMAN|SWEET LEILANI|SWEET PEA|SWEET SOMEONE|TAKE A CHANCE ON ME / Abba|TAMMY|TEA FOR TWO|TEARS ON MY PILLOW|TELL IT LIKE IT IS|THAT LUCKY OLD SUN|THAT'LL BE THE DAY / Holly Buddy|THAT'S THE WAY (I LIKE IT)|Their hearts were full of spring|THERE'S A KIND OF HUSH (ALL OVER THE WORLD) / Carpenters|THESE BOOTS ARE MADE FOR WALKING / Sinatra Nancy|THINGS|Thinking out loud / Sheeran Ed|THIS MAGIC MOMENT|THREE LITTLE BIRDS / Marley Bob|THRILLER / Jackson Michael|A TISKET A TASKET|TRACES|TRAVELIN' MAN|TWILIGHT TIME|UNCHAINED MELODY / Righteous Brothers|UNCLE JOHN'S BAND / Grateful Dead|UNDECIDED|UNDER THE BOARDWALK|UP AROUND THE BEND / CCR (Creedence Clearwater Revival)|UP ON THE ROOF|VOLARE|Wagon wheel|WAKE UP LITTLE SUSIE / Everly Brothers|WALK AWAY RENEE|WALK RIGHT IN|WALKIN' AFTER MIDNIGHT|WALKIN' MY BABY BACK HOME|THE WANDERER|THE WAY I AM|THE WAY YOU DO THE THINGS YOU DO|Wedding Bell Blues|WHAT A LITTLE MOONLIGHT CAN DO|WHAT'LL I DO|WHEN I FALL IN LOVE|WHEN SHE LOVED ME|THE WHITE CLIFFS OF DOVER|WHITE RABBIT|WHITE SANDY BEACH|White silver sands|A WHITE SPORT COAT (AND A PINK CARNATION)|WHY CAN'T WE BE FRIENDS|WHY DO FOOLS FALL IN LOVE|WHY DON'T WE GET DRUNK|WILL YOU LOVE ME TOMORROW (WILL YOU STILL LOVE ME TOMORROW)|WITH A LITTLE HELP FROM MY FRIENDS / Beatles|WITH A LITTLE LUCK|WITHOUT HER|WITHOUT YOU|A WONDERFUL DAY LIKE TODAY|WONDERFUL WONDERFUL|WORLD WITHOUT LOVE|WOULDN'T IT BE LOVERLY|WOULDN'T IT BE NICE|YA YA|YES SIR THAT'S MY BABY|YOU AND I|YOU ARE SO BEAUTIFUL|YOU BELONG TO ME|You belong with me|YOU CAN CALL ME AL / Simon Paul|YOU CAN'T HURRY LOVE|YOU DIDN'T HAVE TO BE SO NICE|YOU DON'T KNOW ME|YOU GOT IT|YOU MAKE MY DREAMS / Hall + Oates|YOU WON'T SEE ME / Beatles|You're nobody 'til somebody loves you|YOU'RE SIXTEEN YOU'RE BEAUTIFUL (AND YOU'RE MINE)|YOU'VE GOT TO HIDE YOUR LOVE AWAY / Beatles|YOUR MOTHER SHOULD KNOW / Beatles

Anbieter: Notenbuch
Stand: 29.05.2020
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