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Outdoor Technology - Turtle Shell 2.0 Boom Box
139,95 € *
ggf. zzgl. Versand

Welcome To Total Sonic Freedom Behold the Turtle Shell® 2.0, Outdoor Tech's most miraculous rugged, water resistant Bluetooth Speaker to date. We wouldn't say something as clishe as "The best just got better"... it did though. Based off the popular original Turtle Shell®, the 2.0 brings more volume, more Hi-Fi audio, more battery life and a plethora of other feature improvements over its predecessor. Most speakers look like a shoe box with pin holes in it. Outdoor Tech's design focused team wouldn't allow anything of the sort and instead created the patented signature triangle-themed construction providing omnidirectional room filling audio, a design aesthetic appropriate for architectural digest and contruction built for the Appalachian trail. Its heavily water-resistant, dust-proof and shock-proof outer shell is probably tougher than you are, and its built-in microphone functionality means you'll be double-fisting Dr. Peppers and having hands-free conference calls before you know it.   More water resistant than most, with the premium level audio goods, the Turtle Shell® 2.0 allows you to share your music wherever your training wheels will take you, without the insane price tag.   Bigger Bass, Impressive Mids, and Clear Highs. The Turtle Shell® 2.0 comes with some of the biggest Hi-Fi sound in the business. That Drum & Bass never sounded better... who you calling a hipster? Hi-Fi Wireless Audio. Built-In Mic. Full Audio Experience, Fully Wireless Using the latest Bluetooth 4.0 technology, the Turtle Shell® 2.0 wirelessly connects with your smartphone, tablet, laptop, or any other Bluetooth-enabled device. It streams crystal clear audio for a range of up to 32 feet for 16 hours on a single battery charge. That means you have to be within thirty-two feet of the party and the party has to last 16 hours or less. We know, the latter is a little tough, but you have to go to class at some point, Turbo.   Use it anywhere. The Turtle Shell® 2.0 is the original wireless Bluetooth speaker available with standard camera threading built into the base. This makes it compatible with a multitude of accessories, including our own Turtle Claw mount. Build-in Call/Speakerphone Functionality Have your next conference call on the best-looking Bluetooth speaker out there. Make and receive hands-free calls from anywhere, any time. Mario Cart and multi-person calls about how to still obtain burritos should a natural disaster occur just became part of your repertoire. Go ahead and put multi-tasking on your resume, you deserve it. Details: - Two speakers and passive bass radiator provide 96 decibels of clear sound, wirelessly (20% louder than the original Turtle Shell®.) - Connect to any Bluetooth-enabled device with easy one-touch pairing. - Reconnects automatically to previously paired device. - Rechargeable lithium-ion battery with 16 hours of play time, and over 700 hours of standby time. - IP65 dust-proof and water resistant. We tested it. It passed. - Built-in microphone, 'cause you've got a lot to say (sometimes to Siri). - External controls allow you to adjust volume, change tracks, play/pause 'The Best Marching Band Tunes of Henry Souza' and answer calls. - Standard camera thread and extra strong metal leash clip for multiple mounting options. - Voice Prompts let you know what is going on. - Bluetooth Profiles: aptX audio codec for high quality stereo audio, A2DP & AVCRP to control track and volume remotely. - Bluetooth 4.0 with enhancements like battery level "fuel gauge" displayed on source device, quick pairing/connections, and low power consumption. - Micro USB charge port gives you freedom to use any micro USB cord you have available, even your mom's. - 3.5mm audio-in port in case you are still rocking a Walkman. - WIRELESS RANGE: 32 feet. - ITEM SIZE: 5.6 x 3.9 x 2.1 inches. Fits in the palm of your hand. Maybe both hands, if you are a small child. - ITEM WEIGHT: 0.65 Pounds. - INCLUDES: USB charging cable, 3.5mm to 3.5mm cable, signature ODT carry pouch, User Manual, and some stickers (yay).  

Anbieter: Locamo
Stand: 03.08.2020
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Outdoor Technonoly Privates Wireless Headphones...
79,95 € *
ggf. zzgl. Versand

TOUCH YOUR PRIVATES IN PUBLIC.   These are the Privates, Outdoor Tech's touch-control, Bluetooth, wireless headphones. They feature a touch-pad interface on the right earpiece that allows you to change tracks and control volume with the swipe of a finger, built-in call functionality, a 3.5mm AUX jack for plug-in capability and a tough canvas wrap around the headband. The Privates are better-looking than a glass of scotch after that middle-seat flight between Sweaty Mister Johnson and Screaming Baby Timmy and more convenient than a twelve guage when the zombies end up at your house. GO WIRELESS. OR DON'T. 3.5 MM JACK INCLUDED.   Fully wireless, fully portable. The Privates wireless headphones use Bluetooth to connect with your smartphone, tablet, laptop, or any other Bluetooth-enabled device, and operate via a touch pad on the right earpiece. Simply swipe your finger left or right to skip tracks and up or down to change volume. The Privates stream crystal-clear audio for a range of up to 32 feet for 10 hours on a single charge. So yes, you can put your phone on one side of a river, take your boat across and listen to music on the other side, but in all honesty that's not a very good story or an effective use of your time.   Built-in call functionality. When connected to your phone, the Privates' built-in microphone allows you to make and receive hands-free calls from anywhere, anytime. One press of the multi-function button allows you to answer or hang up a call without ever touching your phone, so you can use your hands for more important things, like digging for treasure. SWIPEY The sky is the limit. The Privates Bluetooth headphones come with lots of extra little features. A 3.5mm auxiliary jack allows you to use them in situations that don't allow for Bluetooth connectivity, like on an airplane or with a non-Bluetooth device. This port also lets you use them if you forgot to charge them. The Privates also project a fuel gauge onto your device that actively tells you how much juice you've got left. Integrated hinges allow you to fold and stow your Privates when they are not in use. Swivel ear pads make for the most comfy headphones out there. Finally, they come with a signature ODT carry pouch. Details count... you don't get a toy with your Happy Meal just arbitrarily.   FOLD 'N STOW. Details, details, details. - 40mm drivers for clear mids and solid bass. - Built-in microphone for making and receiving calls. - Only ONE button (yes, really). The rest is touch control, pretty cool. - Bluetooth 3.0. - Works with any Bluetooth-enabled device. - Battery level "fuel gauge" displayed on source device. - 3.5mm AUX jack. - Foldable and flexible. - Play time: 10 hours. - Real, real comfortable ear pads. - Package includes: USB to micro-USB charging cable, 3.5mm to 3.5mm color-matched cable and signature ODT carry pouch.

Anbieter: Locamo
Stand: 03.08.2020
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Naturally 7 - 20 Years - Tour
42,10 € *
zzgl. 5,95 € Versand

Anders als alle anderen, atemberaubend, faszinierend. Einen solchen Eindruck hinterlassen die Auftritte von Naturally 7. Sie sind unvergessliche Ereignisse der außergewöhnlichen Art. Grund: Das Septett singt zwar A-Cappella, ist aber mit Gruppen dieses Genres nicht vergleichbar. Naturally 7 erzeugen den facettenreichen Klangkosmos einer großen Gruppe, inklusive Sound von Schlagzeug, Bass, Gitarre, Mundharmonika oder Posaune, ausschließlich durch ihre Stimmen. Mal ist es R?n?B, Soul oder HipHop, mal Gospel, Rap, Pop oder Rock. Die spielerisch vorgetragene Perfektion macht das Publikum sprachlos. Zudem sind die Shows dieses Stimm-Orchesters wegen enormer Entertainer-Qualitäten höchst unterhaltsam und kurzweilig.Zum Jahresende sind Naturally 7 mit zwei Programmen auf Deutschlandtour: Anfang November gibt es Best Of Vocal Play (inklusive ihrer beliebtesten Songs - darunter diverse Coverversionen wie Bohemian Rhapsody (Queen), Fix You (Coldplay), Bridge Over Troubled Water (Simon & Garfunkel), Englishman In New York (Sting) oder More Than Words (Extreme); im Dezember wird dann erstmals das, der Jahreszeit entsprechende, stimmungsvolle Christmas - It?s A Love Story! zelebriert - mit Weihnachtsklassikern aus ihrer neuesten Studio-CD (BMG/Warner ADA). Diese enthält Titel wie White Christmas und Wonderful Christmas Time.Ins Leben gerufen wurden Naturally 7 anno 1999 von Roger Thomas (Musikalischer Leiter, Arrangeur, 1.Bariton, Rapper). Ausschlaggebend dafür war, dass sein Bruder Warren sich als Kind ein Schlagzeug wünschte. Ihre Mutter meinte jedoch, das würde zu viel Krach machen. Deshalb begann der Junior, die Drums-Sounds stimmlich nachzumachen. So kam eines zum anderen und das Talent, Instrumente zu imitieren, wurde fortan zum Naturally 7-Markenzeichen. Zudem ist es auch das Unterscheidungsmerkmal gegenüber A-Cappella-Gruppen, die eben nur singen.Der internationale Durchbruch gelang Naturally 7 als ?Special Guest? der Welttournee von Michael Bublé. Ab 2012 absolvierte die Band ohne Band binnen zwei Jahren 467 Gastspiele in 25 Ländern. Den Grundstein für ihren Erfolg in Deutschland legte 2003 die Nummer 1-Single Music Is The Key mit Sarah Connor und Auftritte bei der Night Of The Proms (2012). Neun Studio-Alben plus zwei Live-CDs sowie eine -DVD hat das Septett seit 2000 veröffentlicht (2018 erschien eine ?Special Edition? der aktuellen CD Both Sides Now plus DVD Live In Berlin). Quasi nonstop ist es unterwegs. Auf der Bühne sind die Ausnahme-Musiker, zu denen neben den zwei Gruppen-Gründern noch Rod Eldridge (1.Tenor, Scratching, Trompete), Garfield Buckley (2.Tenor, Mundharmonika), Ricky Cort (4.Tenor, Gitarre), Dwight Stewart (2.Bariton, Trompete) sowie ?Kelz? Mitchell (Bass) gehören, zuhause. Dort ist ihre betörende Kunstfertigkeit hautnah zu erleben, wird diese akustische Illusion einer kleinen Bigband in unterschiedlichsten Varianten Wirklichkeit. Wer das miterlebt, kann beipflichten, dass es sich hier um Sieben Stimm-Weltwunder (Die Welt) handelt oder wie es Michael-Jackson-Produzent Quincy Jones ausdrückte: ?Naturally 7 sind die beste A-Cappella-Band aller Zeiten!

Anbieter: Konzertkasse
Stand: 03.08.2020
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Naturally 7 - 20 Years - Tour 2020
38,80 € *
zzgl. 5,95 € Versand

Anders als alle anderen, atemberaubend, faszinierend. Einen solchen Eindruck hinterlassen die Auftritte von Naturally 7. Sie sind unvergessliche Ereignisse der außergewöhnlichen Art. Grund: Das Septett singt zwar A-Cappella, ist aber mit Gruppen dieses Genres nicht vergleichbar. Naturally 7 erzeugen den facettenreichen Klangkosmos einer großen Gruppe, inklusive Sound von Schlagzeug, Bass, Gitarre, Mundharmonika oder Posaune, ausschließlich durch ihre Stimmen. Mal ist es R?n?B, Soul oder HipHop, mal Gospel, Rap, Pop oder Rock. Die spielerisch vorgetragene Perfektion macht das Publikum sprachlos. Zudem sind die Shows dieses Stimm-Orchesters wegen enormer Entertainer-Qualitäten höchst unterhaltsam und kurzweilig.Zum Jahresende sind Naturally 7 mit zwei Programmen auf Deutschlandtour: Anfang November gibt es Best Of Vocal Play (inklusive ihrer beliebtesten Songs - darunter diverse Coverversionen wie Bohemian Rhapsody (Queen), Fix You (Coldplay), Bridge Over Troubled Water (Simon & Garfunkel), Englishman In New York (Sting) oder More Than Words (Extreme); im Dezember wird dann erstmals das, der Jahreszeit entsprechende, stimmungsvolle Christmas - It?s A Love Story! zelebriert - mit Weihnachtsklassikern aus ihrer neuesten Studio-CD (BMG/Warner ADA). Diese enthält Titel wie White Christmas und Wonderful Christmas Time.Ins Leben gerufen wurden Naturally 7 anno 1999 von Roger Thomas (Musikalischer Leiter, Arrangeur, 1.Bariton, Rapper). Ausschlaggebend dafür war, dass sein Bruder Warren sich als Kind ein Schlagzeug wünschte. Ihre Mutter meinte jedoch, das würde zu viel Krach machen. Deshalb begann der Junior, die Drums-Sounds stimmlich nachzumachen. So kam eines zum anderen und das Talent, Instrumente zu imitieren, wurde fortan zum Naturally 7-Markenzeichen. Zudem ist es auch das Unterscheidungsmerkmal gegenüber A-Cappella-Gruppen, die eben nur singen.Der internationale Durchbruch gelang Naturally 7 als ?Special Guest? der Welttournee von Michael Bublé. Ab 2012 absolvierte die Band ohne Band binnen zwei Jahren 467 Gastspiele in 25 Ländern. Den Grundstein für ihren Erfolg in Deutschland legte 2003 die Nummer 1-Single Music Is The Key mit Sarah Connor und Auftritte bei der Night Of The Proms (2012). Neun Studio-Alben plus zwei Live-CDs sowie eine -DVD hat das Septett seit 2000 veröffentlicht (2018 erschien eine ?Special Edition? der aktuellen CD Both Sides Now plus DVD Live In Berlin). Quasi nonstop ist es unterwegs. Auf der Bühne sind die Ausnahme-Musiker, zu denen neben den zwei Gruppen-Gründern noch Rod Eldridge (1.Tenor, Scratching, Trompete), Garfield Buckley (2.Tenor, Mundharmonika), Ricky Cort (4.Tenor, Gitarre), Dwight Stewart (2.Bariton, Trompete) sowie ?Kelz? Mitchell (Bass) gehören, zuhause. Dort ist ihre betörende Kunstfertigkeit hautnah zu erleben, wird diese akustische Illusion einer kleinen Bigband in unterschiedlichsten Varianten Wirklichkeit. Wer das miterlebt, kann beipflichten, dass es sich hier um Sieben Stimm-Weltwunder (Die Welt) handelt oder wie es Michael-Jackson-Produzent Quincy Jones ausdrückte: ?Naturally 7 sind die beste A-Cappella-Band aller Zeiten!

Anbieter: Konzertkasse
Stand: 03.08.2020
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Ampeg Heritage 50th Anniversary SVT Topteil E-Bass
2.780,00 € *
ggf. zzgl. Versand

The Ampeg® SVT® is more than just a bass amp—it sparked a revolution. When it debuted in 1969, deafening walls of full-stack guitar amps were eating bass players alive. Knowing that big bass volume required big power, Ampeg designed the most sophisticated amp of its day: the 300-watt SVT. Finally, balance returned to the stage and with it a generation of iconic bass-forward music was born. That singular Ampeg spirt of innovation and ingenuity is alive and well in the Ampeg HeritageTM 50th Anniversary SVT bass amp. Designed to honor the unrivaled SVT legacy, the Heritage 50th Anniversary SVT distills the legendary amp’s most celebrated circuits into a single stage-ready head with a host of must-have modern technology and elegant vintage aesthetics. It truly is the SVT for the 21st century. · The 1969 "Blue Line" and mid-1970s Magnavox-era circuits in one amp · Handmade in the U. S. A. from durable top-shelf components · Detailed, period-correct graphics and fonts · Modern features include a newly enhanced XLR DI output, user biasing, speakOn® outputs, and spring-loaded side handles · Specially sourced and matched Ampeg Super ValveTM 6550 tubes · Not a reissue—the ultimate SVT for today · Bauart: Röhre · Leistung an 2 Ohm: 300 W · Leistung an 4 Ohm: 300 W · Leistungsbereich: 201 - 300 W · Kanäle: 2 · Klangregelung: 3-Band EQ · Anschlüsse: Klinke & Speakon · Einschleifweg: seriell · Vorstufenröhren: 5 x 12AX7, 2 x 12 AU7 · Endstufenröhren: 6x 6550 · Impedanz: 2/4 Ohm · Lüfter: ja · Gehäuse: Holz · Abmessungen (BxHxT): 61,0 x 29,0 x 33,0 cm · Gewicht: 38,5 kg · Produktionsland: USA · 300 Watt Vollröhre mit zweikanaliger Vorstufe · Topteil E-Bass

Anbieter: Musik Produktiv
Stand: 03.08.2020
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10cc - 10cc in Concert
42,50 € *
zzgl. 5,95 € Versand

10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

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Stand: 03.08.2020
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10cc - 10cc in Concert
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10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

Anbieter: Konzertkasse
Stand: 03.08.2020
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TWS X18s Wireless Headset - Bluetooth Stereo So...
31,05 € *
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Key Features:HI-FI stereo sound: Equipped with 8mm speakers, providing crystal clear, deep, high quality bass and fine tuning. CVC 6.0 technology, effectively blocks ambient noise. Portable charging box: Can play more than 3 hours of music on a single charge. Can last up to 12 hours, you can spend a day with enough music.IPX5 waterproof: Allows you to handle harder training or songs in the rain. Suitable for running, jogging, hiking, yoga, sports, fitness, fitness, travel and more.Manufacturer Specifications General Product Name: TWS Cool Bluetooth Headset Product model: x-18Bluetooth version: V4.2+EDRWorking range: 8-10 metersWireless frequency: 2.402-2.480GHzTransmission function: Class 2Battery capacity: 60mAhCharging voltage: 5VCharging time: about 1 hourHours of use: 3-4 hours of talk, playing music for 2-3 hoursStandby time: 7-10 daysBody weight: about 3.5gPackage:A pair of Earphones1 * Charging Case1 * USB Charging Cable (Without Charger)1 * User Manual

Anbieter: G2A
Stand: 03.08.2020
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TWS X18s Wireless Headset - Bluetooth Stereo So...
31,05 € *
ggf. zzgl. Versand

Key Features:HI-FI stereo sound: Equipped with 8mm speakers, providing crystal clear, deep, high quality bass and fine tuning. CVC 6.0 technology, effectively blocks ambient noise. Portable charging box: Can play more than 3 hours of music on a single charge. Can last up to 12 hours, you can spend a day with enough music.IPX5 waterproof: Allows you to handle harder training or songs in the rain. Suitable for running, jogging, hiking, yoga, sports, fitness, fitness, travel and more.Manufacturer Specifications General Product Name: TWS Cool Bluetooth Headset Product model: x-18Bluetooth version: V4.2+EDRWorking range: 8-10 metersWireless frequency: 2.402-2.480GHzTransmission function: Class 2Battery capacity: 60mAhCharging voltage: 5VCharging time: about 1 hourHours of use: 3-4 hours of talk, playing music for 2-3 hoursStandby time: 7-10 daysBody weight: about 3.5gPackage:A pair of Earphones1 * Charging Case1 * USB Charging Cable (Without Charger)1 * User Manual

Anbieter: G2A
Stand: 03.08.2020
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