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The Lost Trailers
39,00 € *
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Lost Trailers is an American country music band. Established in 2000, the band comprises Ryder Lee (lead vocals), Manny Medina (bass guitar), Andrew Nielson (keyboards), Stokes Nielson (vocals, lead guitar), and Jeff Potter (drums). Originally known as Stokes Nielson and The Lost Trailers, the band made its debut at a Fourth of July picnic held by country singer Willie Nelson. That year, The Lost Trailers self-released its debut album Story of the New Age Cowboy, followed in 2002 by Trailer Trash, followed by 2004''s Welcome to the Woods on Universal/Republic. After switching to BNA Records in 2006, the band issued a self-titled effort, which produced the singles "Call Me Crazy" and "Why Me", both of which entered the Billboard Hot Country Songs charts. A fifth album, Holler Back, was released in August 2008, producing a Top Ten country hit in its title track and a Top 20 in "How ''Bout You Don''t".

Anbieter: Dodax
Stand: 01.04.2020
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Peter Hook
29,00 € *
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High Quality Content by WIKIPEDIA articles! Peter "Hooky" Hook (born 13 February 1956) is an English bass player.He was a co-founder of the post-punk band Joy Division along with Bernard Sumner in the mid-1970s. Following the death of lead singer Ian Curtis, the band reformed as New Order, and Hook played bass with them throughout their career until his departure in 2007. He has also recorded an album with Revenge (One True Passion) and two albums with Monaco (Music For Pleasure and Monaco) as bassist, keyboardist and lead vocalist. With New Order's ever increasing use of sequenced synthesized bass, especially throughout most of 1989's Technique and 1993's Republic, Hook's bass playing became ever more melodic and rhythmic, often exploiting the baritone guitar range of his basses.

Anbieter: Dodax
Stand: 01.04.2020
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Republic of Loose
34,00 € *
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Republic of Loose are an Irish funk rock band from Dublin. Formed in 2001, the band currently consists of lead vocalist Mick Pyro, bass guitarist and vocalist Benjamin Loose, keyboardist Deco, guitarists and vocalists Dave Pyro and Brez and drummers and percussionists Coz Noleon and Andre Lopes. Additional percussion and vocals are provided by Gargos, Orla La, Emily Rose and Eve Ill Jones. With a self-described musical style of "the stuff your dad likes", the band signed to Big Cat Records in 2003, recording their debut album This is the Tomb of the Juice which was released in 2004. They were named "Hope for 2004" at the 2004 Meteor Awards. In 2005, the singles "Comeback Girl" and "You Know It" received significant airplay on Irish radio. Republic of Loose''s second album Aaagh!, released in April 2006, reached number two in the Irish Albums Chart, achieving platinum sales and a Choice Music Prize nomination in the process. It spawned several more successful singles, including "Break" which achieved notoriety in South Africa where a radio station banned it following complaints regarding its allegedly explicit lyrics.

Anbieter: Dodax
Stand: 01.04.2020
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Corb Lund and the Hurtin' Albertans
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Corb Lund and the Hurtin' Albertans are a Canadian country music band, formerly known as the Corb Lund Band. Corb Lund, the lead singer, grew up in Southern Alberta living on his family's farm and ranches near Taber, Cardston and Rosemary. He is proud of being an Albertan. Lund left his hometown of Taber and moved to Edmonton, where he enrolled in the Grant MacEwan College to study jazz guitar and bass. Lund was a founding member of The Smalls, who sold over 35,000 albums over a twelve year span, all released independently. Lund and the Smalls toured extensively in Canada, the United States and Europe, including a stint in Bosnia, Slovenia and the Czech Republic. The band retired in the fall of 2001.

Anbieter: Dodax
Stand: 01.04.2020
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The Accordion in the Americas
32,90 CHF *
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An invention of the Industrial Revolution, the accordion provided the less affluent with an inexpensive, loud, portable, and durable 'one-man-orchestra' capable of producing melody, harmony, and bass all at once. This rich collection considers the accordion and its myriad forms, from the concertina, button accordion, and piano accordion familiar in European and North American music to the more exotic-sounding South American bandoneón and the sanfoninha._x000B__x000B_Capturing the instrument's spread and adaptation to many different cultures in North and South America, contributors illuminate how the accordion factored into power struggles over aesthetic values between elites and working-class people who often were members of immigrant and/or marginalized ethnic communities. Specific histories and cultural contexts discussed include the accordion in Brazil, Argentine tango, accordion traditions in Colombia and the Dominican Republic, cross-border accordion culture between Mexico and Texas, Cajun and Creole identity, working-class culture near Lake Superior, the virtuoso Italian-American and Klezmer accordions, Native American dance music, and American avant-garde. _x000B__x000B_Contributors are Marà a Susana Azzi, Egberto Bermúdez, Mark DeWitt, Joshua Horowitz, Sydney Hutchinson, Marion Jacobson, James P. Leary, Megwen Loveless, Richard March, Cathy Ragland, Helena Simonett, Jared Snyder, Janet L. Sturman, and Christine F. Zinni.

Anbieter: Orell Fuessli CH
Stand: 01.04.2020
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The Accordion in the Americas
32,00 € *
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An invention of the Industrial Revolution, the accordion provided the less affluent with an inexpensive, loud, portable, and durable 'one-man-orchestra' capable of producing melody, harmony, and bass all at once. This rich collection considers the accordion and its myriad forms, from the concertina, button accordion, and piano accordion familiar in European and North American music to the more exotic-sounding South American bandoneón and the sanfoninha._x000B__x000B_Capturing the instrument's spread and adaptation to many different cultures in North and South America, contributors illuminate how the accordion factored into power struggles over aesthetic values between elites and working-class people who often were members of immigrant and/or marginalized ethnic communities. Specific histories and cultural contexts discussed include the accordion in Brazil, Argentine tango, accordion traditions in Colombia and the Dominican Republic, cross-border accordion culture between Mexico and Texas, Cajun and Creole identity, working-class culture near Lake Superior, the virtuoso Italian-American and Klezmer accordions, Native American dance music, and American avant-garde. _x000B__x000B_Contributors are Marà a Susana Azzi, Egberto Bermúdez, Mark DeWitt, Joshua Horowitz, Sydney Hutchinson, Marion Jacobson, James P. Leary, Megwen Loveless, Richard March, Cathy Ragland, Helena Simonett, Jared Snyder, Janet L. Sturman, and Christine F. Zinni.

Anbieter: Thalia AT
Stand: 01.04.2020
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