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Vu Volume Units Meter I Turnbeutel Decibel Musi...
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Turnbeutel aus 100% Baumwolle, mit robusten ZugbändernPraktisch als Rucksack tragbar. Kordeln bei allen Farbvarianten.Gewicht: 140 g/m²Material: 100% Baumwolle

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Stand: 20.09.2020
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Vu Volume Units Meter II Turnbeutel Decibel Mus...
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Turnbeutel aus 100% Baumwolle, mit robusten ZugbändernPraktisch als Rucksack tragbar. Kordeln bei allen Farbvarianten.Gewicht: 140 g/m²Material: 100% Baumwolle

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MÀNRAN - Ein Abend mit Scottish Folk unplugged ...
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Die schottischen Highlands sind rau und nebelverhangen. Diese Landschaft hat etwas Ursprüngliches und Einmaliges, aber auch mystisches. Vor allem aber bringt sie tolle Musiker hervor, die in ihren Herzen ein wild loderndes Feuer tragen. Was Mànran so außergewöhnlich macht, ist die Verschmelzung der schottischen Kultur mit der Mo-derne. So treffen das weltweit einzigartige Duett zwischen irischen Uilléan und schottischen Bagpipes auf gälischen Gesang und ein Feuerwerk an Rhythmus. Es ist teuflisch schwer, zwei Dudelsäcke mit zwei verschiedenen Tonlagen stimmig zu spielen. Das schafft einen Klang, den keine andere Band als Bläsersatz zu bieten hat - die Künstler sind Meister, wenn es um eine feine Balance von Pipes, Fiddle, Akkordeon und Gitarre geht. Nach vier Alben, etlichen Singles, eine davon für einen wohltätigen Zweck, die 2 Mio. Pfund einspielte, hat sich Mànran als eine der Bands etabliert, die zum Fundament der schottischen und irischen Musikszene gehören. Produziert wird die Band von Colum Malcolm (Simple Minds, Wet Wet Wet und Runrig) und der schottischen Folklegende Phil Cunningham. Dazu kommt der Ritterschlag von Runrig, die Mànran zu ihrem 40. Bandjubiläum als Vorgruppe engagierten, wo sie 17.000 Schotten und Folkrock-Fans aus aller Welt rocken konnten. Auch beim Runrig Abschiedskonzert 2018 war Mànrans Akkordeonist Gary Innes als Gast mit auf der Bühne ? und wurde im gleichen Jahr bei den Scottish Music Awards zum ?Instrumentalisten des Jahres? gewählt. Aber auch für das Kollektiv hagelte es etliche Auszeichnungen wie z.B.: INTERNATIONAL ARTIST OF THE YEAR, Australian Celtic Music Awards, TRA-DITIONAL ARTS, SCOTS AND GAELIC AWARD, Crea-tive Scotland Awards und ALBUM OF THE YEAR & GAELIC SINGER OF THE YEAR, MG Alba Scots Trad Music Awards. Mànran fegen wie ein Sturm über ihr Publikum. Das hat ihnen den Ruf eingebracht, eine der besten Cel-tic Rock Bands weltweit zu sein. Auf ihrer Tournee 2020 freuen sie sich bei Zugluft anders als in den großen Hallen auch einmal in Pub- Atmosphäre unplugged spielen zu dürfen. Das bedeutet Tonanlage , Schlagzeug und Bass bleiben in Bad Nauheim im Tourbus! Das Schlusswort übergeben wir der schottischen Tageszeitung Daily Record: ?If you want a party, call Mànran!? Dem ist nichts hinzuzufügen...

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The 1975 - I like it when you sleep, for you ar...
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The 1975 will release their highly-anticipated second album I like it when you sleep, for you are so beautiful yet so unaware of it on 26 February through Dirty Hit/Polydor. I like it when you sleep… is the follow-up to the quartet’s million-selling self-titled debut. It is a bold and brilliant record made up of infectious pop hooks and sprawling electro sonics, an ambitious stride forward for one of the UK’s most exciting young bands. It will be preceded by the gospel-tinged The Sound, which follows the hysterically-received Love Me and UGH!. “In 2016, everything has been done,” says frontman Matty Healy. “You just have to try and do it better. My generation consumes music in this completely non-linear way and we reflect that, we create how we consume.” The 1975 have had the sort of breakthrough that only happens once a decade. Healy, Adam Hann (guitar), Ross MacDonald (bass) and George Daniel (drums) formed at school on the outskirts of Manchester ten years ago. After years of honing their sound, 2013’s debut album revealed a band who could blend accessible and anthemic choruses with an artistic aesthetic. It was a record where indie-pop grooves and alt R&B atmospherics sat seamlessly next to each other. A mass audience connected with indelible tracks such as Chocolate, Girls, Sex and Robbers and their tales of adolescent recklessness. The group toured the world, playing sold-out shows from Kuala Lumpur to San Francisco. All these experiences feed into the band’s second album which was recorded in Los Angeles and produced by Healy and Daniel alongside production collaborator Mike Crossey. It distils their love of 80s sonics into something that sounds impossibly now, a record that shifts between shimmying guitar grooves (She’s American, Love Me), experimental electronic soundscapes (I like it when you sleep…, Please Be Naked) and cascading, adventurous pop songs (If I Believe You, Lostmyhead, The Sound) whilst always sounding part of the same whole. “Why create one type of music when nobody consumes one type of music?” says Healy. “The idea of rules in art is completely farcical.” The 1975 have made a record that captures the exhilarating feeling of falling in love and the devastation of breaking-up and all the fun and drama in between. They have a cherished mix of unlimited ambition and the rarefied talent to back it up. “We’re like brothers, we really are. We don’t know anyone who is as close with their siblings as we are we each other because from age 13 to now we’ve been in the same room together,” says Healy. This spirit is at the heart of their glorious second album. It will be one of the most important releases of 2016. The 1975 have set a benchmark that will be hard to follow.

Anbieter: Zavvi
Stand: 20.09.2020
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Gang Beasts 2xLP Vinyl Soundtrack
51,99 € *
zzgl. 1,49 € Versand

The soundtrack to Gang Beasts is a whomping, synthy, neon laser fantasy thrill/chill ride. Musically, it wobbles just like the gelatinous fighters in-game - vacillating between bass heavy, dance party bounty and electric rock riffs. When married with 4-player frenzy, it’s motivating and energetic - a perfect compliment to the on-screen action. Blasting this record outside of gameplay, however, is an entirely new sensation designed to take full advantage of your living room speaker set up. You’ll feel beat-drenched thumps in your chest, yet at the same time, be awash in a soothing trance of relaxation. To be clear: doseone & Bob Larder have crafted one of the coolest, sickest vibe-setting album experiences in gaming history. Period. 2xLP 180-gram Classic Black Vinyl Music by doseone & Bob Larder Album Art by Fat Knack Track Listing – Side A 1. Gang Beasts Days 2. Containers Of Joy 3. Subway Sly 4. Wheel II Electric Boogaloo 5. Chutes Ahoy 6. Cooling Down 7. Gondola Getdown 8. Buoy Beautiful Side B 1. Fans Forever 2. Grind On 3. Trucks Thump 4. Blimp Flip 5. Incinerator Sonata 6. Girders Edge 7. Beef City Side C 1. Gang Beasts Nights 2. Containers Bang 3. Subway Air 4. Wheel Real 5. Chutes Loose 6. Cooling Out 7. Gondola Drive 8. Buoy Bounce Side D 1. Fans Glam 2. Grind Grind Grind 3. Trucks Twang 4. Blimp Drift 5. Incinerator Suite 6. Girders Wild 7. Beef City Hussle

Anbieter: Zavvi
Stand: 20.09.2020
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64Bit 4.3inch PAP Gameta II 4G Game Consoles 2....
39,98 € *
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Specification Function :Camera、Picture、Recorder、Video、Music、Game、File Manager、E-Book、World Clock、CalendarGame Formats :Support CP1, CP2, NEOGEO arcade, Nintendo GBA, Super Nitendo, SEGA and other game formats.Screen :4.3 inches, 16:9 TFT Screen , 16 million color screen resolution(320X3X480)Record :MP3 compressed encoding functionRemove storing function :Removable hard discs.PC connection :USB 2.0(High speed)Handle :Support 2.4G wireless handleStorage :4GB build-in, Support TF Card ,up to 16GBSoftware :Quick and convenient play management softwareSupported software system :Windows 7/Vista/XP/2000 or aboveTHD :THD≤3%Max output frequency :≥10mW*2Video format :Support RM/RMVB/MP4/3GP/AVI/ASF/MOV/MPE/DAT/MPEG/MPG, etc. format video playingMusic format :Support MP3/WMA/WAV/APE/RA, etc. music format playingImage format :Support JPG/GIF/PNG/BMP, etc. image formatSound mode :Ordinary/Jazz/Pop/Rock/Classical/Vocal/Treble/Bass/User customizationPlay mode :Many kinds of play modes: circulation play/play/order/singles play/random play/single cycle Package 1 x Handheld Game Console,1 x Earphone,1 x USB Cable,1 x Instructions,

Anbieter: G2A
Stand: 20.09.2020
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10cc - 10cc in Concert
42,50 € *
zzgl. 5,95 € Versand

10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

Anbieter: Konzertkasse
Stand: 20.09.2020
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10cc - 10cc in Concert
49,95 € *
zzgl. 5,95 € Versand

10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

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CD Ultimate...80s Dance Party (4 CDs) Hörbuch
9,99 € *
zzgl. 3,95 € Versand

Ultimate...80s Dance Party Studio: Sony Music Entertainment Germany GmbH Label: COL VÖ-Datum: 05.05.2017 Anzahl der Discs: 4 Genre: Pop englischsprachig Anzahl der Tracks: 68 Gesamtspieldauer: 278:39 min CD1 Track01 - 004:37 min - How Will I Know - Interpret: Houston, Whitney Track02 - 003:52 min - Wake me up before you go-go - Interpret: Wham! Track03 - 004:10 min - Give it up - Interpret: KC And The Sunshine Band Track04 - 003:04 min - Break my stride - Interpret: Wilder, Matthew Track05 - 003:25 min - Going back to my roots - Interpret: Odyssey Track06 - 003:19 min - Funkin' For Jamaica - Interpret: Browne, Tom Track07 - 003:55 min - Bad boy - Interpret: Miami Sound Machine Track08 - 003:27 min - Together Forever - Interpret: Astley, Rick Track09 - 004:00 min - Maneater - Interpret: Hall & Oates Track010 - 004:45 min - Get Outta My Dreams, Get Into My Car - Interpret: Ocean, Billy Track011 - 004:10 min - Freeway of love - Interpret: Franklin, Aretha Track012 - 004:28 min - I Really Didn't Mean It - Interpret: Vandross, Luther Track013 - 003:56 min - Dance Little Sister - Interpret: D'Arby, Terence Trent Track014 - 003:50 min - She Bop - Interpret: Lauper, Cyndi Track015 - 003:51 min - No memory - Interpret: Fantastic, Scarlet Track016 - 004:02 min - Rosanna - Interpret: Toto Track017 - 004:15 min - Kyrie - Interpret: Mr. Mister CD2 Track01 - 006:23 min - Holding Out For A Hero (Club Mix) - Interpret: Tyler, Bonnie Track02 - 004:33 min - Waiting For A Star To Fall - Interpret: Boy Meets Girl Track03 - 004:06 min - Call Me - Interpret: Spagna Track04 - 003:53 min - People Hold On - Interpret: Coldcut / Stansfield, Lisa Track05 - 003:37 min - Blame it on the boogie - Interpret: Big Fun Track06 - 004:52 min - Lovely One - Interpret: Jacksons, The Track07 - 003:23 min - You're my heart, you're my soul - Interpret: Modern Talking Track08 - 003:16 min - You spin me round (like a record) - Interpret: Dead Or Alive Track09 - 003:48 min - Don't talk to me about love - Interpret: Altered Images Track010 - 004:32 min - I'm not scared - Interpret: Eighth Wonder Track011 - 006:47 min - I wonder if I take you home - Interpret: Lisa Lisa & Cult Jam / Full Force Track012 - 003:38 min - Love come down - Interpret: King, Evelyn "Champagne" Track013 - 004:30 min - The slightest touch - Interpret: Five Star Track014 - 005:17 min - After the dance is through - Interpret: Krystol Track015 - 004:04 min - Deep in vogue (Introducing Lourdes & Willie Ninja) - Interpret: McLaren, Malcolm / Bootzilla Orchestra, The Track016 - 004:01 min - Girl You Know It's True (N.Y.C.Subway Remix) - Interpret: Milli Vanilli Track017 - 004:08 min - Lovely day (7" Sunshine Mix) - Interpret: Withers, Bill CD3 Track01 - 003:47 min - Theme from S'Express - Interpret: S'Express Track02 - 003:24 min - Beat Dis - Interpret: Bomb The Bass Track03 - 003:22 min - Rockit - Interpret: Hancock, Herbie Track04 - 004:58 min - Release The Beast - Interpret: Breakwater Track05 - 003:20 min - John Wayne is big leggy - Interpret: Haysi Fantayzee Track06 - 003:17 min - Prince charming - Interpret: Adam & The Ants Track07 - 003:42 min - I Ran - Interpret: A Flock Of Seagulls Track08 - 003:43 min - Heaven (must be there) - Interpret: Eurogliders Track09 - 004:13 min - Neutron Dance - Interpret: Pointer Sisters, The Track010 - 003:05 min - Boxer Beat - Interpret: Boxers, Jo Track011 - 002:33 min - Crash - Interpret: Primitives, The Track012 - 003:16 min - Can U dig it? - Interpret: Pop Will Eat Itself Track013 - 004:24 min - The King Of Rock 'n' Roll - Interpret: Prefab Sprout Track014 - 005:36 min - Talking In Your Sleep - Interpret: Romantics, The Track015 - 004:00 min - The Rhythm Of The Jungle - Interpret: Quick, The Track016 - 004:20 min - This Is Your Life - Interpret: Blow Monkeys, The Track017 - 007:02 min - Brilliant Mind (12" Mix) - Interpret: Furniture CD4 Track01 - 00

Anbieter: myToys
Stand: 20.09.2020
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