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JONES, Laurence - Take Me High (CD)
17,95 € *
zzgl. 4,99 € Versand

(2016/Ruf Records) 10 tracks. Laurence Jomes mit seiner 4. CD, diesmal produziert von Mike Vernon! Aufgenommen im Februar 2016 in den Headline Music Studios in Cambum mit Laurence' Band aus Roger Inniss am Bass, Phil Wilson am Schlagzeug sowie Bob Fridzema an den Keyboards und Hammond. Live einge...

Anbieter: Bear Family Recor...
Stand: 17.02.2020
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Dream Theater Original album series  CD  Standard
15,99 € *
zzgl. 3,95 € Versand

Viele Bands passen nur schwer in irgendeine Schublade. Aber nur wenige machen dann lieber gleich ihre eigene auf. So wie Dream Theater. „Progressive Metal steht da drauf, was nur heißen soll, dass in ihrer Musik Elemente aus Metal, Prog-Rock und Fusion zusammenfließen wie sonst nirgends. Die New Yorker John Petrucci (Gitarre), John Myung (Bass) und Mike Portnoy (Schlagzeug) hatten schon Mitte der 1980er am Berklee College Of Music zueinander gefunden. Aber der Durchbruch gelang erst 1992, als für das zweite Dream Theater-Album „Images And Words" unter rund 200 Kandidaten in James LaBrie endlich der richtige Sänger für die Band gefunden war. Die Single „Pull Me Under" ging in die US-Top Ten. In die deutsche Top 20 schaffte es dann 1994 das Album „Awake", schon erstaunlich, bedenkt man, dass dieses Werk noch wesentlich komplexer, härter und auch düsterer ausfiel als der Vorgänger. Doch Dream Theater setzten fünf Jahre später noch mal einen drauf. „Metropolis Pt. 2: Scenes From A Memory" gilt als das opus magnum der Band. Für das Konzeptalbum über Brudermord, Hypnose und Wiedergeburt, das im Song „The Spirit Carries On" sogar einen Gospel-Chor aufbietet, ließen sich Portnoy und Petrucci u.a. von dem Film „Schatten der Vergangenheit" inspirieren. Ganz andere Quellen nährten dann 2003 das siebte Bandalbum „Train Of Thought", nachdem Dream Theater auf der Tour zuvor mal eben die kompletten Alben „Master Of Puppets" (Metallica) und „The Number Of The Beast" (Iron Maiden) gecovert hatten. Danach konnten sie ganz hart auch selbst - Metal rein, Prog raus aus der Schublade."

Anbieter: EMP
Stand: 17.02.2020
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Loose Wheels and Narrow Necks: Cart 437 and Oth...
9,95 € *
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Over the years while writing, directing, and acting at radio theater workshops and in the Mark Time Radio Show performances at Minneapolis' CONvergence science fiction conventions, Brian Price and Jerry Stearns found that they shared a love for classic Beat poetry, Lord Buckley, and prose poems, so they started doing some of their own. This is a collection of their unique hybrid of humor, music, character, and performance. "Closed Mouths and Narrow Necks" (The Yellow House - West Plains, MO, May 29, 2002) - Bass: Thom Hoglen, Sax: Eric Elder "Cart 437" (or "The Long Way Around") (CONvergence 2006 - July 7, 2006) "The Collapse of the 20th Century Was So Gradual" (Minicon 32 - March 28, 1997) - Piano: David Emerson "Clones Day Parade" (CONvergence 2001 - July 6, 2001) - Piano: Mike Wheaton "Unrelated Cliffhanger Theater" (CONvergence 2006 - July 7, 2006) with Windy Bowlsby, Tim Wick, Charlie Meitzner, Preston Ossman, Eleanor Price, and David Ossman "Your Mileage May Vary" (CONvergence 2002 - July 5, 2002) with Richard Fish; Music by Eleanor Price "A Cure for Science" (CONvergence 2004 - July 2, 2004) - Trombone: Jim ten Bensel "The Tiniest Souls" (CONvergence 2007 - July 6, 2007) "Under the Broken Tree Bridge" (CONvergence 2008 - July 3, 2008) with Eleanor Price; Piano: Keith Spears "Cart 437: Part Two" (Hear Now Festival - Kansas City, MO, June 9, 2016) "You Can't Handle the Truth" (CONvergence 2007 - July 6, 2007) with Wally Wingert, Windy Bowlsby, Tim Wick, Preston Ossman, Eleanor Price, and David Ossman 1. Language: English. Narrator: David Ossman, full cast. Audio sample: http://samples.audible.de/bk/blak/010527/bk_blak_010527_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 17.02.2020
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To the Best of Our Knowledge: The Creative Mind...
9,95 € *
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In this hour, Charles Limb is a surgeon and musician who researches the way creativity works in the brain. He puts jazz musicians inside an fMRI to find out what the brain does during musical improvisation. Bass player Mike Pope is one of his subjects. Anne Strainchamps talks with them about the music and the science. Next, creativity is hard-wired in the human brain, but we could all learn to be more creative. Harvard psychologist Shelley Carson's research has identified seven different modes of creative thinking. She tells Anne Strainchamps how we can all learn to amplify our own creative abilities.Then, imagine beginning your life's work at age 72. In the 1770's, Mary Delaney invented the medium we now call collage. Her collection of botanically-correct floral collages is today housed in the British Museum. Poet Molly Peacock fell in love with the work and the artist and has written a meditation on both and on late-life creativity.Finally, cosmologist Brian Swimme and Religion scholar Mary Evelyn Tucker tell the story of the origins of the universe, from the Big Bang to the present moment. They describe the universe as a story of unceasing creativity. They talk with Steve Paulson about their new book and film, Journey of the Universe. [Broadcast Date: July 4, 2012] 1. Language: English. Audio sample: http://samples.audible.de/rt/tbon/120704/rt_tbon_120704_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 17.02.2020
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To the Best of Our Knowledge: The Creative Mind...
9,95 € *
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In this hour, Charles Limb is a surgeon and musician who researches the way creativity works in the brain. He puts jazz musicians inside an fMRI to find out what the brain does during musical improvisation. Bass player Mike Pope is one of his subjects. Anne Strainchamps talks with them about the music and the science. Next, creativity is hard-wired in the human brain, but we could all learn to be more creative. Harvard psychologist Shelley Carson's research has identified seven different modes of creative thinking. She tells Anne Strainchamps how we can all learn to amplify our own creative abilities.Then, imagine beginning your life's work at age 72. In the 1770's, Mary Delaney invented the medium we now call collage. Her collection of botanically-correct floral collages is today housed in the British Museum. Poet Molly Peacock fell in love with the work and the artist and has written a meditation on both and on late-life creativity.Finally, cosmologist Brian Swimme and Religion scholar Mary Evelyn Tucker tell the story of the origins of the universe, from the Big Bang to the present moment. They describe the universe as a story of unceasing creativity. They talk with Steve Paulson about their new book and film, Journey of the Universe. [Broadcast Date: August 17, 2011] 1. Language: English. Audio sample: http://samples.audible.de/rt/tbon/110817/rt_tbon_110817_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 17.02.2020
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What Is It All but Luminous
18,99 € *
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"From the golden-haired, curly-headed half of Simon & Garfunkel--a memoir (of sorts): artful, moving, lyrical impressions of a life that reveal the making of a musician, the evolution of a man; a portrait of a lifelong friendship and of a collaboration that became the most successful singing duo in the roiling age that embraced, and was defined by their pathfinding music. In What Is It All but Luminous, Art Garfunkel writes about growing up in the 1940s and '50s (son of a traveling salesman listening as his father played Enrico Caruso records), a middle-class Jewish boy living in a redbrick semi-attached house on Jewel Avenue in Kew Gardens, Queens, playing chess by day watching the Brooklyn Dodgers on TV by night, feeling his vocal cords "vibrate with the love of sound" from the age of five when he "began to sing with the sense of God's gift running through" him. He writes of meeting Paul Simon, the funny guy who made Art laugh (they met at their graduation play, Alice in Wonderland; Paul was the White Rabbit; Art, the Cheshire Cat). Of their being twelve at the birth of rock 'n' roll--Chuck Berry, Jerry Lee Lewis, Bobby Freeman ("It was rhythm and blues. It was black. It was from New Orleans, Chicago, Philadelphia. It was dirty music; 'sexual.' I was captured. So was Paul."), of a demo of their song "Hey, Schoolgirl" for seven dollars and the actual record (with Paul's father on bass) going to #40 on the national charts, selling 150,000 copies. He writes about their becoming Simon & Garfunkel, ruling the pop charts from the age of sixteen, about not being a natural performer but more of a thinker, an underground man. He writes of the hit songs, touring, sex on tour for the thrills, reading books to calm it down, the road to walk it off ... he writes ofhis wife to ease his soul and children to end the aloneness ... about being an actor working with director Mike Nichols ("the greatest of them all"), about choosing music over a PhD in mathematics. And he writes about his long-unfolding split with Paul, and how and why it evolved, and after, learning to perform on his own ... about his voice going south (a stiffening of one of his vocal cords) and working to get it back ... about being a husband, a father, and much more."--Jacket.

Anbieter: buecher
Stand: 17.02.2020
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What Is It All but Luminous
18,99 € *
ggf. zzgl. Versand

"From the golden-haired, curly-headed half of Simon & Garfunkel--a memoir (of sorts): artful, moving, lyrical impressions of a life that reveal the making of a musician, the evolution of a man; a portrait of a lifelong friendship and of a collaboration that became the most successful singing duo in the roiling age that embraced, and was defined by their pathfinding music. In What Is It All but Luminous, Art Garfunkel writes about growing up in the 1940s and '50s (son of a traveling salesman listening as his father played Enrico Caruso records), a middle-class Jewish boy living in a redbrick semi-attached house on Jewel Avenue in Kew Gardens, Queens, playing chess by day watching the Brooklyn Dodgers on TV by night, feeling his vocal cords "vibrate with the love of sound" from the age of five when he "began to sing with the sense of God's gift running through" him. He writes of meeting Paul Simon, the funny guy who made Art laugh (they met at their graduation play, Alice in Wonderland; Paul was the White Rabbit; Art, the Cheshire Cat). Of their being twelve at the birth of rock 'n' roll--Chuck Berry, Jerry Lee Lewis, Bobby Freeman ("It was rhythm and blues. It was black. It was from New Orleans, Chicago, Philadelphia. It was dirty music; 'sexual.' I was captured. So was Paul."), of a demo of their song "Hey, Schoolgirl" for seven dollars and the actual record (with Paul's father on bass) going to #40 on the national charts, selling 150,000 copies. He writes about their becoming Simon & Garfunkel, ruling the pop charts from the age of sixteen, about not being a natural performer but more of a thinker, an underground man. He writes of the hit songs, touring, sex on tour for the thrills, reading books to calm it down, the road to walk it off ... he writes ofhis wife to ease his soul and children to end the aloneness ... about being an actor working with director Mike Nichols ("the greatest of them all"), about choosing music over a PhD in mathematics. And he writes about his long-unfolding split with Paul, and how and why it evolved, and after, learning to perform on his own ... about his voice going south (a stiffening of one of his vocal cords) and working to get it back ... about being a husband, a father, and much more."--Jacket.

Anbieter: buecher
Stand: 17.02.2020
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What Is It All but Luminous: Notes from an Unde...
9,95 € *
ggf. zzgl. Versand

From the golden-haired, curly-headed half of Simon & Garfunkel - a memoir (of sorts): artful, moving, lyrical; the making of a musician; the evolution of a man, a portrait of a lifelong friendship and collaboration that became one of the most successful singing duos of their time. Art Garfunkel writes about his life before, during, and after Simon & Garfunkel...about their folk-rock music in the roiling age that embraced and was defined by their path-breaking sound. He writes about growing up in the 1940s and '50s (son of a traveling salesman), a middle class Jewish boy, living in a red brick semi-attached house in Kew Gardens, Queens, a kid who was different - from the age of five feeling his vocal cords "vibrating with the love of sound"...meeting Paul Simon in school, the funny guy who made Art laugh; their going on to junior high school together, of being 12 at the birth of rock 'n' roll, both of them "captured" by it; going to a recording studio in Manhattan to make a demo of their song "Hey Schoolgirl" (for $7!) and the actual record (with Paul's father on bass) going to number 40 on the national charts, selling 150,000 copies.... He writes about their becoming Simon & Garfunkel, taking the world by storm, ruling the pop charts from the time he was 16, about not being a natural performer but more a thinker...touring; sex-for-thrills on the road, reading or walking to calm down (walking across two continents - the USA and Europe). He writes of being an actor working with directors Nicolas Roeg (Bad Timing) and Mike Nichols ("the greatest of them all")...getting his master's in mathematics at Columbia; choosing music over a PhD; his slow, unfolding split with Paul and its aftermath; learning to perform on his own, giving a thousand concerts worldwide, his voice going south (a stiffening of one vocal cord) and working to get it back...about being a husband, a father, and much more. 1. Language: English. Narrator: Art Garfunkel. Audio sample: http://samples.audible.de/bk/rand/005245/bk_rand_005245_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 17.02.2020
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Alive AG Santana IV (2LP) 30 cm
21,99 € *
ggf. zzgl. Versand

(2x180gr LP + DL) SANTANA ist zurück mit dem ersten Album in Orignalbesetzung seit 1973!nnSANTANA ist zurück mit dem ersten Album in Orignalbesetzung seit 1973! Die Gruppe um den Gitarristen und Sänger Carlos Santana gilt seit dem Ende der 1960er Jahre als die wichtigste Band des Latin Rock. Die Band wurde 1966 in San Francisco gegründet, zur ersten Formation gehörten Tom Frazier (Gitarre), Mike Carabello (Percussion), Rod Harper (Schlagzeug), Gus Rodriguez (Bassgitarre) und Gregg Rolie (Orgel, Gesang). In den Folgejahren hat sich die Zusammensetzung der Gruppe sehr häufig und grundlegend verändert. Mit dem Song Soul Sacrifice traten sie 1969, kurz nach ihrem ersten Album, beim Woodstock-Festival auf und führten dieses zu einem der ersten musikalischen Höhepunkte. IV markiert nun das erste Album in Originalbesetzung seit 1973! Auch mit Keyboarder und Sänger Greg Rolie, der mit Black Magic Woman den größten Hit der Band sang. Ausstattung - Santana-Sticker 1st Time Since 1973 mit den Namen der Band - LP-Version: 2 x 180 Gramm schwarzes Vinyl im Gatefolded-Cover in zwei Taschen, Gold-Folie Sticker 180g & Download, UV-Klarlack auf Zähne, Augen und Logo im Artwork April 15, 2016 marks the release date of Santana IV, the wildly anticipated studio album that reunites the revered early 70s lineup of guitar icon Carlos Santana (guitar, vocals), Gregg Rolie (keyboards, lead vocals), Neal Schon (guitar, vocals), Michael Carabello (percussion) and Michael Shrieve (drums). The album signifies the first time in 45 years since 1971 s multi-platinum classic Santana III that the quintet has recorded together. Santana IV features 16 all-new tracks written and produced by the band that burst with the same unparalleled energy and superlative musicianship that made Santana a pioneering force in world music and a household name across the globe. Joining the core Santana IV band in the studio are current Santana members Karl Perazzo (percussion) and Benny Rietveld (bass), with the legendary vocalist Ronald Isley guesting on two cuts. TRACKS: 1. Yambu 2. Shake It 3. Anywhere you Want To Go 4. Fillmore East 5. Love Makes The World Go Round (Feat: Ronald Isley) 6. Freedom In Your Mind (Feat: Ronald Isley) 7. Choo Choo 8. All Aboard 9. Suen_os 10. Caminando 11. Blues Magic 12. Echizo 13. Leave Me Alone 14. You And I 15. Come As You Are 16. Forgiveness

Anbieter: Dodax
Stand: 17.02.2020
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