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Pirates of the Mississippi
45,00 € *
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High Quality Content by WIKIPEDIA articles! Pirates of the Mississippi is an American country music group. It was founded in 1987 by Rich Alves (guitar, Hammond organ, background vocals), Bill McCorvey (guitar, lead vocals) Jimmy Lowe (drums), Pat Severs (steel guitar, Dobro), and Dean Townson (bass guitar). Under this lineup, Pirates of the Mississippi made its national debut in 1990 with a cover of Hank Williams' "Honky Tonk Blues". This cover was the first single from their self-titled debut album. "Honky Tonk Blues" was followed by ten more singles, all of which charted between 1990 and 1995. in that same time span, the band would release four more studio albums and a compilation album. Severs was replaced by Greg Trostle in 1994, and two years later, the five members parted ways. In 2000, Alves and McCorvey reunited and began recording again as a duo, once again using the name Pirates of the Mississippi. The re-established lineup recorded another album, entitled Heaven and a Dixie Night, in 2006 on CBuJ Entertainment.

Anbieter: Dodax
Stand: 01.06.2020
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The Lost Art Of Country Bass
28,90 CHF *
zzgl. 3,50 CHF Versand

An introduction to country bass for electric or upright players. This book/CD pack is an insider's look at country bass playing on stage and in the studio. The book includes lessons and music in the style of Hank Williams, Lefty Frizzel, Marty Stuart, David Ball, and more. The CD includes 35 songs with full band backing. You'll learn classic and modern country bass lines, how to be a studio bassist, how to read music with the Nashville Number System, and more! A killer country primer.' Bass Player magazine

Anbieter: Orell Fuessli CH
Stand: 01.06.2020
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Hard Bop
14,90 CHF *
ggf. zzgl. Versand

It's nineteen fifty-something, in a dark, cramped, smoke-filled room. Everyone's wearing black. And on-stage a tenor is blowing his heart out, a searching, jagged saxophone journey played out against a moody, walking bass and the swish of a drummer's brushes. To a great many listeners--from African American aficionados of the period to a whole new group of fans today--this is the very embodiment of jazz. It is also quintessential hard bop. In this, the first thorough study of the subject, jazz expert and enthusiast David H. Rosenthal vividly examines the roots, traditions, explorations and permutations, personalities and recordings of a climactic period in jazz history. Beginning with hard bop's origins as an amalgam of bebop and R&B, Rosenthal narrates the growth of a movement that embraced the heavy beat and bluesy phrasing of such popular artists as Horace Silver and Cannonball Adderley; the stark, astringent, tormented music of saxophonists Jackie McLean and Tina Brooks; the gentler, more lyrical contributions of trumpeter Art Farmer, pianists Hank Jones and Tommy Flanagan, composers Benny Golson and Gigi Gryce; and such consciously experimental and truly one-of-a-kind players and composers as Andrew Hill, Sonny Rollins, John Coltrane, Thelonious Monk, and Charles Mingus. Hard bop welcomed all influences--whether Gospel, the blues, Latin rhythms, or Debussy and Ravel--into its astonishingly creative, hard-swinging orbit. Although its emphasis on expression and downright 'badness' over technical virtuosity was unappreciated by critics, hard bop was the music of black neighborhoods and the last jazz movement to attract the most talented young black musicians. Fortunately, records were there to catch it all. The years between 1955 and 1965 are unrivaled in jazz history for the number of milestones on vinyl. Miles Davis's Kind of Blue, Charles Mingus's Mingus Ah Um, Thelonious Monk's Brilliant Corners, Horace Silver's Further Explorations--Rosenthal gives a perceptive cut-by-cut analysis of these and other jazz masterpieces, supplying an essential discography as well. For knowledgeable jazz-lovers and novices alike, Hard Bop is a lively, multi-dimensional, much-needed examination of the artists, the milieus, and above all the sounds of one of America's great musical epochs.

Anbieter: Orell Fuessli CH
Stand: 01.06.2020
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The Lost Art Of Country Bass
19,99 € *
zzgl. 3,00 € Versand

An introduction to country bass for electric or upright players. This book/CD pack is an insider's look at country bass playing on stage and in the studio. The book includes lessons and music in the style of Hank Williams, Lefty Frizzel, Marty Stuart, David Ball, and more. The CD includes 35 songs with full band backing. You'll learn classic and modern country bass lines, how to be a studio bassist, how to read music with the Nashville Number System, and more! A killer country primer.' Bass Player magazine

Anbieter: Thalia AT
Stand: 01.06.2020
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Hard Bop
12,90 € *
ggf. zzgl. Versand

It's nineteen fifty-something, in a dark, cramped, smoke-filled room. Everyone's wearing black. And on-stage a tenor is blowing his heart out, a searching, jagged saxophone journey played out against a moody, walking bass and the swish of a drummer's brushes. To a great many listeners--from African American aficionados of the period to a whole new group of fans today--this is the very embodiment of jazz. It is also quintessential hard bop. In this, the first thorough study of the subject, jazz expert and enthusiast David H. Rosenthal vividly examines the roots, traditions, explorations and permutations, personalities and recordings of a climactic period in jazz history. Beginning with hard bop's origins as an amalgam of bebop and R&B, Rosenthal narrates the growth of a movement that embraced the heavy beat and bluesy phrasing of such popular artists as Horace Silver and Cannonball Adderley; the stark, astringent, tormented music of saxophonists Jackie McLean and Tina Brooks; the gentler, more lyrical contributions of trumpeter Art Farmer, pianists Hank Jones and Tommy Flanagan, composers Benny Golson and Gigi Gryce; and such consciously experimental and truly one-of-a-kind players and composers as Andrew Hill, Sonny Rollins, John Coltrane, Thelonious Monk, and Charles Mingus. Hard bop welcomed all influences--whether Gospel, the blues, Latin rhythms, or Debussy and Ravel--into its astonishingly creative, hard-swinging orbit. Although its emphasis on expression and downright 'badness' over technical virtuosity was unappreciated by critics, hard bop was the music of black neighborhoods and the last jazz movement to attract the most talented young black musicians. Fortunately, records were there to catch it all. The years between 1955 and 1965 are unrivaled in jazz history for the number of milestones on vinyl. Miles Davis's Kind of Blue, Charles Mingus's Mingus Ah Um, Thelonious Monk's Brilliant Corners, Horace Silver's Further Explorations--Rosenthal gives a perceptive cut-by-cut analysis of these and other jazz masterpieces, supplying an essential discography as well. For knowledgeable jazz-lovers and novices alike, Hard Bop is a lively, multi-dimensional, much-needed examination of the artists, the milieus, and above all the sounds of one of America's great musical epochs.

Anbieter: Thalia AT
Stand: 01.06.2020
Zum Angebot

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