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Mooney, Steven: Daily Warm Up Exercises for Bas...
22,89 € *
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Erscheinungsdatum: 18.10.2013, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: Daily Warm Up Exercises for Bass Guitar, Autor: Mooney, Steven, Verlag: Waterfall Publishing House, Sprache: Englisch, Schlagworte: MUSIC // Instruction & Study // Exercises, Rubrik: Musiktheorie // Musiklehre, Seiten: 152, Informationen: 412:B&W 8.5 x 11 in or 280 x 216 mm Perfect Bound on White w/Matte Lam, Gewicht: 399 gr, Verkäufer: averdo

Anbieter: averdo
Stand: 31.03.2020
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MÀNRAN - Ein Abend mit Scottish Folk unplugged ...
59,70 € *
zzgl. 5,95 € Versand

Die schottischen Highlands sind rau und nebelverhangen. Diese Landschaft hat etwas Ursprüngliches und Einmaliges, aber auch mystisches. Vor allem aber bringt sie tolle Musiker hervor, die in ihren Herzen ein wild loderndes Feuer tragen. Was Mànran so außergewöhnlich macht, ist die Verschmelzung der schottischen Kultur mit der Mo-derne. So treffen das weltweit einzigartige Duett zwischen irischen Uilléan und schottischen Bagpipes auf gälischen Gesang und ein Feuerwerk an Rhythmus. Es ist teuflisch schwer, zwei Dudelsäcke mit zwei verschiedenen Tonlagen stimmig zu spielen. Das schafft einen Klang, den keine andere Band als Bläsersatz zu bieten hat - die Künstler sind Meister, wenn es um eine feine Balance von Pipes, Fiddle, Akkordeon und Gitarre geht. Nach vier Alben, etlichen Singles, eine davon für einen wohltätigen Zweck, die 2 Mio. Pfund einspielte, hat sich Mànran als eine der Bands etabliert, die zum Fundament der schottischen und irischen Musikszene gehören. Produziert wird die Band von Colum Malcolm (Simple Minds, Wet Wet Wet und Runrig) und der schottischen Folklegende Phil Cunningham. Dazu kommt der Ritterschlag von Runrig, die Mànran zu ihrem 40. Bandjubiläum als Vorgruppe engagierten, wo sie 17.000 Schotten und Folkrock-Fans aus aller Welt rocken konnten. Auch beim Runrig Abschiedskonzert 2018 war Mànrans Akkordeonist Gary Innes als Gast mit auf der Bühne ? und wurde im gleichen Jahr bei den Scottish Music Awards zum ?Instrumentalisten des Jahres? gewählt. Aber auch für das Kollektiv hagelte es etliche Auszeichnungen wie z.B.: INTERNATIONAL ARTIST OF THE YEAR, Australian Celtic Music Awards, TRA-DITIONAL ARTS, SCOTS AND GAELIC AWARD, Crea-tive Scotland Awards und ALBUM OF THE YEAR & GAELIC SINGER OF THE YEAR, MG Alba Scots Trad Music Awards. Mànran fegen wie ein Sturm über ihr Publikum. Das hat ihnen den Ruf eingebracht, eine der besten Cel-tic Rock Bands weltweit zu sein. Auf ihrer Tournee 2020 freuen sie sich bei Zugluft anders als in den großen Hallen auch einmal in Pub- Atmosphäre unplugged spielen zu dürfen. Das bedeutet Tonanlage , Schlagzeug und Bass bleiben in Bad Nauheim im Tourbus! Das Schlusswort übergeben wir der schottischen Tageszeitung Daily Record: ?If you want a party, call Mànran!? Dem ist nichts hinzuzufügen...

Anbieter: Konzertkasse
Stand: 31.03.2020
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In The Pleasure Groove
9,99 € *
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I wanted to make music, and in this sense my dreams were being realised. The time spent on stage was becoming more fun ... but what to do with the time in between? Those would turn out to be the challenging times. A shy only child, Nigel John Taylor wasn't an obvious candidate for pop stardom. But when he ditched his first name and picked up a bass guitar, everything changed. Duran Duran were an immediate, global success story, creating some of the greatest and best-loved songs of our time. It's been a ride - and for John in particular, the ride has been wild, thrilling... and dangerous. In his frank, compelling autobiography, John recounts the highs - hanging out with icons like Bowie, Warhol and even James Bond; dating Vogue models and driving fast cars - all the while playing hard with the band he loved. But he faced tough battles ahead - troubles that brought him to the brink of self-destruction. Told with humour, honesty and hard-earned wisdom, In the Pleasure Groove is a fascinating portrait of a man who danced into the fire... and came through the other side. 'Wonderfully evocative ... an engaging read written with style, insight and, above all, charm' Daily Express 'Amusing, self-deprecating ... he is a likeable and droll narrator of his life story, generous to bandmates, loyal to loved ones and unfailingly hard on himself' Daily Mail

Anbieter: buecher
Stand: 31.03.2020
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In The Pleasure Groove
9,99 € *
ggf. zzgl. Versand

I wanted to make music, and in this sense my dreams were being realised. The time spent on stage was becoming more fun ... but what to do with the time in between? Those would turn out to be the challenging times. A shy only child, Nigel John Taylor wasn't an obvious candidate for pop stardom. But when he ditched his first name and picked up a bass guitar, everything changed. Duran Duran were an immediate, global success story, creating some of the greatest and best-loved songs of our time. It's been a ride - and for John in particular, the ride has been wild, thrilling... and dangerous. In his frank, compelling autobiography, John recounts the highs - hanging out with icons like Bowie, Warhol and even James Bond; dating Vogue models and driving fast cars - all the while playing hard with the band he loved. But he faced tough battles ahead - troubles that brought him to the brink of self-destruction. Told with humour, honesty and hard-earned wisdom, In the Pleasure Groove is a fascinating portrait of a man who danced into the fire... and came through the other side. 'Wonderfully evocative ... an engaging read written with style, insight and, above all, charm' Daily Express 'Amusing, self-deprecating ... he is a likeable and droll narrator of his life story, generous to bandmates, loyal to loved ones and unfailingly hard on himself' Daily Mail

Anbieter: buecher
Stand: 31.03.2020
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Stan Rogers
39,00 € *
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High Quality Content by WIKIPEDIA articles! Stanley Allison "Stan" Rogers (November 29, 1949 June 2, 1983) was a Canadian folk musician and songwriter. Rogers was noted for his rich, baritone voice and his finely-crafted, traditional-sounding songs which were frequently inspired by Canadian history and the daily lives of working people, especially those from the fishing villages of the Maritime provinces and, later, the farms of the Canadian prairies and Great Lakes. Rogers died in a fire aboard Air Canada Flight 797 on the ground at the Greater Cincinnati Airport at the age of 33. His influence on Canadian folk music has been deep and lasting. By the time that Rogers was attending Saltfleet High School in Stoney Creek, he started to meet other young people interested in folk music, although at this time he was also dabbling in rock and roll, singing and playing bass guitar in garage bands such as "Stanley and the Living Stones" and "The Hobbits". As a young man, Rogers briefly attended both McMaster University and Trent University.

Anbieter: Dodax
Stand: 31.03.2020
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Elementare Kontrabassetüden
31,90 CHF *
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Preface The emphasis of the present etudes is on systematic exercises for the left hand. The lower positions demanded above all in orchestral playing, and the accompanying physical effort required, are consciously employed here in many variants and offer outstanding practice material. At the beginning, a slow, constant tempo should be paramount, the tempo then being increased with the aid of a metronome. I recommend these etudes as daily exercises for double bass players of all proficiency levels. Klaus Trumpf (Professor emeritus at the Colleges of Music in Berlin, Saarbrücken, and Munich) Instrumentation: double bass

Anbieter: Orell Fuessli CH
Stand: 31.03.2020
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Yearning
47,90 CHF *
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As an American jazz artist and educator based in South Africa since 1999, this is one in a set of pieces that reflect my musical and other experiences in this fascinating country. Yearning – Ukulangazelela was first recorded on my CD Beauty and the Blues (MMC2045J) with jazz greats Billy Hart, Rufus Reid and Tom McKinley. The piece was inspired by the many great African musicians I’ve come to know from my travels to South Africa beginning in 1989. Yearning also appears on the 2007 release of Common Ground (MSRJazz1207) in duo format with pianist Micu Narunsky. Yearning – Ukulangazelela is dedicated to Barney Rachabane, one of my heroes of South African jazz who also has a very individual saxophone style. Barney has an incredible reputation as one of the most exciting, inventive and humorous (in a good way) players of township, kwela and mbaquanga based jazz. I’ve had the pleasure to play with Barney on many occasions and to also interview him regarding his approach (which is very different from my own) to playing the saxophone and jazz in general. As in all African music, the voice or vocal approach to playing and performance is a central ingredient. Outward vocal based expressions of emotion are part of African daily life. This really hit home when I asked Barney about his approach to music and the saxophone. He remarked that his approach was based on Ukulangazelela - a human cry & yearning “ ’cause (under former times) we had no gigs, no places to play, no nothing under apartheid.” Performance Tips The reverent folk-like melody at letter A is repeated at letter B a tri-tone away. It’s important to bring out the melody in Part 3 at letter C. Stylistically this arrangement is reminiscent of 3/4 modal type jazz from the Hard Bop period (mid 1950s) and of the John Coltrane Quartet with McCoy Tyner, Jimmy Garrison and Elvin Jones. The solo background in all parts should only be played on the last chorus of each solo; be careful not to overpower the soloist. Yearning – Ukulangazelela; a cry and yearning for a better world we hope to live in. Right on Barney! Instrumentation: 3 melody instruments, piano, guitar, double bass, percussion

Anbieter: Orell Fuessli CH
Stand: 31.03.2020
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Elementare Kontrabassetüden
25,70 € *
ggf. zzgl. Versand

Preface The emphasis of the present etudes is on systematic exercises for the left hand. The lower positions demanded above all in orchestral playing, and the accompanying physical effort required, are consciously employed here in many variants and offer outstanding practice material. At the beginning, a slow, constant tempo should be paramount, the tempo then being increased with the aid of a metronome. I recommend these etudes as daily exercises for double bass players of all proficiency levels. Klaus Trumpf (Professor emeritus at the Colleges of Music in Berlin, Saarbrücken, and Munich) Instrumentation: double bass

Anbieter: Thalia AT
Stand: 31.03.2020
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Yearning
31,90 € *
ggf. zzgl. Versand

As an American jazz artist and educator based in South Africa since 1999, this is one in a set of pieces that reflect my musical and other experiences in this fascinating country. Yearning – Ukulangazelela was first recorded on my CD Beauty and the Blues (MMC2045J) with jazz greats Billy Hart, Rufus Reid and Tom McKinley. The piece was inspired by the many great African musicians I’ve come to know from my travels to South Africa beginning in 1989. Yearning also appears on the 2007 release of Common Ground (MSRJazz1207) in duo format with pianist Micu Narunsky. Yearning – Ukulangazelela is dedicated to Barney Rachabane, one of my heroes of South African jazz who also has a very individual saxophone style. Barney has an incredible reputation as one of the most exciting, inventive and humorous (in a good way) players of township, kwela and mbaquanga based jazz. I’ve had the pleasure to play with Barney on many occasions and to also interview him regarding his approach (which is very different from my own) to playing the saxophone and jazz in general. As in all African music, the voice or vocal approach to playing and performance is a central ingredient. Outward vocal based expressions of emotion are part of African daily life. This really hit home when I asked Barney about his approach to music and the saxophone. He remarked that his approach was based on Ukulangazelela - a human cry & yearning “ ’cause (under former times) we had no gigs, no places to play, no nothing under apartheid.” Performance Tips The reverent folk-like melody at letter A is repeated at letter B a tri-tone away. It’s important to bring out the melody in Part 3 at letter C. Stylistically this arrangement is reminiscent of 3/4 modal type jazz from the Hard Bop period (mid 1950s) and of the John Coltrane Quartet with McCoy Tyner, Jimmy Garrison and Elvin Jones. The solo background in all parts should only be played on the last chorus of each solo; be careful not to overpower the soloist. Yearning – Ukulangazelela; a cry and yearning for a better world we hope to live in. Right on Barney! Instrumentation: 3 melody instruments, piano, guitar, double bass, percussion

Anbieter: Thalia AT
Stand: 31.03.2020
Zum Angebot