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Pachelbel's Canon for Piano and Double Bass - P...
3,49 € *
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Pachelbel's Canon for Piano and Double Bass - Pure Sheet Music By Lars Christian Lundholm ab 3.49 € als epub eBook: . Aus dem Bereich: eBooks,

Anbieter: hugendubel
Stand: 02.06.2020
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Music theory Introduction
30,99 € *
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Music theory Introduction ab 30.99 € als Taschenbuch: Bass Crab canon Staccato Ternary form Bebung Simultaneity succession Klumpenhouwer network Cross-beat Graphic notation Exposition Tonnetz Voicing Deutsch's scale illusion Pitch contour Five finger exercise. Aus dem Bereich: Bücher, Kunst & Musik,

Anbieter: hugendubel
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Pachelbel's Canon for Piano and Double Bass - P...
3,49 € *
ggf. zzgl. Versand

Pachelbel's Canon for Piano and Double Bass - Pure Sheet Music By Lars Christian Lundholm ab 3.49 EURO

Anbieter: ebook.de
Stand: 02.06.2020
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Schnyder, D: Music for four Guitars
56,90 CHF *
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Daniel Schnyder's 'Music for Four Guitars' reflects on various aspects of guitar music. The composition superimposes modern rhythms of South American provenience with European forms and compositional techniques. The fusion of these elements creates new music which at the same time sounds familiar. The combining of the two different worlds of music illuminates the diversity of today's music and it's beautiful possibilities on infinite new combinations. 'Unveiling of a Canon' is build on a canon, hidden behind rich ornamentations and melodic embellishments. The canon gradually unfolds as the piece develops. At the end of the movement the canon presents itself in its original form. The canon is the strictest musical form. The art of embellishments over a canon is rarely heard today. Jazz and jazz related music concentrate on improvising over chord structures - vertical structures - rather than improvsing over polyphonic patterns which by definition develop horizontally in a musical texture. Switching from the strict canon to embellishments creates tension between freedom and the strict hidden order. We know that very well from the music of J.S. Bach or Bela Bartok. 'Fairytale' is the pragmatic juxtaposition of a completely different way of musical thinking. The movement is based on harmonic and rhythmic fundamentals derived from Brazilian music. Basically the four guitars play on three different layers which rhythmically interact with each other: bass melody, rhythm with complimentary rhythm, and melody. For classically trained musicians the hidden African color of the music may be unusual, new and sophisticated. The accents are delayed to the off-beats. 'Fairytale' combines classical and non-European musical influences in a natural and sophisticated way. In spite of the unusual rhythmic approach, the audience will find this dance-like movement very accessible. 'Coding Against Memory' transforms the musical material from the canon, unweiled in the first movement, in a different way. Single elements of the canon have been isolated and consequently alongated, turned upside down, etc. These techniques are very fundamental and essential in the tradition of European art music but not really common in jazz and other non-written music. The third movement relates to movement one and reflects on the European roots and tradition. 'Dancing With My Lady' corresponds with the dance-like African quality of the second movement but with an emphasis on the inexaustible rhythmic vocabulary of South America, especially the energy-giving, high-spirited Samba. The whole piece therefore is written in a loose thematic ABAB form. This work was originally commissioned by the EOS Guitar Quartet and performed in numerous concerts. Instrumentation: 4 guitars

Anbieter: Orell Fuessli CH
Stand: 02.06.2020
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Musical Structure and Design
13,90 CHF *
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Cedric Thorpe Davie is himself a noted composer, and musical forms are as familiar to him as armatures are to the sculptor. As a result, he is able not only to describe them clearly, but also to evaluate their qualities and to point out their truly characteristic fundamentals. It is his discussions of such core questions as: What is the true basis of sonata form? And What are the qualities of a successful form that make for convincing music? that cause his book to be the unusually interesting and lively study that it is. The text defines and describes the forms commonly used by Western composers in the period between 1550 and 1900. These are the binary and ternary forms, including the de capo aria, minuet-and-trio, and rondo; the sonata form; the forms in the concerto; variation forms — including ground bass, passacaglia, and chaconne; and the contrapuntal forms, notably the fugue and canon. Each form is illustrated with a detailed analysis of a specific piece or movement, usually from the work of Bach, Haydn, Mozart, or Beethoven, but often from Purcell, Brahms, Dvorak, or other composers. The student is also referred to a list of compositions in the same form for further study. Experienced musicians, both professional and amateur, and students will find the author's thoughtful, well-written discussions of the controversial aspects of formal analysis extremely perceptive and stimulating. Beginning music lovers, even those with little or no training in music, will come away from a thorough reading of the book with a good knowledge of each important musical form, and with a greatly increased insight into the way music is organized.

Anbieter: Orell Fuessli CH
Stand: 02.06.2020
Zum Angebot
Pachelbel's Canon for Piano and Double Bass - P...
4,90 CHF *
ggf. zzgl. Versand

Also known as Pachelbel's Canon in D this is a favorite at weddings and used in many films. Originally called Canon and Gigue for 3 violins and basso continuo, it was composed in about 1680 Sheet Music for Double Bass accompanied by Piano arranged by Lars Christian Lundholm. Pachelbel's Canon is also known by alternative title: Pachelbel's Canon in D, Canon and Gigue for 3 violins and basso continuo, Kanon und Gigue f¿ 3 Violinen mit Generalba? PWC 37, T. 337, PC 358. - Instrumentation: Piano and Double Bass - Level: Medium - Score Type: Score and 1 Part - Tempo: Medium - Genre: Baroque - Composer: Johann Pachelbel - Year Composed: 1680 - Pages (approximate): 7

Anbieter: Orell Fuessli CH
Stand: 02.06.2020
Zum Angebot
Schnyder, D: Music for four Guitars
35,50 € *
ggf. zzgl. Versand

Daniel Schnyder's 'Music for Four Guitars' reflects on various aspects of guitar music. The composition superimposes modern rhythms of South American provenience with European forms and compositional techniques. The fusion of these elements creates new music which at the same time sounds familiar. The combining of the two different worlds of music illuminates the diversity of today's music and it's beautiful possibilities on infinite new combinations. 'Unveiling of a Canon' is build on a canon, hidden behind rich ornamentations and melodic embellishments. The canon gradually unfolds as the piece develops. At the end of the movement the canon presents itself in its original form. The canon is the strictest musical form. The art of embellishments over a canon is rarely heard today. Jazz and jazz related music concentrate on improvising over chord structures - vertical structures - rather than improvsing over polyphonic patterns which by definition develop horizontally in a musical texture. Switching from the strict canon to embellishments creates tension between freedom and the strict hidden order. We know that very well from the music of J.S. Bach or Bela Bartok. 'Fairytale' is the pragmatic juxtaposition of a completely different way of musical thinking. The movement is based on harmonic and rhythmic fundamentals derived from Brazilian music. Basically the four guitars play on three different layers which rhythmically interact with each other: bass melody, rhythm with complimentary rhythm, and melody. For classically trained musicians the hidden African color of the music may be unusual, new and sophisticated. The accents are delayed to the off-beats. 'Fairytale' combines classical and non-European musical influences in a natural and sophisticated way. In spite of the unusual rhythmic approach, the audience will find this dance-like movement very accessible. 'Coding Against Memory' transforms the musical material from the canon, unweiled in the first movement, in a different way. Single elements of the canon have been isolated and consequently alongated, turned upside down, etc. These techniques are very fundamental and essential in the tradition of European art music but not really common in jazz and other non-written music. The third movement relates to movement one and reflects on the European roots and tradition. 'Dancing With My Lady' corresponds with the dance-like African quality of the second movement but with an emphasis on the inexaustible rhythmic vocabulary of South America, especially the energy-giving, high-spirited Samba. The whole piece therefore is written in a loose thematic ABAB form. This work was originally commissioned by the EOS Guitar Quartet and performed in numerous concerts. Instrumentation: 4 guitars

Anbieter: Thalia AT
Stand: 02.06.2020
Zum Angebot
Musical Structure and Design
11,49 € *
ggf. zzgl. Versand

Cedric Thorpe Davie is himself a noted composer, and musical forms are as familiar to him as armatures are to the sculptor. As a result, he is able not only to describe them clearly, but also to evaluate their qualities and to point out their truly characteristic fundamentals. It is his discussions of such core questions as: What is the true basis of sonata form? And What are the qualities of a successful form that make for convincing music? that cause his book to be the unusually interesting and lively study that it is. The text defines and describes the forms commonly used by Western composers in the period between 1550 and 1900. These are the binary and ternary forms, including the de capo aria, minuet-and-trio, and rondo; the sonata form; the forms in the concerto; variation forms — including ground bass, passacaglia, and chaconne; and the contrapuntal forms, notably the fugue and canon. Each form is illustrated with a detailed analysis of a specific piece or movement, usually from the work of Bach, Haydn, Mozart, or Beethoven, but often from Purcell, Brahms, Dvorak, or other composers. The student is also referred to a list of compositions in the same form for further study. Experienced musicians, both professional and amateur, and students will find the author's thoughtful, well-written discussions of the controversial aspects of formal analysis extremely perceptive and stimulating. Beginning music lovers, even those with little or no training in music, will come away from a thorough reading of the book with a good knowledge of each important musical form, and with a greatly increased insight into the way music is organized.

Anbieter: Thalia AT
Stand: 02.06.2020
Zum Angebot
Pachelbel's Canon for Piano and Double Bass - P...
3,99 € *
ggf. zzgl. Versand

Also known as Pachelbel's Canon in D this is a favorite at weddings and used in many films. Originally called Canon and Gigue for 3 violins and basso continuo, it was composed in about 1680 Sheet Music for Double Bass accompanied by Piano arranged by Lars Christian Lundholm. Pachelbel's Canon is also known by alternative title: Pachelbel's Canon in D, Canon and Gigue for 3 violins and basso continuo, Kanon und Gigue f¿ 3 Violinen mit Generalba? PWC 37, T. 337, PC 358. - Instrumentation: Piano and Double Bass - Level: Medium - Score Type: Score and 1 Part - Tempo: Medium - Genre: Baroque - Composer: Johann Pachelbel - Year Composed: 1680 - Pages (approximate): 7

Anbieter: Thalia AT
Stand: 02.06.2020
Zum Angebot