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Sepultura: A Rockview Audiobiography, Hörbuch, ...
9,95 € *
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Sepultura have always upheld their Brazilian roots. Band members Max Cavalera (vocals / guitar), Andreas Kisser (guitar), Paolo Jr. (bass) and Igor Caverla (drums) feature in this exclusive audiobiog and share how traditional tribal music features in their writing and performances as they rose from the poverty of San Paola to become Brazil's first international music success story.This is not a music release by the record company or band and sound quality may vary. Sepultura experiment with their music and produce a fusion of heavy metal and thunderous tribal rhythms.Determination, selling merchandise and support from the record company kept the band going in the early days. In their lyrics they confront social issues homing in on real life issues such as anger, envy and social distortion. They are driven by a rage and aggression and their fans are real people who have had their lives messed up. In this unique audiobiog the band reveal why they don't do drugs, talk about life on the road and how they manage their success. A classic recording for the collector and fan. 1. Language: English. Narrator: Pete Bruen. Audio sample: http://samples.audible.de/bk/rock/000029/bk_rock_000029_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 11.07.2020
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Zabumba
34,00 € *
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High Quality Content by WIKIPEDIA articles! A zabumba is a type of bass drum used in Brazilian music. The player wears the drum while standing up and uses both hands while playing.The zabumba generally ranges in diameter from 16 to 22 inches, and is 5 to 8 inches tall. The shell is made of wood and may utilize either skin or plastic drum heads and is usually tensioned via metal lugs and tension rods. The top head is usually muted with tape or cloth strip(s) and struck with a cloth-covered mallet (held in the right hand) to produce a low fundamental note with minimal overtones. The bottom head is tuned tighter and is struck with a thin, twig-like stick (held in the left hand) to produce a high fundamental with a sharp attack and numerous overtones. In construction, tuning and performance technique, the zabumba is very similar to bass drums found in the eastern Mediterranean region, such as the davul.The zabumba is used in the genres of forró, Coco, baião, xaxado and xote.

Anbieter: Dodax
Stand: 11.07.2020
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Sean Malone
34,00 € *
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High Quality Content by WIKIPEDIA articles! High Quality Content by WIKIPEDIA articles! Sean Malone is an American musician who plays fretless bass guitar and Chapman Stick. Malone also plays piano, keyboards, and guitar. He was born in Delran, New Jersey and currently plays for Gordian Knot and was a member of Cynic. Malone has played as a session member for groups ranging from Brazilian jazz to English pop. He was the bassist for Florida technical metal unit Cynic during their Focus period. Malone has continued as a studio bassist since leaving the band, performing on over fifty records to date. He has also authored three books, "Music Theory for Bassists," "Dictionary Of Bass Grooves," and "A Portrait of Jaco: The Solos Collection" (a book of transcriptions of Jaco Pastorius bass solos) for the Hal Leonard Corporation.

Anbieter: Dodax
Stand: 11.07.2020
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Schnyder, D: Music for four Guitars
56,90 CHF *
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Daniel Schnyder's 'Music for Four Guitars' reflects on various aspects of guitar music. The composition superimposes modern rhythms of South American provenience with European forms and compositional techniques. The fusion of these elements creates new music which at the same time sounds familiar. The combining of the two different worlds of music illuminates the diversity of today's music and it's beautiful possibilities on infinite new combinations. 'Unveiling of a Canon' is build on a canon, hidden behind rich ornamentations and melodic embellishments. The canon gradually unfolds as the piece develops. At the end of the movement the canon presents itself in its original form. The canon is the strictest musical form. The art of embellishments over a canon is rarely heard today. Jazz and jazz related music concentrate on improvising over chord structures - vertical structures - rather than improvsing over polyphonic patterns which by definition develop horizontally in a musical texture. Switching from the strict canon to embellishments creates tension between freedom and the strict hidden order. We know that very well from the music of J.S. Bach or Bela Bartok. 'Fairytale' is the pragmatic juxtaposition of a completely different way of musical thinking. The movement is based on harmonic and rhythmic fundamentals derived from Brazilian music. Basically the four guitars play on three different layers which rhythmically interact with each other: bass melody, rhythm with complimentary rhythm, and melody. For classically trained musicians the hidden African color of the music may be unusual, new and sophisticated. The accents are delayed to the off-beats. 'Fairytale' combines classical and non-European musical influences in a natural and sophisticated way. In spite of the unusual rhythmic approach, the audience will find this dance-like movement very accessible. 'Coding Against Memory' transforms the musical material from the canon, unweiled in the first movement, in a different way. Single elements of the canon have been isolated and consequently alongated, turned upside down, etc. These techniques are very fundamental and essential in the tradition of European art music but not really common in jazz and other non-written music. The third movement relates to movement one and reflects on the European roots and tradition. 'Dancing With My Lady' corresponds with the dance-like African quality of the second movement but with an emphasis on the inexaustible rhythmic vocabulary of South America, especially the energy-giving, high-spirited Samba. The whole piece therefore is written in a loose thematic ABAB form. This work was originally commissioned by the EOS Guitar Quartet and performed in numerous concerts. Instrumentation: 4 guitars

Anbieter: Orell Fuessli CH
Stand: 11.07.2020
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Brandao, F: Brazilian/Afro-Cuban Jazz/Klavier L...
32,90 CHF *
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Brazilian and Afro-Cuban Jazz Conception is the new exciting series of play-along books by award-winning Brazilian flutist and composer Fernando Brandão and features fifteen original tunes in various Brazilian and Afro-Cuban styles. This edition clearly aims at being more than a simple play-along collection. For each of the tunes a thorough analysis and additional exercises are given. An extensive introduction into the various styles and rhythms of Brazilian and Afro-Cuban music makes these books even more valuable. The rhythm section and soloists are among the most prestigious musicians in contemporary Brazilian music. Rhythm Section: Leandro Braga - piano, Adriano Giffoni - bass, Xande Figueiredo - drums, Zero - percussion. Instrumentation: piano

Anbieter: Orell Fuessli CH
Stand: 11.07.2020
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Music for Life
49,90 CHF *
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'From Mozart to Villa-Lobos and South African pop, Dodd brings out Walker's gift for illumination; best of all, these conversations have you searching out new-found fare as well as hearing familiar and forgotten music anew'. -- William Dart 'A wide-ranging and catholic view of the music-listening experience for our time - Walker is an ideally active listener, with Dodd an equally ideal interlocutor'. -- Martin Lodge Born and educated in Scotland, Marshall Walker lectured in English and American literature at Glasgow University from 1965 to 1980 after a spell at Rhodes University in South Africa. From 1981 until 2006 he was Professor of English at the University of Waikato in New Zealand. As Dean of Humanities he initiated and oversaw the establishment of Music at the University. An occasional broadcaster on music and literature, he introduced, for Radio New Zealand and the Australian Broadcasting Corporation, concerts of the 2005 Sydney Sibelius Festival in which Sibelius's symphonies were performed by the Sydney Symphony Orchestra conducted by Vladimir Ashkenazy. He lives in Hamilton, New Zealand, with his wife, the Brazilian writer, Cláudia Pacce. Senior Music Producer for Radio New Zealand Concert, Tim Dodd was born and raised in Dunedin, New Zealand. His degree is in Physics but his primary passion was always for music. He landed his dream job at Radio New Zealand in 1990 and he's been there ever since, overseeing the broadcast and recording of live concerts and producing countless spoken features about music. Included among these are many interviews he has conducted with New Zealand and international musicians such as the pianist and writer Charles Rosen, violinists Shlomo Mintz and James Ehnes, American composer Ellen Taaffe Zwilich, cellist Raphael Wallfisch, jazz bass player Dave Holland and Brazilian guitarist and composer Egberto Gismonti. He lives in Auckland, New Zealand, with his wife and children. For over twenty years the two friends have been talking to each other about music. Tim Dodd produced Walker's award-winning Letters to Sibelius for Radio New Zealand Concert, the programmes reaching listeners in Australia and Scotland as well as New Zealand and forming the basis of Walker's book, Dear Sibelius: Letter from a Junky published by Kennedy and Boyd in 2008. The Music for Life conversations that followed were broadcast by Radio New Zealand in December 2009, but the talk went on. This book presents the ongoing conversations in the hope that readers will like to join in.

Anbieter: Orell Fuessli CH
Stand: 11.07.2020
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Schnyder, D: Music for four Guitars
35,50 € *
ggf. zzgl. Versand

Daniel Schnyder's 'Music for Four Guitars' reflects on various aspects of guitar music. The composition superimposes modern rhythms of South American provenience with European forms and compositional techniques. The fusion of these elements creates new music which at the same time sounds familiar. The combining of the two different worlds of music illuminates the diversity of today's music and it's beautiful possibilities on infinite new combinations. 'Unveiling of a Canon' is build on a canon, hidden behind rich ornamentations and melodic embellishments. The canon gradually unfolds as the piece develops. At the end of the movement the canon presents itself in its original form. The canon is the strictest musical form. The art of embellishments over a canon is rarely heard today. Jazz and jazz related music concentrate on improvising over chord structures - vertical structures - rather than improvsing over polyphonic patterns which by definition develop horizontally in a musical texture. Switching from the strict canon to embellishments creates tension between freedom and the strict hidden order. We know that very well from the music of J.S. Bach or Bela Bartok. 'Fairytale' is the pragmatic juxtaposition of a completely different way of musical thinking. The movement is based on harmonic and rhythmic fundamentals derived from Brazilian music. Basically the four guitars play on three different layers which rhythmically interact with each other: bass melody, rhythm with complimentary rhythm, and melody. For classically trained musicians the hidden African color of the music may be unusual, new and sophisticated. The accents are delayed to the off-beats. 'Fairytale' combines classical and non-European musical influences in a natural and sophisticated way. In spite of the unusual rhythmic approach, the audience will find this dance-like movement very accessible. 'Coding Against Memory' transforms the musical material from the canon, unweiled in the first movement, in a different way. Single elements of the canon have been isolated and consequently alongated, turned upside down, etc. These techniques are very fundamental and essential in the tradition of European art music but not really common in jazz and other non-written music. The third movement relates to movement one and reflects on the European roots and tradition. 'Dancing With My Lady' corresponds with the dance-like African quality of the second movement but with an emphasis on the inexaustible rhythmic vocabulary of South America, especially the energy-giving, high-spirited Samba. The whole piece therefore is written in a loose thematic ABAB form. This work was originally commissioned by the EOS Guitar Quartet and performed in numerous concerts. Instrumentation: 4 guitars

Anbieter: Thalia AT
Stand: 11.07.2020
Zum Angebot
Music for Life
26,99 € *
ggf. zzgl. Versand

'From Mozart to Villa-Lobos and South African pop, Dodd brings out Walker's gift for illumination; best of all, these conversations have you searching out new-found fare as well as hearing familiar and forgotten music anew'. -- William Dart 'A wide-ranging and catholic view of the music-listening experience for our time - Walker is an ideally active listener, with Dodd an equally ideal interlocutor'. -- Martin Lodge Born and educated in Scotland, Marshall Walker lectured in English and American literature at Glasgow University from 1965 to 1980 after a spell at Rhodes University in South Africa. From 1981 until 2006 he was Professor of English at the University of Waikato in New Zealand. As Dean of Humanities he initiated and oversaw the establishment of Music at the University. An occasional broadcaster on music and literature, he introduced, for Radio New Zealand and the Australian Broadcasting Corporation, concerts of the 2005 Sydney Sibelius Festival in which Sibelius's symphonies were performed by the Sydney Symphony Orchestra conducted by Vladimir Ashkenazy. He lives in Hamilton, New Zealand, with his wife, the Brazilian writer, Cláudia Pacce. Senior Music Producer for Radio New Zealand Concert, Tim Dodd was born and raised in Dunedin, New Zealand. His degree is in Physics but his primary passion was always for music. He landed his dream job at Radio New Zealand in 1990 and he's been there ever since, overseeing the broadcast and recording of live concerts and producing countless spoken features about music. Included among these are many interviews he has conducted with New Zealand and international musicians such as the pianist and writer Charles Rosen, violinists Shlomo Mintz and James Ehnes, American composer Ellen Taaffe Zwilich, cellist Raphael Wallfisch, jazz bass player Dave Holland and Brazilian guitarist and composer Egberto Gismonti. He lives in Auckland, New Zealand, with his wife and children. For over twenty years the two friends have been talking to each other about music. Tim Dodd produced Walker's award-winning Letters to Sibelius for Radio New Zealand Concert, the programmes reaching listeners in Australia and Scotland as well as New Zealand and forming the basis of Walker's book, Dear Sibelius: Letter from a Junky published by Kennedy and Boyd in 2008. The Music for Life conversations that followed were broadcast by Radio New Zealand in December 2009, but the talk went on. This book presents the ongoing conversations in the hope that readers will like to join in.

Anbieter: Thalia AT
Stand: 11.07.2020
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The Movie Box 1981-2007
91,99 € *
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Disc 1: 'Three Sides Live' „Three Sides Live“ war bisher nur als VHS-Video erhältlich und erscheint hiermit erstmals auf DVD. In Form eines 83-minütigen Features dokumentiert sie die 1981er-Welttournee des Original-Trios Phil Collins, Gesang und Schlagzeug, Tony Banks, Tasteninstrumente, und Mike Rutherford, Bass und Gitarren, das sich schon längst mit den hervorragenden Session-Leuten und zukünftigen längjährigen Mitmusikern Daryl Stuermer, Gitarren, und Chester Thompson, Schlagzeug, umgeben hatte und sich zu ungeahnten Höhenflügen empor heben sollte. Neben den einzeln ansteuerbaren Songs und Interviews enthält die DVD on top noch 7 weitere bzw. hier dann auch komplette Audio only-Tracks! Tracklisting: 01 Behind The Lines 02 Duchess 03 Misunderstanding 04 Dodo / Lurker 05 Abacab 06 No Reply At All 07 Who Dunnit? 08 Medley: In The Cage / Cinema Show / Slippermen 09 Afterglow 10 Me And Sarah Jane 11 Man On The Corner 12 Turn It On Again Disc 2: 'The Mama Tour' „The Mama Tour“ war bisher ebenfalls nur im VHS-Format zu haben und erfreut sich damit ihres DVD-Debüts. Aufgezeichnet wurde hierfür im Februar 1984 ein komplettes Konzert aus dem National Exhibition Centre in mittelenglischen Birmingham. Neben der beeindruckenden Show des Quintetts enthält diese DVD noch das umfangreiche „The Making Of The Mama Album“, bei dem vor allem Phil Collins die Kamera führte. Tracklisting: 01 Abacab 02 That's All 03 Mama 04 Illegal Alien 05 Home By The Sea 06 Second Home By The Sea 07 Keep It Dark 08 It?s Gonna Get Better 09 Medley: In The Cage / Cinema Show / In That Quiet 10 Afterglow 11 Drum Duet 12 Turn It On Again ? Medley: Turn It On Again / Ever Disc 3: 'Live at Wembley Stadium' Tracklisting: 01 Mama 02 Abacab 03 Domino Part 1 04 Domino Part 2 05 That s All 06 Brazilian 07 Land Of Confusion 08 Tonight, Tonight, Tonight 09 Throwing it All Away 10 Home By The Sea 11 Invisible Touch 12 Drum Duet 13 Los Endos 14 Turn It On Again (Medley) Laufzeit: 115 Minuten Disc 4: 'The Way We Walk' Mit „The Way We Walk“, aufgezeichnet im November 1992 im Londoner Venue „Earls Court“ und hiermit erstmals über EMI als DVD erhältlich, waren GENESIS endgültig auf dem Olymp der Rockmusik angelangt. Die Hits des global erfolgreichen 91erStudio-Albums „We Can’t Dance“ und die profunden Klassiker aus vorherigen Bandphasen rissen das Publikum zu regelrechten Begeisterungsstürmen hin. Der absolute Höhepunkt war erreicht. Kein Wunder, dass Phil Collins nur wenige Monate später seinen Ausstieg erklärte. Tracklisting: 01 Land Of Confusion 02 No Son Of Mine 03 Driving The Last Spike 04 Old Medley: Dance On A Volcano / The Lamb Lies Dow 05 Fading Lights 06 Jesus He Knows Me 07 Dreaming While You Sleep 08 Home By The Sea 09 Hold On My Heart 10 Domino 11 Drum Duet 12 I Can't Dance 13 Tonight, Tonight, Tonight 14 Invisible Touch 15 Turn It On Again Disc 5: 'VH-1 Behind The Music' „VH1 – Behind The Music“, eingebettet in ein kleines Buch mit zahlreichen Fotos, beinhaltet eine upgedatete Version der Dokumentation des bekannten Musiksenders.

Anbieter: Thalia AT
Stand: 11.07.2020
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