Erscheinungsdatum: 02/2012, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: Play Along Brazilian Music (Buch & CD), Titelzusatz: Leadstimmen für C-, B-, Es-, Bass Instrumente, CD und Partitur, Autor: Müller, Martin, Verlag: Schell Music // Schell, Felix, Sprache: Deutsch, Schlagworte: Musikalien // Instrumente // Amerika // Erdteil // Südamerika // Musikerziehung // Musikunterricht // Instrumentenunterricht // Samba and Bossa Nova // Partituren // Libretti // Liedtexte // Musik: Musizieren // Techniken // Anleitungen // Musikinstrumente, Rubrik: Musikalien, Seiten: 160, Laufzeit: 70 Minuten, Informationen: mit CD, Gewicht: 525 gr, Verkäufer: averdo
Sepultura have always upheld their Brazilian roots. Band members Max Cavalera (vocals / guitar), Andreas Kisser (guitar), Paolo Jr. (bass) and Igor Caverla (drums) feature in this exclusive audiobiog and share how traditional tribal music features in their writing and performances as they rose from the poverty of San Paola to become Brazil's first international music success story.This is not a music release by the record company or band and sound quality may vary. Sepultura experiment with their music and produce a fusion of heavy metal and thunderous tribal rhythms.Determination, selling merchandise and support from the record company kept the band going in the early days. In their lyrics they confront social issues homing in on real life issues such as anger, envy and social distortion. They are driven by a rage and aggression and their fans are real people who have had their lives messed up. In this unique audiobiog the band reveal why they don't do drugs, talk about life on the road and how they manage their success. A classic recording for the collector and fan. 1. Language: English. Narrator: Pete Bruen. Audio sample: http://samples.audible.de/bk/rock/000029/bk_rock_000029_sample.mp3. Digital audiobook in aax.
Daniel Schnyder's 'Music for Four Guitars' reflects on various aspects of guitar music. The composition superimposes modern rhythms of South American provenience with European forms and compositional techniques. The fusion of these elements creates new music which at the same time sounds familiar. The combining of the two different worlds of music illuminates the diversity of today's music and it's beautiful possibilities on infinite new combinations. 'Unveiling of a Canon' is build on a canon, hidden behind rich ornamentations and melodic embellishments. The canon gradually unfolds as the piece develops. At the end of the movement the canon presents itself in its original form. The canon is the strictest musical form. The art of embellishments over a canon is rarely heard today. Jazz and jazz related music concentrate on improvising over chord structures - vertical structures - rather than improvsing over polyphonic patterns which by definition develop horizontally in a musical texture. Switching from the strict canon to embellishments creates tension between freedom and the strict hidden order. We know that very well from the music of J.S. Bach or Bela Bartok. 'Fairytale' is the pragmatic juxtaposition of a completely different way of musical thinking. The movement is based on harmonic and rhythmic fundamentals derived from Brazilian music. Basically the four guitars play on three different layers which rhythmically interact with each other: bass melody, rhythm with complimentary rhythm, and melody. For classically trained musicians the hidden African color of the music may be unusual, new and sophisticated. The accents are delayed to the off-beats. 'Fairytale' combines classical and non-European musical influences in a natural and sophisticated way. In spite of the unusual rhythmic approach, the audience will find this dance-like movement very accessible. 'Coding Against Memory' transforms the musical material from the canon, unweiled in the first movement, in a different way. Single elements of the canon have been isolated and consequently alongated, turned upside down, etc. These techniques are very fundamental and essential in the tradition of European art music but not really common in jazz and other non-written music. The third movement relates to movement one and reflects on the European roots and tradition. 'Dancing With My Lady' corresponds with the dance-like African quality of the second movement but with an emphasis on the inexaustible rhythmic vocabulary of South America, especially the energy-giving, high-spirited Samba. The whole piece therefore is written in a loose thematic ABAB form. This work was originally commissioned by the EOS Guitar Quartet and performed in numerous concerts. Instrumentation: 4 guitars
'From Mozart to Villa-Lobos and South African pop, Dodd brings out Walker's gift for illumination; best of all, these conversations have you searching out new-found fare as well as hearing familiar and forgotten music anew'. -- William Dart 'A wide-ranging and catholic view of the music-listening experience for our time - Walker is an ideally active listener, with Dodd an equally ideal interlocutor'. -- Martin Lodge Born and educated in Scotland, Marshall Walker lectured in English and American literature at Glasgow University from 1965 to 1980 after a spell at Rhodes University in South Africa. From 1981 until 2006 he was Professor of English at the University of Waikato in New Zealand. As Dean of Humanities he initiated and oversaw the establishment of Music at the University. An occasional broadcaster on music and literature, he introduced, for Radio New Zealand and the Australian Broadcasting Corporation, concerts of the 2005 Sydney Sibelius Festival in which Sibelius's symphonies were performed by the Sydney Symphony Orchestra conducted by Vladimir Ashkenazy. He lives in Hamilton, New Zealand, with his wife, the Brazilian writer, Cláudia Pacce. Senior Music Producer for Radio New Zealand Concert, Tim Dodd was born and raised in Dunedin, New Zealand. His degree is in Physics but his primary passion was always for music. He landed his dream job at Radio New Zealand in 1990 and he's been there ever since, overseeing the broadcast and recording of live concerts and producing countless spoken features about music. Included among these are many interviews he has conducted with New Zealand and international musicians such as the pianist and writer Charles Rosen, violinists Shlomo Mintz and James Ehnes, American composer Ellen Taaffe Zwilich, cellist Raphael Wallfisch, jazz bass player Dave Holland and Brazilian guitarist and composer Egberto Gismonti. He lives in Auckland, New Zealand, with his wife and children. For over twenty years the two friends have been talking to each other about music. Tim Dodd produced Walker's award-winning Letters to Sibelius for Radio New Zealand Concert, the programmes reaching listeners in Australia and Scotland as well as New Zealand and forming the basis of Walker's book, Dear Sibelius: Letter from a Junky published by Kennedy and Boyd in 2008. The Music for Life conversations that followed were broadcast by Radio New Zealand in December 2009, but the talk went on. This book presents the ongoing conversations in the hope that readers will like to join in.
Brazilian and Afro-Cuban Jazz Conception is the new exciting series of play-along books by award-winning Brazilian flutist and composer Fernando Brandão and features fifteen original tunes in various Brazilian and Afro-Cuban styles. This edition clearly aims at being more than a simple play-along collection. For each of the tunes a thorough analysis and additional exercises are given. An extensive introduction into the various styles and rhythms of Brazilian and Afro-Cuban music makes these books even more valuable. The rhythm section and soloists are among the most prestigious musicians in contemporary Brazilian music. Rhythm Section: Leandro Braga - piano, Adriano Giffoni - bass, Xande Figueiredo - drums, Zero - percussion. Instrumentation: alto (baritone) saxophone