Angebote zu "Anniversary" (11 Treffer)

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Sid And Nancy
15,49 € *
zzgl. 1,49 € Versand

BRAND NEW RESTORATION TO CELEBRATE THE 40TH ANNIVERSARY OF PUNK, INLCUDES BRAND NEW BONUS FEATURES It’s 1977 and The Sex Pistols have taken the music world by storm with lead singer Johnny Rotten (Andrew Schofield) and bass guitarist Sid Vicious (Gary Oldman) enjoying all the spoils that fame and money have to offer. Vicious embarks on a relationship with an American groupie – Nancy (Chloe Webb) - who has come to London to pursue him but the couple’s increasing drug use frays relationships with Johnny and the rest of the band. With Nancy in tow, The Sex Pistols embark on a chaotic tour US tour which ends in disaster with the band breaking up. Vicious attempts to start a solo career, with Nancy as his manager, but by now both are dangerously addicted to heroin. The two continue in a downward, destructive spiral until, in October 1978 at the Chelsea Hotel in New York, Nancy is found stabbed with Sid lying prostrate at her side. Arrested and accused of murder, he dies of an overdose before his trial.

Anbieter: Zavvi
Stand: 31.03.2020
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Deva Premal & Miten with Manose and the Temple ...
29,50 € *
zzgl. 5,95 € Versand

DEVA PREMAL & MITEN - WORLD TOUR 2020 CELEBRATING 30 YEARS TOGETHER Join world-renowned devotional mantra stars Deva Premal & Miten as they celebrate 30 years of love, mantra and inspirational music. These magical gatherings have inspired and transformed audiences across the planet. To celebrate their 30th anniversary, Deva and Miten will feature a collection of old favourites from their 21-album catalogue, along with standout pieces from their 2019 Grammy nominated album DEVA, which includes the Seven Chakra Gayatri Mantra, one of their most famous signature chants. It?s difficult to describe the communal rhapsody that occurs when Deva & Miten take the stage. ?There is a portal that we all go through, musicians and audiences alike,? Miten says. ?It?s created by - and connected to - everyone in the theatre. For us, it?s not about entertainment, it?s a matter of life and death. When thousands of kindred spirits gather to chant these ancient prayers, magic happens.? Led by the exquisite, telepathically-entwined harmonies of Deva and Miten, the blend of sensual-meets-spiritual, east-meets-west music that they perform has attracted the attention of stars and world teachers. The Dalai Lama includes their chants in his private time, while Cher is currently featuring their composition of the Gayatri Mantra in her current shows. Meditators and yoga practitioners attend their concerts along with fans of new age, trance, rock, fusion, classical, Eastern and all kinds of world music. ?Mantra chanting never fails to uplift the tired spirit, no matter how disconnected we may feel,? Deva says. ?And it always happens. Every theatre becomes a temple when we gather to share our voices in sacred chant.? Deva Premal & Miten are accompanied by their long-time collaborator, Nepalese bansuri maestro, Manose along with their exquisite Temple Band: Deva Premal & Miten with Manose Manose: bansuri/vocals/ukulele/percussion The Temple Band Joby Baker: bass/keyboards/vocals Miles Bould: drums Spencer Cozens: piano/keyboards

Anbieter: Konzertkasse
Stand: 31.03.2020
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Psycho (1960): 50th Anniversary Limited Edition...
29,99 € *
zzgl. 1,49 € Versand

Hailed as one of the most influential suspense movies of its time, Alfred Hitchcock’s Psycho had a profound effect on how future filmmakers made movies and shaped audience expectations for generations to come. To celebrate the 50th Anniversary of one of Universal Studios’ most treasured and prestigious films, Psycho will debut for the first time ever on Blu-ray Hi-Def. Meticulously restored for perfect digital picture and the purest DTS HD 5.1 digital sound, the Psycho 50th Anniversary Edition takes audiences on a thrilling journey as an unsuspecting victim (Janet Leigh, The Manchurian Candidate, Bye Bye Birdie) visits the Bates Motel and falls prey to one of the silver screen’s most notorious psychopaths – Norman Bates (Anthony Perkins, Murder on the Orient Express, Les Miserables). Featuring one of the most iconic scenes in film history – the infamous “shower scene” – Psycho continues to terrify audiences today as much as it did half a century ago. Special Features: 20-page 'Making of Psycho' booklet Psycho Sound: A never-before-seen piece that looks at the re-mastering process required to create a 5.1 mix from the original mono elements using Audionamix technology. The Shower Scene: A look at the impact of music on the infamous shower scene. The Making of Psycho: A feature-length documentary on Hitchcock's most shocking film. In the Master's Shadow - Hitchcock's Legacy: Some of Hollywood's top filmmakers discuss Hitchcock's influence and why his movies continue to thrill audiences. Hitchcock/Truffaut Interviews: Excerpts from a 1962 audio interview with Alfred Hitchcock. Feature-length audio commentary with Stephen Rebello (Author of Alfred Hitchcock and the making of Psycho ) Vintage newsreel on the unique policy Alfred Hitchcock insisted upon for the release of the film. Storyboards by Saul Bass Production Notes The Psycho Archives Posters And Psycho Ads Lobby Cards: View a gallery of promotional lobby cards from the film's theatrical campaign. Behind-The-Scenes Photographs Theatrical Trailer Re-Release Trailers

Anbieter: Zavvi
Stand: 31.03.2020
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MANRAN  | Schottland
10,30 € *
zzgl. 5,95 € Versand

MANRAN | Schottland»Ten by the Ben«10 Year Anniversary. Das famose Sextett hat sich weiblich verstärkt. Die Musiker:EWEN HENDERSON Gesang, Geige, Sackpfeife, Tin Whistle, KlavierAIDAN MOODIE GitarreRYAN MURPHY Holzflöte, Uillean PipesMARK SCOBBIE Schlagzeug, PerkussionGARY INNES Akkordeon, KeyboardROSS SAUNDERS Bassgitarre, GesangKIM CARNIE Gesang»Mit dem Ethos, sich an den traditionell keltischen Wurzeln zu orientieren, verbinden sie feurige Melodien von Geige, Akkordeon, Flöte, Uilleann und Highland-Dudelsack kraftvoll mit einer Rhythmussektion voller Funk, Jazz und Rock, um einige der innovativsten und erhebendsten Momente zu kreieren.« Settlehall»Gaelic folk superstars«BBC Radio ScotlandDie schottischen Highlands sind rau und nebelverhangen. Diese Landschaft hat etwas ursprüngliches und einmaliges, aber auch etwas mystisches. Und sie bringt Musiker hervor, die in ihren Herzen ein wildes Feuer tragen. Was MÀNRAN so außergewöhnlich macht, ist die Verschmelzung der schottischen Kultur mit der Moderne.Da treffen Dudelsackklänge auf gälischen Gesang und ein Feuerwerk an Rhythmus. Im Fokus stehen die Stimmen von Kim Carnie und Ewen Henderson und das weltweit einzigartige Duett zwischen irischen Uilléan und schottischen Bagpipes. Es ist ziemlich schwer, zwei Dudelsäcke mit zwei verschiedenen Tonlagen stimmig zu spielen. Das schafft einen Klang, den keine andere Band als Bläsersatz zu bieten hat. Gesungen wird sowohl auf Gälisch als auch Englisch, wobei sich das berühmte Zünglein an der Waage eher in Richtung Gälisch neigt. Auch wenn es um das Austarieren von Rock und Tradition geht, bleibt es aber in der goldenen Mitte schweben. Die Künstler sind Meister, wenn es um eine feine Balance von Pipes, Fiddle, Akkordeon mit Schlagzeug, Gitarre und E-Bass geht.Nach vier Alben, etlichen Singles, eine davon für einen wohltätigen Zweck, die 2 Mio. Pfund einspielte, hat sich MÁNRAN als Band etabliert, die zum Fundament der schottischen und irischen Musikszene gehört. Produziert wird die Band von Colum Malcolm (»Simple Minds«, »Wet Wet Wet« und »Runrig«) und der schottischen Folklegende Phil Cunningham. Dazu kommt der Ritterschlag von »Runrig«, MÁNRAN zu ihrem 40. Bandjubiläum als Vorgruppe zu engagieren, wo sie 17.000 Schotten undFolkrock-Fans aus aller Welt rocken konnten. Beim Abschiedskonzert von »Runrig« im Jahr 2018 war MÁNRANs Akkordeonist Gary Innes als Gast dabei und wurde im gleichen Jahr bei den »Scottish Music Awards« zum Instrumentalisten des Jahres gewählt.Aber auch für die ganze Band hagelte es Auszeichnungen wie beispielsweise »International Artist of the Year«, »Australian Celtic Music Awards«, »Traditional Arts«, »Scots & Gaelic Award«, »Creative Scotland Awards«, »Album of the Year«, »Gaelic Singer of the Year« ... und andere - denn die Musiker fegen wie der sprichwörtliche Sturm über ihr Publikum. Und das hat ihnen völlig zu Recht den Ruf eingebracht, eine der besten Celtic Rock Bands weltweit zu sein.Im Herbst 2019 war das seit einigen Monaten mit Sängerin zum Septett gewachsene Ensemble Headlinerder jährlichen »Irish Folk Festival Tournee« in zahlreichen Städten Deutschlands und der Schweiz zu hören.Nun aber haben sie wieder die Bühnen ganz für sich allein. Das wird ein Fest!»Das Zusammenspiel von irischem und schottischem Dudelsack, gespielt von zwei Meistern ihres Instrumentes, ist einzigartig.«WW-Kurier

Anbieter: Konzertkasse
Stand: 31.03.2020
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10cc - 10cc in Concert
42,50 € *
zzgl. 5,95 € Versand

10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

Anbieter: Konzertkasse
Stand: 31.03.2020
Zum Angebot
10cc - 10cc in Concert
49,95 € *
zzgl. 5,95 € Versand

10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

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The ultimate Ukulele fake book
54,00 € *
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ABRAHAM MARTIN AND JOHN / Gaye Marvin|AC CENT TCHU ATE THE POSITIVE|ACT NATURALLY / Beatles|AFTER YOU'VE GONE|AIN'T GOT NO HOME|AIN'T MISBEHAVIN'|AIN'T WE GOT FUN|THE AIR THAT I BREATHE|ALABAMY BOUND|All about that bass / Trainor Meghan|ALL I HAVE TO DO IS DREAM|All my loving / Beatles|ALL OF ME|ALL THE WAY|ALLEGHENY MOON|ALLEY OOP|ALOHA OE|AMERICAN TUNE|AND I LOVE HER / Beatles|And I love you so|AND SO IT GOES / Joel Billy|ANNIE'S SONG / Denver John|ANNIVERSARY SONG|ANTICIPATION|APRIL SHOWERS|ARE YOU HAVIN' ANY FUN|ARE YOU LONESOME TONIGHT / Presley Elvis|AS TEARS GO BY|AT SEVENTEEN|AT THE HOP|ATLANTIS|AUTUMN LEAVES|BABY FACE|BABY LOVE|Banana boat song|BANG THE DRUM ALL DAY / Rundgren Todd|BEHIND BLUE EYES|Bei Mir Bist Du Schoen (Means That You're Grand)|BEST OF MY LOVE / Eagles|THE BEST THINGS IN LIFE ARE FREE|BETTER TOGETHER|BEWITCHED|BEYOND THE SEA|BIG GIRLS DON'T CRY|BLACK MAGIC WOMAN|Blackbird|BLUE HAWAII|BLUE MOON OF KENTUCKY|BLUE VELVET|BLUEBERRY HILL|BOOGIE WOOGIE BUGLE BOY|BOOK OF LOVE|BRAND NEW KEY / Melanie|Break my stride|BREAKING UP IS HARD TO DO|BRING ME SUNSHINE|Brown eyed girl / Morrison Van|BUBBLY / Caillat Colbie|BUS STOP|BYE BYE BLACKBIRD|BYE BYE BLUES|CALL ME|CAN'T BUY ME LOVE / Beatles|CAN'T GET USED TO LOSING YOU|CAN'T SMILE WITHOUT YOU|CANDY|Carrie Anne|CARRY THAT WEIGHT / Beatles|Catch the wind / Donovan|CECILIA / Simon + Garfunkel|CHAPEL OF LOVE|CHICAGO (THAT TODDLIN' TOWN)|CHILDREN GO WHERE I SEND THEE|THE CIRCLE GAME|Coconut|COME GO WITH ME|COME SATURDAY MORNING|CONSIDER YOURSELF|COULD I HAVE THIS DANCE|COUNT ON ME|Counting stars / One Republic|Crazy|CREEP|DANCING IN THE STREET|DANCING QUEEN / Abba|'DEED I DO|DEFYING GRAVITY|DELILAH|DINAH|DON'T FENCE ME IN|DON'T GET AROUND MUCH ANYMORE|DON'T LET THE SUN CATCH YOU CRYING|DON'T SIT UNDER THE APPLE TREE|DON'T THINK TWICE IT'S ALL RIGHT|DON'T WORRY BABY|DOWN AT THE TWIST AND SHOUT|DOWN IN THE BOONDOCKS|Down On The Corner / CCR (Creedence Clearwater Revival)|DOWN UNDER|DOWNTOWN|DREAM|DREAM BABY (HOW LONG MUST I DREAM)|DRIFTING AND DREAMING (SWEET PARADISE)|EIGHT DAYS A WEEK / Beatles|ELENORE|ENJOY YOURSELF (IT'S LATER THAN YOU THINK)|EVERYBODY LOVES SOMEBODY|EVERYDAY|EXACTLY LIKE YOU|FALLING SLOWLY / Hansard Glen + Irglova Marketa|FERRY CROSS THE MERSEY|FIELDS OF GOLD / Sting|FIFTY WAYS TO LEAVE YOUR LOVER|Five hundred miles|FOREVER YOUNG|THE FRIM FRAM SAUCE|FROM ME TO YOU|GARDEN SONG / Denver John|GETTING TO KNOW YOU|GIRL|THE GLORY OF LOVE|God only knows|GOLDEN SLUMBERS / Beatles|GOOD DAY SUNSHINE / Beatles|GOOD NIGHT|GOODNIGHT MY SOMEONE|GRACELAND|THE GREAT PRETENDER|GROOVIN'|A groovy kind of love / Collins Phil|The hanging tree / Lawrence Jennifer|HAPPY|A hard day's night / Beatles|THE HAWAIIAN WEDDING SONG (KE KALI NEI AU)|HEAL THE WORLD / Jackson Michael|HEATWAVE (LOVE IS LIKE A HEATWAVE)|HELLO|Hello It's Me / Rundgren Todd|HELLO MARY LOU / Nelson Ricky|HERE THERE AND EVERYWHERE / Beatles|HEY GOOD LOOKIN'|Hey Jude / Beatles|HEY LOOK ME OVER|HONEYCOMB|HONEYSUCKLE ROSE|HOOKED ON A FEELING|HOUND DOG|HOUSE OF GOLD|HOW CAN YOU MEND A BROKEN HEART|HOW SWEET IT IS (TO BE LOVED BY YOU)|THE HUKILAU SONG|HURDY GURDY MAN|I AIN'T GOT NOBODY (AND NOBODY CARES FOR ME)|I DO|I DON'T CARE IF THE SUN DON'T SHINE|I FEEL FINE / Beatles|I HAVE A DREAM / Abba|I LOVE HOW YOU LOVE ME|I ONLY WANT TO BE WITH YOU|I SAW THE LIGHT|I SHOT THE SHERIFF / Marley Bob|I THINK WE'RE ALONE NOW|I want to hold your hand / Beatles|I WILL|I will follow you into the dark|I WISH YOU LOVE|I won't give up|I'LL BE SEEING YOU|I'LL FLY AWAY|I'LL FOLLOW THE SUN / Beatles|I'll never find another you|I'LL SEE YOU IN MY DREAMS|I'M BEGINNING TO SEE THE LIGHT|I'M CONFESSIN' (THAT I LOVE YOU)|I'M GONNA SIT RIGHT DOWN AND WRITE MYSELF A LETTER|I'm into something good|I'M LOOKING OVER A FOUR LEAF CLOVER|I'M SITTING ON TOP OF THE WORLD|I'm yours|IF I FELL / Beatles|IF WE ONLY HAVE LOVE (QUAND ON N'A QUE L'AMOUR)|IN MY LIFE|In the middle of an island|IN THE STILL OF THE NITE (I'LL REMEMBER)|INDIANA (BACK HOME AGAIN IN INDIANA)|IT HAD TO BE YOU|IT WAS A VERY GOOD YEAR|IT'S A GOOD DAY|IT'S A SIN TO TELL A LIE|It's not unusual|IT'S NOW OR NEVER / Presley Elvis|IT'S ONLY A PAPER MOON|JACKSON|Jam up and jelly tight|Jar of hearts / Perri Christina|JUST A SETTIN' AND A ROCKIN'|JUST THE WAY YOU ARE|KEEP ON THE SUNNY SIDE|KISSES SWEETER THAN WINE|KODACHROME|La vie en rose|THE LAST FAREWELL|THE LAST THING ON MY MIND|LAST TRAIN TO CLARKSVILLE|Lava|LAY DOWN SALLY / Clapton Eric|Let her go / Passenger|LET IT BE ME (JE T'APPARTIENS)|Let it go|LET YOUR LOVE FLOW (EIN BETT IM KORNFELD) / Bellamy Brothers|LET'S GET TOGETHER|THE LETTER|THE LION SLEEPS TONIGHT|Little Green Apples|LONG COOL WOMAN (IN A BLACK DRESS)|LOOK FOR THE SILVER LINING|THE LOOK OF LOVE|LOOKIN' FOR LOVE|Lookin' Out My Back Door / CCR (Creedence Clearwater Revival)|LOVE|LOVE IS THE ANSWER|LOVE ME DO / Beatles|LOVES ME LIKE A ROCK|LOVING YOU|LULU'S BACK IN TOWN|MAKE YOUR OWN KIND OF MUSIC|MAMA TRIED|MAMMA MIA / Abba|MASSACHUSETTS (THE LIGHTS WENT OUT)|ME AND JULIO DOWN BY THE SCHOOLYARD / Simon Paul|MEMORIES ARE MADE OF THIS|MISTER SANDMAN|MISTY|MOCKIN' BIRD HILL|MOONGLOW|Moonshadow / Stevens Cat|MORE (TI GUARDERO NEL CUORE)|MORE TODAY THAN YESTERDAY|MOTHER AND CHILD REUNION / Simon Paul|MRS BROWN YOU'VE GOT A LOVELY DAUGHTER|The MTA|Music to watch girls by|MY GIRL|MY GUY|MY LOVE|NEVER ON SUNDAY|NEW WORLD COMING|A NIGHTINGALE SANG IN BERKELEY SQUARE|NO PARTICULAR PLACE TO GO|NOWHERE MAN / Beatles|OCTOPUS'S GARDEN / Beatles|OLD CAPE COD|On a carousel|ON A SLOW BOAT TO CHINA|ON THE SUNNY SIDE OF THE STREET|ONCE UPON A TIME|ONE FINE DAY|ONE LOVE|ONLY YOU (AND YOU ALONE) / Platters|OUR DAY WILL COME|PADDLIN' MADELIN' HOME|PEACE TRAIN|PEEK A BOO WALTZ|PEGGY SUE / Holly Buddy|PENNY LANE / Beatles|PEOPLE GOT TO BE FREE|Please Mr Postman|PLEASE PLEASE ME / Beatles|PS I LOVE YOU / Beatles|RAINING IN MY HEART|RAMBLIN' MAN / Allman Brothers|REALIZE|RED SAILS IN THE SUNSET|REMINISCING|RIPPLE / Grateful Dead|RIPTIDE|Rockin' Robin|ROUTE 66|RUBY BABY|Rude / Magic|Runaway|SATIN DOLL|SAVE THE LAST DANCE FOR ME|THE SCIENTIST / Coldplay|SEASON OF THE WITCH|SECRET AGENT MAN|SEND IN THE CLOWNS|7 years / Lukas Graham|She Loves You / Beatles|SHE'S ALWAYS A WOMAN / Joel Billy|SHERRY|SHOW ME THE WAY TO GO HOME|SIDE BY SIDE|SINCE I DON'T HAVE YOU|SINCE I FELL FOR YOU|Skyfall / Adele|SLIP SLIDIN' AWAY|Slow Poke|SMILES|SNOWBIRD|Someone like you|SOMETHING GOOD|SOMETHING WONDERFUL|Somewhere my love (Lara's theme aus Doktor Schiwago)|A SONG OF OLD HAWAII|SPANISH HARLEM|SPINNING WHEEL|STAY WITH ME|STAYIN' ALIVE / Bee Gees|STILL CRAZY AFTER ALL THESE YEARS / Simon Paul|STONEY END|STORMY|STRANGERS IN THE NIGHT|Sugar Sugar|SUKIYAKI|Summer wind|SUMMERTIME|A SUNDAY KIND OF LOVE|SUNDAY WILL NEVER BE THE SAME|Sunny|SUNRISE SUNSET|Sunshine Superman|SUSIE Q|SWANEE|SWEET CITY WOMAN|SWEET LEILANI|SWEET PEA|SWEET SOMEONE|TAKE A CHANCE ON ME / Abba|TAMMY|TEA FOR TWO|TEARS ON MY PILLOW|TELL IT LIKE IT IS|THAT LUCKY OLD SUN|THAT'LL BE THE DAY / Holly Buddy|THAT'S THE WAY (I LIKE IT)|Their hearts were full of spring|THERE'S A KIND OF HUSH (ALL OVER THE WORLD) / Carpenters|THESE BOOTS ARE MADE FOR WALKING / Sinatra Nancy|THINGS|Thinking out loud / Sheeran Ed|THIS MAGIC MOMENT|THREE LITTLE BIRDS / Marley Bob|THRILLER / Jackson Michael|A TISKET A TASKET|TRACES|TRAVELIN' MAN|TWILIGHT TIME|UNCHAINED MELODY / Righteous Brothers|UNCLE JOHN'S BAND / Grateful Dead|UNDECIDED|UNDER THE BOARDWALK|UP AROUND THE BEND / CCR (Creedence Clearwater Revival)|UP ON THE ROOF|VOLARE|Wagon wheel|WAKE UP LITTLE SUSIE / Everly Brothers|WALK AWAY RENEE|WALK RIGHT IN|WALKIN' AFTER MIDNIGHT|WALKIN' MY BABY BACK HOME|THE WANDERER|THE WAY I AM|THE WAY YOU DO THE THINGS YOU DO|Wedding Bell Blues|WHAT A LITTLE MOONLIGHT CAN DO|WHAT'LL I DO|WHEN I FALL IN LOVE|WHEN SHE LOVED ME|THE WHITE CLIFFS OF DOVER|WHITE RABBIT|WHITE SANDY BEACH|White silver sands|A WHITE SPORT COAT (AND A PINK CARNATION)|WHY CAN'T WE BE FRIENDS|WHY DO FOOLS FALL IN LOVE|WHY DON'T WE GET DRUNK|WILL YOU LOVE ME TOMORROW (WILL YOU STILL LOVE ME TOMORROW)|WITH A LITTLE HELP FROM MY FRIENDS / Beatles|WITH A LITTLE LUCK|WITHOUT HER|WITHOUT YOU|A WONDERFUL DAY LIKE TODAY|WONDERFUL WONDERFUL|WORLD WITHOUT LOVE|WOULDN'T IT BE LOVERLY|WOULDN'T IT BE NICE|YA YA|YES SIR THAT'S MY BABY|YOU AND I|YOU ARE SO BEAUTIFUL|YOU BELONG TO ME|You belong with me|YOU CAN CALL ME AL / Simon Paul|YOU CAN'T HURRY LOVE|YOU DIDN'T HAVE TO BE SO NICE|YOU DON'T KNOW ME|YOU GOT IT|YOU MAKE MY DREAMS / Hall + Oates|YOU WON'T SEE ME / Beatles|You're nobody 'til somebody loves you|YOU'RE SIXTEEN YOU'RE BEAUTIFUL (AND YOU'RE MINE)|YOU'VE GOT TO HIDE YOUR LOVE AWAY / Beatles|YOUR MOTHER SHOULD KNOW / Beatles

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Alive AG Canciones De Temporada (2LP) (25th Ele...
26,83 € *
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Anfang der 2000er hatten NIZA großen Erfolg nicht nur in der spanischen Popszene, sondern auch Hits in Frankreich, England, USA, Taiwan, South Korea und Japan.nnAnfang der 2000er hatten NIZA großen Erfolg nicht nur in der spanischen Popszene, sondern auch Hits in Frankreich, England, USA, Taiwan, South Korea und Japan. 25th ELEFANT RECORDS ANNIVERSARY COLLECTION - We are continuing with the re-releases for Elefant Records' 25th anniversary collection. This time, we're back with a small gem that turned out to be the only full-length from the group formed by Roberto Martín and Silvia Sanz, or as they were also known, NIZA. Their moment on the Spanish pop scene was as fast and bright as a shooting star, and with only one album and two singles their music was heard in France, England, USA, Taiwan, South Korea, Japan Their releases sold out at the speed of light, and the rarities, B-sides, and lesser-known work that were scattered by labels half the world over turned them into collector's items. Canciones De Temporada (2002) was such a special album, marked by those two solstices - summer and winter - that closed each of the sides of the vinyl. In hindsight, we have the feeling it was an unpredictable incident, an exquisite earthquake, something inimitable. Mark Radcliffe played them on the BBC, LAMPCHOP had them as special guests in three concerts in Spain, the first edition of their album was sold out in less than a month, they were at the top of best-seller lists in FNAC after being named Talento FNAC, they participated in the Soft Pop Tour in Madrid, they performed with Britain's TREMBLING BLUE STARS, HARPER LEE, and LOVEJOY, their albums were licensed for sale in Taiwan, South Korea, and Japan What they did worked so well it seemed simple, but it wasn't. Songs that mixed pop with a soul accent, lounge music, chamber folk, electro-pop, and bossanova. Influences like Claudine Longet, Astrud Gilberto, Jeanette, and LE MANS. That delicate and precious pop spirit, with great attention paid to every single detail that makes up the album, is what brought them national and international recognition. The album credits made it clear that this was not a public secret, but something much bigger: Guille Mostaza (ELLOS) on bass, Eric (LOS PLANETAS) on drums and percussion, Guille Milkyway (LA CASA AZUL) singing on Parasol, the Granada City Orchestra giving prestige to the wind and string arrangements, produced and mixed by Ian Catt (SAINT ETIENNE, THE FIELD MICE, SHAMPOO, THE SCHOOL, and a long etcetera), recorded in the Refugio Antiaéreo in Granada by Carlos Hernández (LOS PLANETAS, COOPER, AIRBAG...) TRACKS: LP1: 01 Amor Cúbico 02 Por Las Tardes 03 Parasol 04 Septiembre 05 Inés 06 Isolée 07 Jamás Te He Olvidado (Extra Track) 08 Solsticio De Verano 09 No Me Digas Que Estoy Sola (Unreleased Version) 10 Tan Frágil 11 A Contraluz 12 Radio Star (Extra Track) 13 Tal Como Éramos 14 Universo 15 Solsticio De Invierno LP2 (Live Club Cay, Tokyo 2005): 01 A Contraluz 02 Tal Como Éramos 03 Por Las Tardes 04 Parasol 05 Inés 06 Radio Star 07 Isolée 08 Septiembre 09 Bizarre Love Triangle 10 Universo 11 Amor Cúbico 12 El Muchacho De Los Ojos Tristes 13 Solsticio De Invierno

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XIT (Band)
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. XIT is a Native American rock band that released two albums in the 1970s on the Motown label, and regrouped in the 1990s as a new and different group under Tom Bee. They performed a 30th anniversary reunion concert and released a DVD, XIT: Without Reservation, in 2002. XIT was originally based in Albuquerque, New Mexico. Members include founder and Native American Music Award winner Tom Bee, (writer of lyrics on Plight of the Redman). The original group were A. Michael Martinez (singer and lead guitar on Plight), Mac Suazo (narrator and bass on Plight), Lee Herrerra (drums on Plight), and R. C. Garriss (2nd lead guitar on Plight). "XIT" stands for "crossing of Indian Tribes", according to Tom Bee. Their music often addresses themes of historic and contemporary Native American issues.

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