The Michael Moore Bass MethodA first of its kind approach to the learning of double bass, incorporating traditional classical studies with practical jazz and popular music applications. Michael Moore, who has been at the top of the jazz bass scene since his arrival in New York in the 1960s, and pioneer of jazz education Clem DeRosa, combine to produce an easy to follow method designed for individual or classroom application.Nombre de pages :144
Text: English / deutschCompletely revised and enlarged edition!Jazz Bass Compendium is one of the most comprehensive method books. 208 pages filled with information and aspects on jazz bass playing.The right hand: position, effect on sound and timing, exercises, three finger technique, dropsThe left hand: position, shifting positions, intonation, pizzicato technique, vibratoCoordinating both handsBass lines: rhythm, pulse, timing, walking bass, two-beat feel, arpeggios, diatonic passing notes, leading notes, chromatic lines, scales and tetrachords, pentatonic scales, bass lines over II V progressions, harmonic clichés, pedal point, rhythmic embellishments, bass lines on standard chord progressions, straight 8ths bass lines, Latin bass linesThe elements of soundVarious improvisation conceptsArpeggiosStudies and etudes on the chord changes to Sunny, Footprints, I Hear A Rhapsody, Solar, ConfirmationUpper structure voicingsPhrasing and articulationScales and scales studies, chord-scales, breaking up scalesPractice concepts, different learning fields4 bass duets and one solo, including Georgia On My Mind, Blues 4U and More Bass HitSigi Busch is one of the most respected European jazz bassists/educators. He heads the jazz departement at the Hochschule der Künste in Berlin, Germany.
Jazz Conception for Bass Trombone21 solo etudes for jazz phrasing, interpretation and improvisationJazz Conception is a new and exciting way for players at all levels to learn the language of jazz! Each book/CD set features 21 solo etudes based on chord changes to standards and blues.The same 21 etudes transposed and adapted for the main jazz instruments.See and hear how a well known soloist phrases and articulates and play along with or without the soloist on the CD.Play along with one of todays finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums.Start out fairly easy, then get progressively more difficult.Use the etudes as a bridge to solos of the masters that are usually more complicated and involved.Learn melodies and lines that will give you a solid jazz vocabulary and musicality.Use the book/CD sets for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet.If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes off the CD (then check against the book) or for just having fun playing along with a great jazz rhythm section.Use as an improvisation study, learning how to construct a swinging, logical solo - works especially well in combination with the Study Guide.The Jazz Conception Series is also perfectly suited for the class room. It can be used to develop younger students jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude, along with practice assignments for each etude.Groove Blues - Amen - A Doll - Total Blues - Grease - Rose - Joe´s Thing - Proxy - Father Song - Ind Line - Miles - Blue Minor - Autumn - Friends - Great Love - Two Plus Two - Lunar - Tunisia - Bird Blues - Somewhere - PassageNombre de pages :48
The Jazz Bass Line BookThis is a comprehensive approach to the construction of improvised bass lines. Intended for beginners and professionals alike, the book deals with playing in 2, creating walking bass lines, 3/4 time, using a broken feel, modal and slash-chord harmony, ballads, and much more. Each chapter is full of fundamental and advanced concepts and ideas, accompanied by transcribed examples from the masters of jazz bass playing. Mike Downes is currently the head of the bass departement at prestigious Humber College in Toronto. He is much in demand as a clinician, and he continues to be one of the most sought after bassists in Canada.Nombre de pages :174
Exact transcription, as played by Dennis Irwin, plus 21 simple bass lead sheets.See and hear how a well known bass player phrases and articulates and comp for the soloist on the CD.Play along with one of todays finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums.Use the book/CD sets for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet.If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the bass lines off the CD (then check against the book) or for just having fun playing along with a great jazz rhythm section.The Jazz Conception Series is also perfectly suited for the class room. It can be used to develop younger students jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude, along with practice assignments for each etude.Foreign language translations or text supplements:German and French translations are available from the publisher (except Study Guide). Spanish and Italian text supplements in preparation. Japanese editions are available through ATN, Tokyo, JapanJim SnideroOriginally from Washington D.C., Jim Snidero arrived in New York in 1981, after attending the University of North Texas, and has established himself as a distinguished soloist and recording artist. He has recorded as a leader for Toshiba/EMI, Criss Cross, Double-Time and Red Records, receiving four stars from Down Beat. Jim has been a member of Toshiko Akyioshi´s Jazz Orchestra since 1983, performed and recorded with Frank Sinatra, Jack McDuff, Eddie Palmieri, and Frank Wess, among others, and is a frequent member of the Mingus Big Band. Snidero is an instructor at the Mannes School of Music in New York City and has given jazz workshops throughout the U.S., Europe, and Japan. Jim is also a Selmer clinician.
Bass76 SeitenBook w/CDOrdernummer 15043This book offers richely detailed basic and advanced instructions developed according to the highest of standards. (Sizão Machado)´´Impressive technical virtuosity, extensive vocabulary of the Brazilian musical language and impeccable teaching…” (Carlos Ezequiel)´´This is a great contribution as much to the technical study of electric bass as to the study of Brazilian music.” (Daniel Gohn)´´Once again he has surprised us with the quality of the exercises, the clarity of the text and his high degree of knowledge of Brazilian music!” (Mário Féres)´´Gilberto de Syllos, beyond being a brilliant musician, has confirmed to us once again his excellence in succinctly and clearly organizing more than a century of Brazilian music.” (Marcelo Onofri)Language: english & spanish
Improvisation is at the heart of jazz, but knowing how to play stylistically correct in a large jazz ensemble is also a necessity. How to Play Bass in a Big Band offers tips, suggestions, examples and a play along CD to help you put it all together. The repertoire covers many jazz styles from Basie to Latin and African-influenced music to ECM and contemporary jazz (the Vanguard Jazz Orchestra, Bob Brookmeyer, etc.). Soloist: Jeff Campbell
Easy Jazz Conception Bass LinesTranskribierte Bass Lines mit Play-along CD. uben mit einer first-class Rhythm Section. Begleiten Sie Jim Snidero (As), Eric Alexander (Ts), Ryan Kisor (Trp), Slide Hampton (Tbn) oder Joe Cohn (Git)
Jazz Workshop fur Bass und SchlagzeugEine Anleitung zum Ensemble-SpielJazz Workshop fur Bass und Schlagzeug konzentriert sich in erster Linie auf den Jazz und seine verwandten Stilrichtungen wie Funk sowie brasilianischen und afrokubanischen Jazz. Das Buch enthält ausgeschriebene Stimmen zu 16 Stucken von Miles Davis, Herbie Hancock, Sonny Rollins, James Brown, Jaco Pastorius, Russel Ferrante u.a.Die Geschichte von Bass und Schlagzeug im Jazz (mit herausnehmbarem Faltblatt) - Notation - Das Verbessern des Blattspiels - Interpretation eines Leadsheets - Sinnvolles uben - uben mit Aufnahmen (CD und Video) - Setups und Fills - Time - Jazz Feel - Form - Improvisation - Latin Feel - Begleitung und Time Spielen - Touch, Ton und Dynamik - Funk Feel, Horen und Gehorbildung - Vorbereitung auf eine Probe - 9 Rhythmik-Etuden - Theorie fur Basslinien nach Stilen - Zusammenfassung der Feels nach Stilen - Musikervokabular - BibliographieNombre de pages :136