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10cc - 10cc in Concert
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10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

Anbieter: Konzertkasse
Stand: 07.04.2020
Zum Angebot
10cc - 10cc in Concert
49,95 € *
zzgl. 5,95 € Versand

10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

Anbieter: Konzertkasse
Stand: 07.04.2020
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Loose Wheels and Narrow Necks: Cart 437 and Oth...
9,95 € *
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Over the years while writing, directing, and acting at radio theater workshops and in the Mark Time Radio Show performances at Minneapolis' CONvergence science fiction conventions, Brian Price and Jerry Stearns found that they shared a love for classic Beat poetry, Lord Buckley, and prose poems, so they started doing some of their own. This is a collection of their unique hybrid of humor, music, character, and performance. "Closed Mouths and Narrow Necks" (The Yellow House - West Plains, MO, May 29, 2002) - Bass: Thom Hoglen, Sax: Eric Elder "Cart 437" (or "The Long Way Around") (CONvergence 2006 - July 7, 2006) "The Collapse of the 20th Century Was So Gradual" (Minicon 32 - March 28, 1997) - Piano: David Emerson "Clones Day Parade" (CONvergence 2001 - July 6, 2001) - Piano: Mike Wheaton "Unrelated Cliffhanger Theater" (CONvergence 2006 - July 7, 2006) with Windy Bowlsby, Tim Wick, Charlie Meitzner, Preston Ossman, Eleanor Price, and David Ossman "Your Mileage May Vary" (CONvergence 2002 - July 5, 2002) with Richard Fish; Music by Eleanor Price "A Cure for Science" (CONvergence 2004 - July 2, 2004) - Trombone: Jim ten Bensel "The Tiniest Souls" (CONvergence 2007 - July 6, 2007) "Under the Broken Tree Bridge" (CONvergence 2008 - July 3, 2008) with Eleanor Price; Piano: Keith Spears "Cart 437: Part Two" (Hear Now Festival - Kansas City, MO, June 9, 2016) "You Can't Handle the Truth" (CONvergence 2007 - July 6, 2007) with Wally Wingert, Windy Bowlsby, Tim Wick, Preston Ossman, Eleanor Price, and David Ossman 1. Language: English. Narrator: David Ossman, full cast. Audio sample: http://samples.audible.de/bk/blak/010527/bk_blak_010527_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 07.04.2020
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Skin (Musician)
39,00 € *
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Deborah Anne Dyer, better known by the stage name Skin, (born 3 August 1967, Brixton, London) is a singer and occasional model. She is the lead vocalist of English band Skunk Anansie. Mavis Bayton, author of Frock Rock, an academic book about women musicians in Britain says that "women like Skin, Natasha Atlas, Yolande Charles, Mary Genis, and Debbie Smith are now acting as crucial role models for future generations of black women."Skin began her music career in Skunk Anansie who were a band often grouped as part of the britrock movement in the UK. They were noted for being a multi-racial band, and having Skin, a black female as their lead singer. Joining Skin in the line up for the band were Ace on guitar, Cass on bass guitar, and Mark on drums.

Anbieter: Dodax
Stand: 07.04.2020
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Guto Puw
39,00 € *
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High Quality Content by WIKIPEDIA articles! Guto Pryderi Puw is a Welsh composer, university lecturer and conductor. He is considered to be one of the most promising Welsh composers of his generation and a key figure in current Welsh music. Puw's music has been broadcast on BBC Radio 3 and been featured on television programmes for the BBC and S4C. He has twice been awarded the Composer's Medal at the National Eisteddfod. Puw's works include pieces for unusual combinations of instruments, such as a tuba quartet or a trio consisting of harp, cello and double-bass, as well as more traditional forces such as solo baritone and piano, choir or orchestra. He was associated with the BBC National Orchestra of Wales as its Resident Composer, the first holder of this title, from 2006 to 2009. Puw wrote an Oboe concerto as part of this association, and his latest composition for the orchestra was premiered at the 2007 Proms. Puw's own Welsh identity is a recurrent theme in his music: some of his pieces set Welsh-language poetry to music and one of his pieces, Reservoirs, is written about the flooding of Welsh valleys to provide water for England.

Anbieter: Dodax
Stand: 07.04.2020
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American Beauties, photo book and 4 Audio-CDs
14,95 € *
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American Beauties ist eine photographische Hommage an die Legenden der Straße. Und eine musikalische Liebeserklärung an ein Lebensgefühl, das seit den Fünfziger Jahren untrennbar mit den chromblitzenden Schönheiten verbunden ist. Steigen Sie ein zu einer faszinierenden Reise mit den legendären Ikonen der Straße, begleitet von Songs von u.a. Little Richard, Percy Sledge, The Drifters und Ben E. King.MUSIK-INHALT:American Beauties – He’s A Rebel1 The Crystals: He's A Rebel 2:17 064(Pitney) Super Songs Unlimited / Unichappell Music, Inc. (BMI)(0141372ERE/CD1/03)2 Little Richard: Tutti-Frutti 2:24 131(Labostrie, Lubin, Penniman) EMI Blackwood Music Inc. (BMI)(0149612ERE/01)3 The Shirelles: Will You Still Love Me Tomorrow? (re.) 2:40 181(G. Goffin, C. King) Screen Gems - EMI Music Inc. (BMI)(0125042ERE/06)4 Gene Chandler: Duke Of Earl 2:24 050(Dixin, Sr. Edwards, Williams) Conrad Music (BMI)(0141372ERE/CD1/10)5 Fabian: Hound Dog Man 2:12 076(D. Pomus, M. Shuman) Music Corporation Of America / Hill & Range Songs (BMI)(CD 076/15)6 Percy Sledge: (Sittin` On) The Dock Of The Bay 2:34 185(Redding, Cropper) Irving Berlin Music Corp. (ASCAP)(0149612ERE/15)7 Del Shannon: Runaway 2:31 179(Shannon, Cook) Bug Music / Unichappell Music, Inc. (BMI)(0141372ERE/CD1/05)8 Tommy Roe: Sheila 2:10 171(Roe) Low-Twi Music Inc. (BMI)(0141372ERE/CD1/02)9 Crystals: Then He Kissed Me 2:35 064(Barry, Greenwich, Spector) Mother Bertha Maria Inc. / ABKCO Music Inc. / Trio Music Co. Inc.(0149612ERE/09)10 Betty Everett: The Shoop Shoop Song (It’s In His Kiss) 2:15 076(R. Clark) Trio Music Co, Inc. (BMI)(CD 076/11)11 Sandy Nelson: Let There Be Drums 2:27 149(Nelson, Polodor) EMI Unart Catalog Inc. (BMI)(0141372ERE/CD1/06)12 Jimmy Clanton: Go, Jimmy, Go 2:06 054(Pomus, Schuman) Hill & Range Songs (BMI)(CD 054/05)13 Ray Peterson: Tell Laura I Love Her 2:53 157(Barry, Raleigh) Edward B. Marks Music (BMI) / Music Sales Corp. (ASCAP)(0141372ERE/CD1/18)14 Lloyd Price: Stagger Lee 2:57 160(Price, L., Logan, H.) Irving Music, Inc. (BMI)(0141372ERE/CD1/13)15 Little Richard: Lucille 2:28 130(Penniman, Collins) EMI Blackwood Music Inc. (BMI)(0141372ERE/CD1/07)16 Chiffons: One Fine Day 2:18 053(G. Goffin, C. King) Screen Gems-EMI Music Inc. (BMI)(0149612ERE/07)17 Mary Wells: My Guy 2:48 226(Robinson) Jobete Music Co, Inc. (ASCAP)(0141372ERE/CD1/17)18 The Ad Libs: The Boy From New York City 2:56 002(Taylor, Davis) Trio Music Co, Inc. (BMI)(0141372ERE/CD1/16)American Beauties – Hey Baby!1 Lesley Gore: It's My Party 2:18 091(Gluck, Gold, Wiener) World Song Publishing Inc. (ASCAP)(0149612ERE/11)2 The Drifters: Save The Last Dance For Me 2:36 ???(Pomus, Shuman) Manor Music Co.Ltd.(0141372ERE/CD1/19)3 Bruce Channel: Hey Baby! 2:23 050(Channel, Cobb) EMI Unart Catalog Inc. / Le Bill Music Inc. (BMI)(0149612ERE/20)4 Wanda Jackson: Let's Have A Party 2:20 113(Robinson) MPL Communications Inc. (ASCAP)(0141372ERE/CD1/04)5 Carl Dobkins jr.: My Heart Is An Open Book 2:16 ???(Robinson) Casa David Music/Emily Music Publishing Corp. (ASCAP)(CD 070/06)6 Swinging Blue Jeans: Hippy Hippy Shake 1:48 205(Romero) Jonware Music Corp. / Careers-BMG Music Publishing (BMI)(0149612ERE/06)7 Fabian: Tiger 2:31 076(Jones) Music Corporation of America / Screen Gems-EMI Music Inc. (BMI)(0149612ERE/03)8 Foundations: Build Me Up Buttercup 2:59 082(D'Abo, McCaulay) EMI Unart Catalog Inc. / BMG Songs Inc. (BMI)(0149612ERE/10)9 Tremeloes: Here Comes My Baby 2:55 215(Stevens) Angusa Music Co. Ltd. / Mainstay Music Inc. (BMI)(0149612ERE/17)10 Bobby Rydell: Wild One 02:21 176(D. Appell, K. Mann, B. Lowe) Lowe Music Publishing Corp. (ASCAP)(CD 176/05)11 Drifters: Sweets For My Sweet 2:40 074(Pomus, Shuman) Trio Music Co. Inc. / Hill & Range Songs (BMI)(0149612ERE/16)12 Trini Lopez: La Bamba – Part 1 4:24 135(Lopez) Songs Of PolyGram International Inc. (BMI)(0149612ERE/19)13 The Coasters: Poison Ivy 2:44 056(Leiber, Stoller) Jerry Leiber Music / Mike Stoller Music (ASCAP)(0141372ERE/CD1/12)14 Chubby Checker: Let's Twist Again 2:24 052(Mann, Appell) Kalmann Music Inc. (ASCAP)(0149612ERE/04)15 The Drifters: There Goes My Baby (re.) 2:12 074(Nelson, Patterson, Treadwell) Rightsong Music Co. / Jot Corp., (BMI)(0125042ERE/03)16 Cleftones: Heart and Soul 01:46 054(H. Carmichael, F. Loesser) Famous Music Publishing Co. (ASCAP)(CD 054/14)17 Little Richard: Send Me Some Lovin' (re.) 2:27 130(J. Marascalco, L. Price) EMI Blackwood Music Inc. (BMI)(0125042ERE/18)18 The Diamonds: Little Darlin' (re.) 2:11 068(Williams) AVI Music Publishing Group Inc. (BMI)(0125042ERE/10)American Beauties – Only You1 Ben E. King: Stand By Me (re.) 3:00 122(King, J., Leiber, J., Stoller, M.) Jerry Leiber Music / Mike Stoller Music (ASCAP) / Hill & Range Songs (BMI)(0125042ERE/07)2 Brook Benton: It's Just A Matter Of Time (re.) 2:32 024(B. Benton, B. Hendricks, C. Otis) Hudson Bay Music Co. / Trio Music Co. Inc., Eden Music (BMI)(0125042ERE/14)3 Robert Knight: Everlasting Love 2:51 123(Cason, Gayden) Rising Suns Music Inc. (BMI)(0149612ERE/08)4 The Shangri-Las: Give Him A Great Big Kiss 2:10 179(G. Morton) Screen Gems - EMI Music Inc. / Tender Tunes Inc. / Trio Music Co. Inc. (BMI)(0125042ERE/09)5 Tina Turner: Stand By Your Man (re.) 2:44 215(B. Sherrill, T. Wynette) EMI Al Gallico Music Corp. (BMI)(0125042ERE/11)6 Wayne Fontana: A Groovy Kind Of Love (re.) 2:02 083(Sager, Wine) Sceen Gems-EMI Music, Inc. (BMI)(0125042ERE/08)7 Frankie Avalon: Just Ask Your Heart 2:29 009(P. Damato, D. De Nota, J. Ricci) Rambed Music Publishing (BMI) / Music Corporation Of America(0125042ERE/17)8 The Association: Cherish (re.) 3:23 006(Kirkman) Beechwood Music Corp. (BMI)(0125042ERE/12)9 The Platters: Only You (And You Alone) (re.) 2:38 160(B. Ram, A. Rand) Hollis Music Inc. / Screen Gems-EMI Music Inc. (BMI)(0125042ERE/02)10 Jewel Akens: So This Is Love 2:20 003(Howard, Newman) Pattern Music Inc. / MCA Music Publishing (ASCAP)(0125042ERE/05)11 Clarence "Frogman" Henry: (I Don't Know Why) But I Do 2:18 098(Guidry, Gayten) ARC Music Corp. (BMI)(0141372ERE/CD1/14)12 Bobby Vee: More Than I Can Say 2:25 219(Curt, Allison) Peermusic (UK) Limited(0141372ERE/CD1/08)13 Shirelles: Dedicated To The One I Love 2:18 181(Bass, Pauling) Duchess-MCA Music Publishing / Fort Knox Music Inc. / Trio Music(0149612ERE/14)14 Skeeter Davis: The End Of The World 2:40 068(Dee, Kent) Edward Proffitt Music / Music Sales Corp. (ASCAP)(0149612ERE/13)15 Betty Everett & Jerry Butler: Let it Be Me 02:51 076(G. Becaud, M. Curtis, Delanoe) MCA Music Publishing Co. (ASCAP) / SDRM(CD 076/12)16 The Platters: Smoke Gets In Your Eyes 2:36 160(Kern, Harbach) PolyGram International Publishing Inc. (ASCAP)(0141372ERE/CD1/15)17 Percy Sledge: When A Man Loves A Woman (re.) 2:55 185(C. Lewis, A.Wright) Pronto Music Inc. / Quincy Music Inc. (BMI)(0125042ERE/04)18 The Bachelors: Whispering 02:28 010(Coburn, R., Rose, V., Schonberger, J.) Public Domain(CD 010/10)American Beauties – Surf City1 Jan & Dean: Surf City 02:30 118(J. Berry, B. Wilson) Screen-Gems-EMI Music Inc. (BMI)(CD 118/05)2 Jimmy Clanton: Venus In Blue Jeans 2:18 054(Greenfield, Sedaka) Screen Gems-EMI Music Inc. / Careers-BMG Songs (BMI)(0149612ERE/12)3 The Drifters: Saturday Night At The Movies 2:36 074(Mann, Weil) Screen Gems-EMI Music Ltd(0141372ERE/CD1/01)4 The Elegants: Little Star (re.) 2:43 075(Picone, Venosa) ABZ Music Corp. (BMI)(0125042ERE/19)5 The Marcels: Blue Moon 2:09 ???(Hart, Rogers) EMI Robbins Catalog Inc. (ASCAP)(0141372ERE/CD1/09)6 Pat Boone: Love Letters In The Sand (re.) 2:21 028(F. Coots, C. Kenny, N. Kenny) Bourne Co.(ASCAP)(0125042ERE/01)7 Pat Boone: Speedy Gonzales 2:38 028(Kaye, Hill, Lee) Bienstock Publishing Co. / Larry Spier Inc. (ASCAP) / Budd Music(0149612ERE/18)8 Chubby Checker: Popeye the Hitchhiker 02:31 052(Mann, Appell) Kalmann Music Inc. (ASCAP)(CD 052/14)9 Sam and Dave: Soul Man 02:38 176(I. Hayes, D. Porter) Walden Music Inc. / Almo Music Corporation (ASCAP)(CD 176/18)10 Frankie Ford: Sea Cruise 2:45 083(Smith) Cotillion Music Inc. (BMI)(0149612ERE/05)11 Spanky and Our Gang: Lazy Day 03:07 188(Fischoff, Powers) Scren Gems-EMI Music, Inc. (BMI)(CD 188/17)12 Paul Evans: Seven Little Girls Sitting in the Back Seat 02:13 076(Hillard, Pockruss) Post Music (BMI)(CD 076/10)13 Bobby Sherman: Bubble Gum and Braces 02:07 182(Justin, Sherman) Not Needy Just Greedy Music (BMI)(CD 182/07)14 Four Preps: Down by the Station 02:35 083(Belland, Larson) Beechwood Music Corp. (BMI)(CD 083/06)15 Jimmy Clanton: Just A Dream 02:26 054(Clanton, Matassa) Carbert Music, Inc. (BMI)(CD 054/06)16 Del Shannon: Little Town Flirt (re.) 2:50 179(Cook, Shannon) Bug Music / Mole Hole Music / Unichappell Music Inc. (BMI)(0125042ERE/15)17 Hank Ballard: Let's Go, Let's Go, Let's Go 02:34 010(Ballard) Fort Knox Music Inc. / Trio Music Co, Inc. (BMI)(CD 010/14)18 Danny & The Juniors: At The Hop 2:40 066(Singer, Medora, White) ARC Music Corp. / Six Continents Music (BMI)(0149612ERE/02)All titles: With courtesy of Dominion Entertainment Inc. (A K-Tel Company)(P) Dominion Entertainment, Inc.(C) 2003 edel CLASSICS GmbH

Anbieter: Dodax
Stand: 07.04.2020
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Alive AG The Heat - Bonus Tracks Edition Funk C...
17,70 € *
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Nonas 4. Album brachte Rockeinflüsse in ihren Dance-R&B-Sound. Feat. Keith Richards (Rolling Stones) an der Guitarre und Doug Wimbush (Living Colour) am Bass.nnNonas 4. Album brachte Rockeinflüsse in ihren Dance-R&B-Sound. Feat. Keith Richards (Rolling Stones) an der Guitarre und Doug Wimbush (Living Colour) am Bass. The 4th Nona Hendryx solo album features Nona in a mix of moods, with the opener Revolutionary Dance starting things off with a bang. It s music with a message which Nona has expertly done in her career. This album features many tracks in the dance mode with rock & R&B mixed in. The Heat Pt. 1 and The Heat Pt. 2 are both entirely different songs. Labelle partner Sarah Dash sings backup vocals on Part 2, and future Living Colour bassist Doug Wimbush has an amazing bass hook he played on this track. Keith Richards guest stars playing guitar on Rock This House. This song earned Nona a Grammy nomination for best female rock performance. Production comes from Bernard Edwards of Chic Fame. It s loud rock and roll Nona style. TRACKS: 1. Revolutionary Dance 2. A Girl Like That 3. The Heat (Part I) 4. I Need Love 5. If Looks Could Kill (D.O.A.) 6. Rock This House 7. The Heat (Part II) 8. Time 9. I Need Love (Extended Version) 10. If Looks Could Kill (D.O.A.) (Killer Club Mix) 11. Moving Violations (12 Version)

Anbieter: Dodax
Stand: 07.04.2020
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Alive AG The Magic Number House Musik CD Wareika
15,54 € *
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In den letzten Jahren hat Wareika einen beachtenswerten, souveränen und sehr organischen House-Sound entwickelt. Jetzt auf Visionquest, dem von Seth Troxler gegründeten Label.nnIn den letzten Jahren hat Wareika einen beachtenswerten, souveränen und sehr organischen House-Sound entwickelt. Jetzt auf Visionquest, dem von Seth Troxler gegründeten Label. Mid March will see Wareika release 'The Magic Number' LP via Visionquest, comprising nine original compositions from the trio. Wareika is the collective guise of musical trio Florian Schirmacher, Henrik Raabe and Jakob Seidensticker and together the artists have firmly cemented themselves as a driving force for idiosyncratic electronic music. With recognition and material coming from labels such as Zip's revered Perlon imprint, Tartelet Records and of course Visionquest, where they return to here for their third long player on the label following 'Wternal' in 2013, it's evidently clear Wareika is a force to be reckoned with in the world of underground electronica. Across 'The Magic Number' LP Wareika carve out a coherent yet meandrous collection of tracks to form the project, all encompassing the trio's unique and forward thinking style. Title track's 'The Magic Number' part one and two radiantly display the groups musicality and production prowess via melodious piano progression's and jazz-tinged bass, while psychedelia infused cuts like 'Song Of Wareika', 'Bolero' and 'My Guitar' show a further distinctive charm in their output. Things do look to the dance floor across the album as well with compositions like 'Finding Essence', 'Protect Me From What I Want' and 'Planet Jason' laying down intricately programmed 4/4 rhythms, hypnotic synth works and rumbling bass drones throughout, brilliantly showcasing Wareika's diverse and beguiling production style. TRACKS: 1. The Magic Number (Part 1) 2. Planet Of Jason 3. Song Of Wareika 4. Bolero 5. My Guitar 6. Wareika & Miajica - Keen To Rebel 7. Finding Essence 8. Protect Me From What I Want 9. The Magic Number (Part 2)

Anbieter: Dodax
Stand: 07.04.2020
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Alive AG Poptronics Lounge CD Paredes, Silvio
19,21 € *
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Der Chilene gehört zu den bekanntesten Bassisten Südamerikas. Sein Sololbum ist eine Fusion aus Elektronik, Pop, Jazz, Rock und Downbeat. Und Slap-Bass...nnDer Chilene Silvio Pareds gehört zu den bekanntesten Bassisten Südamerikas und er ist eine Virtuose am Chapman Stick, der korpuslosen Bassgitarre. Seine Band Los Mismos gehörte zu den ersten, die Elektronik mit echten Instrumenten vermischte. Sein Sololbum ist eine Fusion aus Elektronik, Pop, Jazz, Rock und Downbeat. Und Slap-Bass... Silvio Paredes is a reference point on electric bass and the Chapman Stick not only in his home country Chile, but in all of Latin America. In particular the Stick has been his main instrument since he started playing and he combines it with an array of electronic devices. Silvio has been a seminal part of several of the Chilean music scene's mainstays. His trio Los Mismos was the first electronic group that would mix electronics with electrical instruments in a playing style similar to that of a rock band, and Silvio is co-founder and core member of the still active cult band Electrodomesticos that blends industrial rock with electronica. His fusion of elements from jazz, rock and hip-hop with electronica has been released on four albums, featuring guest performances by outstanding musicians such as DJ Raff, Solo di Medina and DJ Bitman as well as the highly successful indie-pop artist Javiera Mena. Silvio Paredes is relocating to England in January 2016 for a three-year period and will be active regularly on the European scene. TRACKS: 1. Saber Andar 2. Copo de Nieve 3. El Pata 4. Paulista 5. Zapatos Azules 6. Soulwalk 7. Calfuco

Anbieter: Dodax
Stand: 07.04.2020
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